Here’s my 9/11 post a couple of days late. It’s the Anchormen from the United States Naval Academy covering the Eagles song Hole in the World. The song was written by Don Henley and Glenn Frey after the events surrounding September 11, 2001.
Posts Tagged ‘Don Henley’
‘Hole in the World’
Posted in Miscellaneous, tagged Anchormen, Don Henley, Eagles, Glenn Frey, Hole in the World. on September 13, 2014|
“Mad Men” Diet & Workout
Posted in screenwriting, tagged Arthur Miller, Billy Wilder, Don Henley, Jon Hamm, Mad Men, Matthew Weiner, New York Minute, The Apartment on March 29, 2012| 2 Comments »
“When I write a script, I am telling a story that comes from my heart.”
Matthew Weiner, 9-time Emmy winning writer/producer (The Sopranos, Mad Men)
“He had a home,
The love of a girl,
But men get lost sometimes,
As years unfurl”
New York Minute
Lyrics by Don Henley, Danny Korthchmar, Jai L. Winding
I’m on a steady Mad Men diet. No, I didn’t see the season premiere of the Emmy-winning AMC TV program earlier this week. Not being a regular TV watcher it takes me a little time to commit to watching a show. But once I’m in, I’m all in. This week alone I’ve watched 9 episodes. (All which aired originally in 2007.)
It’s really more of a workout—literally. At the gym I set either a stationary bike or an elliptical machine for 47 minutes. (The length of an episode.) And I’ve even switched machines and watched shows back to back. So if you had a sedate winter give that Mad Men diet and workout a try. (Results vary.)
Socrates said, “The unexamined life is not worth living”— but it sure can make for good drama. It worked for Arthur Miller in Death of a Salesman and it works for Matthew Weiner and his writing team for Mad Men. In fact, the subtitle of Man Men could borrow words from Thoreau; “The mass of men lead lives of quiet desperation.”
Mad Men is everything that television usually isn’t; intelligent, philosophical, contemplative, and even spiritual. (Along with a good deal of smoking, drinking, and philandering.) And its use of subtext and visual storytelling* exceeds what you’ll find in the typical Hollywood feature film.
So I thought I’d find a little inspiration today for you from the Mad Men creator Matthew Weiner.
“Writers were idolized in my home. My parents had a big poster picture of Ernest Hemingway on a wall in a hallway in our house. I thought I was going to be a poet and that I would find some other profession, teaching or something, to support me. After I graduated from film school at the University of Southern California, it was about 10 years before I got a paying job in the industry, but I never gave myself a time limit. I wrote the pilot episode for Mad Men in 1999 at night while I already had a job, and finally got it produced in 2006.”
Matthew Weiner
A Conversation with Matthew Weiner by Bob Fisher
Don’t gloss over that 10 year deal. It was 10 years after Weiner earned his MFA from USC that he got “a paying job in the industry.” He also did his undergraduate work at Wesleyan University where he was in “a Great Books program with philosophy, literature and history mixed together.” Smart cookie, with educated and affluent parents, but it still took him 10 years to get a paying job in the industry. Say he’s 24 when he gets his Master’s degree, that puts him at 34 before his career started to take off.
I don’t know what he did in that ten-year period, but I bet he was cranking out pages. (He did have some scripts optioned for free.)
“I’ve learned that tenacity is a common part of the personalities of successful writers whom I have met. Now, maybe because I have had some success, I can say that the struggling for the 10 years or so before I got a paying job, made me a better writer.”
Matthew Weiner
Looking for a word today to put on a 3X5 card to place on the wall behind your computer? Try tenacity. Meaning persistent, relentless—like a dog on a bone.
P.S. From the quirky connection category. Weiner is four years younger than me an attended the all-boys prep school Harvard in Los Angeles (Now the co-ed Harvard-Westlake School). When I was in film school I worked for Yary Photography taking pictures of sports groups throughout Southern California. I did several shoots at the Harvard School when I was 21/22-years-old. Weiner would have been a 17/18-year-old student meaning if he played sports our paths could have crossed for a fleeting moment.
And for what it’s worth, writer-director Jason Reitman (Up in the Air) is also an alumni of the Harvard-Westlake School where the tuition for this school year is $30,000.
P.P.S. Care for a Midwest angle on Mad Men? Jon Hamm, who plays creative director Don Draper was born in St. Louis, Missouri and graduated with a B.A. in English from the University of Missouri. Same school Brad Pitt attended. Ironically, neither of the future stars and Sexist Men Alive were theater majors at the Columbia, MO college. And January Jones (who plays Don’s wife Betty) was born and raised in Sioux Falls, South Dakota (about 10 miles from the Iowa border).
* Visual storytelling Mad Men example: In the episode Long Weekend, the number #2 man at the advertising agency Sterling-Cooper calls a secretary into his office (who is having an affair with) and just before she closes the door to his office she decides to leave it ajar about a foot. Nothing said, but so much implied. As the scene plays on it turns out she has seen Billy Wilder’s The Apartment (1960), and sympathizes with the Shirley MacLaine character and wonders if she herself is just being used.
Related posts:
Beatles, Cody, King & 10,000 Hours
“Unstoppable” Wesleyan University
Screenwriting Quote #32 (Mad Men)
The Secret to Being a Successful Screenwriter (Seriously) John Logan’s (Hugo, Rango) 10 year struggle as a writer.
Putting the Bust in Blockbuster
Posted in Miscellaneous, tagged Blockbuster, Don Henley, New York Minute on August 26, 2010| 1 Comment »
“The wolf is always at the door.”
Don Henley
New York Minute
I don’t remember when I first asked myself, “How is Blockbuster going to survive?”—but it was a few years ago. Now with a debt load of over a billion dollars and stocks currently selling at 11 cents, everyone is wondering, “How is Blockbuster going to survive?”
“After dominating the home video rental business for more than a decade and struggling to survive in recent years against upstarts Netflix and Redbox, Blockbuster Inc. is preparing to file for bankruptcy next month, according to people who have been briefed on the matter.”
L.A. Times
August 26, 2010
The first Blockbuster video store opened in 1985 just as the VCR movie rental business was taking off. If I recall correctly, the video rental market at that time consisted of mostly mom and pop type stores. By the early 90s Blockbuster stores were everywhere and they became the largest movie rental company in the United States.
For a long time its major competition was Hollywood Videos (also known as Movie Gallery) which at its peak had over 4,500 stores in North America. Early this year Hollywood Video/Movie Gallery filed for bankruptcy and the last of its stores just closed within the last month.
Whether Blockbuster finds a way to reorganize and survive or becomes the new Fotomat is unknown at this point. But either way, they had a great 20 plus year run and filled a niche between Hollywood and consumers. I wish I could hit a button and look at how many movies I’ve rented from them over the years. And the list of movies itself would probably a few good memories.
I know there are more efficient and convenient ways to rent movies these days, but if all the large video rental houses fade away I will miss just being able to wander through the store and stumbling on a movie I had never seen before or hadn’t seen in a while.
But I’ll never miss those dang late fees.
Diablo’s Body
Posted in screenwriting, tagged Al's Breakfast, Diablo Cody, Don Henley, Final Draft, Jennifer's Body, Jonny Hunt, Miinneapolis, Mpls St. Paul Magazine, New York Minute, Oscar, Steve Marsh, Steven Spielberg on September 22, 2009| 6 Comments »
“I need to know two people can stay together forever.”
Juno
(Winning an Oscar) doesn’t mean anything. It’s like winning class president.”
Diablo Cody
Someone once said that in America we love to cheer victors as they enter the triumphal arches and then throw rocks at them as the pass through the other side. If you’re older than 15 you’ve seen the cycle repeated a time or two with athletes, political leaders, and especially movie and pop music stars.
Welcome to the jungle Diablo Cody. The first negative thing I remember hearing about Cody was the day after she won her Oscar for Juno and some critics decided they had had enough of the Cody love fest and mocked her choice of dress for the Oscars.
Now is when things get ugly. Cody’s second film Jennifer’s Body was released Friday and the reviews are mixed, but with a heavy dose of criticism:
“Jennifer’s Body is never scary and it’s only sporadically amusing.” Christy Lemire. AP
“It’s a serviceable premise, but the execution fails on almost every level.” Colin Covert, Minneapolis Star Tribune
“An unoriginal and mostly unscary horror-comedy from, surprisingly, the pen of Diablo Cody.” Kirk Honeycomb, Hollywood Reporter
Diablo Cody called unoriginal? Ouch.
But I’m not really interesting in talking about Jennifer’s Body, I’m more interested in Diablo’s body. Her arm actually. I want to talk about what happens after you’ve been to the top of the mountain because they don’t generally have a class for this kind of thing.
A few months ago I was doing a shoot in Minneapolis and went to eat at Al’s Breakfast in Dinkytown. (A must-do eating experience if you’re ever in the Twin Cities.) I sat next to a guy who looked like a rock star (as a lot of people do in Minneapolis). I asked him if he was in a band and he said he used to be. We talked about the music scene in Minneapolis and then about Diablo Cody. He said years ago he met her once (when she went by the name Brook) at a bar across the street when she was there to watch her boyfriend/husband, Jonny Hunt, play in a band. (A good musician I was told.)
The same Jonny that Steve Marsh at Mpls St. Paul Magazine asked Diablo Cody about in October 2007 just as her career was taking off:
Marsh: Let’s say $100 million gross, little gold man—does that mean, bye, bye Jonny?
Cody: WHAT? Are you kidding? That’s a ridiculous question. Like, he’s sitting right here. He’s not going anywhere. Everything we do we do side by side. I’ve got him tattooed on my arm for god’s sakes.
Jonny responded to the question on his blog a week after the question was asked and wrote about he and Diablo’s relationship, “We’re doing just fine. Out here in Hollywood, despite what you have heard, people don’t always ditch each other randomly when they get successful, okay?”
But by the time the article hit the stands two months later (Dec. ’07) the tattoo “Jonny’s girl” was inked over with roses. ( News of their split hit the press the day the film opened , and I’m not sure if the divorce was final before or after Juno passed the $100 million mark.)
Cody has basically lived the whole Hollywood life cycle in just two or three years (write script in Minneapolis—sell script to Hollywood—move to Hollywood—movie gets rave reviews and is a box office hit—hired by Steven Spielberg—talk show circuit—win an Oscar—nude photos circulated—next movie gets some stinging reviews and stumbles at the box office—talk of her demise). In a year or two everyone will be talking about her comeback film.
Diablo’s body of work is not that large but the University of Iowa grad does have an Oscar and the TV show she created (The United States of Tara) landed the lead actress, Toni Collette, an Emmy Monday night. She’s doing fine, thank you.
Even if Jennifer’s Body doesn’t make another dime, Cody will. And she’ll continue to develop as a writer and will have hits and misses in the future (just like all working writers, directors, producers, and actors). Winning the Oscar really will be a burden for her as everything she does will be compared to Juno, and she may never be on that mountaintop again. (But what would most writers give to have that burden?)
There were many factors that made Juno a success. And one of those factors I believe is the one who gave Cody a lot of early support and inspiration— Jonny Hunt (the one covered in roses on Cody’s arm). Cody once said of him, “My now-ex-husband convinced me to use our last $200 to buy Final Draft, so I just sat down and started writing a movie. It’s that simple.”
It’s too bad their marriage didn’t survive.
I think two people can stay together forever. But it isn’t easy for any couple. As Don Henley sings in New York Minute: “If you find someone to love in this world/You better hang on tooth and nail/The wolf is always at the door.”
Related Posts: Juno has Another Baby (Emmy)
Screenwriting Quote of the Day #80 (Susannah Grant)
Posted in Screenwriting Quotes, tagged 28 Days, David S. Coehn, Don Henley, Erin Brockovich, How 25 Screen Plays Made It To A Theater Near You ---- For Better Or Worse., Jai Winding, My Thanksgiving, Screen Plays, Stan Lynch, Susannah Grant, The Soloist on May 14, 2009| 1 Comment »
“Are you something else I’m going to have to live through?”
Erin Brockovich
Written by Susannah Grant
Yesterday while making the 3+ hour drive to Minneapolis where I have a video shoot today I listened to Don Henley’s CD Inside Job and there is one particular song I tend to listen to over and over again — My Thanksgiving (written by Henley along with Stan Lynch and Jai Winding):
For every moment of joy
For every hour of fear
For every winding road that brought me here
For every breath, for every day of living
This is my Thanksgiving
For everyone who helped me start
And for everything that broke my heart
For every breath, for every day of living
This is my Thanksgiving
Henley’s songs often have a spiritual element and this song is no different as it takes an angle to be thankful for the winding roads and things that have broken your heart. That album came out in 2000, the same year as the movie Erin Brockovich which featured Julie Roberts in the lead roll playing a character who had her share of winding roads and heart breaking experiences.
It was written by Susannah Grant who also wrote Pocahontas, 28 Days, and The Soloist which is currently in theaters. In David S. Cohen’s book Screen Plays he dedicates a chapter to Erin Brockovich that ended up with a worldwide gross of $259 million and earned Grant an Oscar nomination. Cohen asks Grant, “What’s the hardest thing about having a life and being a screenwriter at the same time?”
Grant: Maintaining concentration. Maintaining your focus. And protecting the creative part of your brain. When you have a baby and a husband and an extended family and friends, not letting those aspects of your brain overwhelm the part of your brain that writes. Just getting some mental privacy.
I run—that helps a lot. I don’t let light in my office. I think that just cuts out the outside world. I just have a big blank wall in front of me. I just try to get rid of the things that will make me think of something else. I don’t have very good concentration. If I had a desk in front of a window, there’s no way I could work.”
I think Erin Brockovich strikes a cord with audience because it does give meaning and purpose to a life full of winding roads and broken heart or two. That the difficult things in your life can be steps toward the opportunities you’ve always dreamed about. Isn’t that the hope we all have? So be thankful, keep writing, and it wouldn’t hurt to read Cohen’s book Screen Plays, How 25 Screen Plays Made It To A Theater Near You — For Better Or Worse.
Movies from Main St.
Posted in screenwriting, Screenwriting Road Trips, tagged AFI, American Graffiti, Andie MacDowell, Andres Duany, Bill Murray, Cars, Cedar Falls, Courtyard Grill, Danny Rubin, Denton, Don Henley, Dr. Tony Grant, Elizabeth Plater-Zyberkit, Florida, Groundhog Day, Harold Ramis, Hoosiers, Illinois, Iowa, It's a wonderful life, Main St, Making Groundhog Day, My Dog Skip, Northern Exposure, Pennsylvania, Pennsyvania, Places in the Heart, Punxsutawney, Richard Karlgaard, Rod Serling. Twlight Zone, screenwriting, Seaside, Sinclair Lewis, small towns, Texas, The Andy Griffith Show, The Last Picture Show, The Painter of Light, The Truman Show, Thomas Kinkade, To Kill a Mockingbird, University of Miami, Walt Disney, Woodstock on October 23, 2008| 1 Comment »
“Small town people are more real, more down to earth.”
Groundhog Day
Phil (Bill Murray)
“A growing number of Americans are seeking a larger life in a smaller place. Many are finding it.”
Life 2.0
Richard Karlgaard
You hear a lot about Main St. these days and I thought I’d explore what that means from a screenwriting & filmmaking perspective. A couple days ago my travels took me to northern Illinois and to the town of Woodstock which happens to be where much of the movie Groundhog Day starring Bill Murray was filmed.
The above photo is the corner where Ned confronts Bill Murray’s character again and again and where Murray steps off the curb into the puddle of water. The town, which is about an hour north east of Chicago, has improved much over the last 15 years and continues to embrace the fact that Groundhog Day was filmed there.
That’s right, Woodstock doubled for Punxsutawney, Pennsylvania. Director Harold Ramis thought the town square there worked better as a location than the real deal. I wonder how many people go out of their way to go to Punxutawney and are disappointed that it doesn’t look like the town in the movie? That’s showbiz.
In fact, the town even has a life-imitating-art groundhog day celebration and a nice map you can follow to see the various filming locations of the Danny Rubin and Ramos screenplay. The bar scene where Bill Murray and Andie MacDowell drink to world peace is now the Courtyard Grill and has a signed script on the wall by where they sat.
Certainly, if you’re in the area it’s worth it to stop to see where one of the great comedy films (#34 on the AFI Greatest American Comedy list) was filmed. If you’re there at the beginning of February you can even take part in the groundhog days celebration.
From my home where I am typing this I can see Main St. here in Cedar Falls, Iowa. It’s just a block to the west and is quite a lively Main St. USA. Shops, a playhouse, art galleries, several bars and restaurants (a new one opening next month will feature a respected Chicago chef) and even a comedy club. It’s also worth a stop if you are ever driving the Avenue of the Saints between St. Louis and St. Paul.
There’s something endearing about Main Streets in general. Of course, sometimes they aren’t even called Main St., but they are the historic main road through the heart of smaller towns. It’s not hard for me to think back at some of my favorite main drags (Telluride, Colorado, Winter Park, Florida., Franklin, Tennessee,, Holland, Michigan, Lake Geneva, Wisconsin, Seal Beach, California, Gettysburg, Pennsylvania and Galena, Illinois).
Places that for the most part that have been around for 100 years. Places with history and character. Perhaps in a response to sprawling suburbs there has been an architectural movement to design areas that look a little like small towns complete with a Main St. (Some even have a small movie theaters.)
I first became aware of this while a student at the University of Miami in the ’80s when two Miami architects (Andres Duany and Elizabeth Plater-Zyberk) began to design the beach community of Seaside, Florida. (Seaside is so idyllic, it is where they filmed The Truman Show.) The success of Seaside has been well documented.
On the Seaside website you’ll find the history and the philosophy of what they set out to create after doing extensive research:
“Most of the buildings were studied in the context of small towns, and gradually the idea evolved that the small town was the appropriate model to use in thinking about laying out streets and squares and locating the various elements of the community.
Seaside is a great place and today you can go throughout the country and find other areas that were designed in its wake; Celebration, FL, Baldwin Park, FL, Harmony, FL, Prospect New Town in Boulder County, Colorado, and Kentlands in Gaitherburg, Maryland.
That is not to say that this new urbanist master planned communities idea doesn’t have its critics. The most common charge is they say the towns are more like film sets or some kind of fantasyland — sentimental and far removed from reality. Some felt it a little strange when Thomas Kinkade (The Painter of Light) got into the act outside the San Francisco Bay area by inspiring a development called The Village at Hiddenbrook that feature homes that would be at home in one of his glowing paintings. Where are the Rod Serling/Twight Zone inspired writers on that one?
But for many (including Walt Disney, and perhaps Kinkade) small towns represent the ideal. (Community, honesty, fullness of life, etc.) The way life ought to be, or the way it was. Many movies and TV programs tap into this mystique: It’s a Wonderful Life, American Graffiti, The Last Picture Show, My Dog Skip, The Andy Griffith Show, Cars, To Kill a Mockingbird, The Truman Show, Northern Exposure, Places in the Heart, and Hoosiers.
(And some books, films and songs are critiques and satires of small town living such as Pleasantville, Harper Valley PTA, and Sinclair Lewis’ Main Street.
Either way Main St. (and all that it represents) is a part of Americanna and will continue to be probably forever and is fertile ground for you to explore in your screenwriting, and perhaps even in your life. As Don Henley (who was raised in the small town of Linden, Texas) sings in The End of the Innocence:
Who know how long this will last
Now we’ve come so far so fast
But somewhere back there in the dust,
that same small town in each of us
On a closing note, I remember when I lived in L.A. there was a popular radio host named Dr. Toni Grant who used to encourage her callers/listeners to write the script of their life. I always thought that was an interesting concept and worth exploring as you take a few more trips around the sun.
Come to think of it, isn’t that what Bill Murray’s character did in Groundhog Day? He rewrote the script of his life and became a better person — and got the girl to boot. It is a wonderful life…
Photos and text 2008 copyright Scott W. Smith