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Posts Tagged ‘Giant’

“To be alive, to know consciously that you are alive, and to relish that knowledge–this is a kind of magic.”
Edna Ferber

“Life can’t defeat a writer who is in love with writing, for life itself is a writer’s lover until death.”
Edna Ferber

Move over Tom Arnold.* On a recent shoot in Ottumwa, Iowa I learned that Arnold is not the only Ottumwan with ties to Hollywood. Pulitzer Prize-winning novelist Edna Ferber (1885-1968) lived for a spell in Ottumwa.

Ferber’s novel So Big (for which she won the Pulitzer) was made into a movie—three times. The first was a silent film in 1924, the second version  (black & white with sound) starred Barbara Stanwyck in 1932, and the third incarnation was a color version in 1953 directed by Robert Wise and starred Jane Wyman and Sterling Hayden.  (Maybe a 3-D version is next.)

Ferber’s stories also made it to Broadway and Television—and in some cases her writings like Show Boat started as a novel, and became a Broadway play, and a movie. How many writers have pulled off that trifecta?  She wrote the play Dinner at Eight with Charlie Kaufman that also became a TV movie and the George Cukor directed film which featured John Barrymore and Jean Harlow.

Two of her best known works for film lovers are the western Oscar-winning Best Picture Cimarron (1960) and Giant (1956) which was directed by George Stevens and starred Elizabeth Taylor, Rock Hudson and James Dean. (How many people have overlooked the bottom of the Special Edition DVD: FROM THE NOVEL BY EDNA FERBER. (In 2009, Giant was adapted into a musical and performed at the Signature Theater in Arlington, Virginia.)

Ferber’s first published work was Dawn O’Hara in 1911 meaning that her work is coming up on a 100 year run and still appears to have legs. Born in Kalamazoo, Michigan, she began her literary career as a journalist after graduating from high school in Appleton, Wisconsin, before moving on to bigger stages in Chicago and New York.

In the book Great American Writers: Twentieth Century, R. Baird Shurman writes, “The triviality of the wealthy, the nobility of the working-class underdog, and the tragedy of senseless financial ruin are recurring themes in her work. These popular themes propelled Ferber’s career and ensured her popularity during the Roaring Twenties, the Great Depression, and World War II.”

“Edna Ferber is a small, peppery, restless, cosmopolitan, a Midwesterner transplanted to Park Avenue. She learned to write on a newspaper and retains a copy editor’s flair for strong simple themes and brisk sentences. Bold strokes. Challenges. Controversies. Crusades.”
Robert Wernick
Life magazine article The 3 Queens of Fiction
April 6, 1959

And while her time in Ottumwa was short it did impact her literary mindset (though not positively) according to Shurman, ” During Ferber’s early childhood years in Ottumwa, Iowa she and her family experienced unremitting anti-Semitism in a rough, marginally impoverished coal-mining town. Ferber recalled desperately running the gauntlet while taking her father’s lunch to the family store when she was young. Her witnessing of a lynching deeply impacted the young Ferber, as did recurring violent floods on the Des Moines River. The grim, dull life of the town and the often despondent attitudes of its inhabitants imprinted dark impressions on her imagination that ultimately inspired characters and plot elements in her literary works.”

Ferber’s work was also praised by Rudyard Kipling and she received an honorary doctorate from Columbia University. She was as part of the Algonquin Round Table, which was the subject of 1987 Academy-Award Winning documentary The Ten-Year Lunch. The writer’s group was also covered in the 1994 film Mrs. Parker and the Vicious Circle, where Ferber was portrayed by Lili Taylor. Ferber’s autobiography is called A Kind of Magic.

Today Ottumwa is an All American City with a very nice performing arts center the Bridge View Center. Suitable for a revival of Show Boat.

* Though Tom Arnold grew up in Ottumwa, the town is probably more well-known to M*A*S*H fans as the home of the fictional character Radar OReilly from the book, movie, and TV show. (Or was the fictional character really based on Don Shaffer?)

Scott W. Smith

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“Being born in Dodge City, I really wanted to know where the trains were going. The first real light I saw was in a movie theater. I just wanted to know where they were making those movies.”
Dennis Hopper

“He was a Midwestern boy on his own…”
Bob Seger
Hollywood Nights

Dennis Hopper was born in Dodge City, Kansas and spent his early years on farm. When he was nine he moved to Kansas City, Missouri (where he took Saturday art classes with Thomas Hart Benton) and then on to San Diego area when he was 13, eventually being named “Most Likely to Succeed” at  Helix High School in La Mesa.

Hopper succeeded at a lot of things—unfortunately they weren’t all good for him.

His acting career started by performing Shakespeare as a teenager at The Old Globe at San Diego’s Balboa Park, and he then headed to Los Angeles when he was 18 and did some TV work before landing a role in classic James Dean films Rebel Without a Cause and Giant. On a PBS interview, Hopper would say of the actor from Marion, Indiana, “James Dean was the best actor that I ever saw work, really. He was just incredible.”

Hopper also worked with four other Midwestern actors who made their mark in Hollywood (Marlon Brando & Montgomery Cliff/Omaha, John Wayne /Iowa-Nebraska, and Paul Newman/Ohio). When Hopper died yesterday he had more than 200 credits as an actor. But he’s probably known best for just a handful or so roles on top of the James Dean films; Apocalypse Now, Blue Velvet, True Romance, Speed, and his Oscar-nominated role in Hoosiers. When the dust all settles he may be best remembered for directing and starring in Easy Rider for which he also received an Oscar nomination for co-writing the screenplay.

“There are moments that I`ve had some real brilliance, you know. But I think they are moments. And sometimes, in a career, moments are enough.”
Dennis Hopper

Hopper rode motorcycles with Steve McQueen, hung out with Miles Davis, Lenny Bruce and Jack Nicholson, he collected and created art, he was at the civil-rights march from Selma to Montgomery which was led by Martin Luther King Jr., along with his Hollywood career that spanned 56 years.

And while Hopper had his days in the sun, he had his years (decades?) in the darkness. His was a life of excess— alcoholism, cocaine, heroin, LSD, hallucinations, abuse, violence, multiple failed marriages, detox clinics, jail, psychiatric wards, and orgies. But somehow he managed to rebound time and time again and somehow lived to be 74. (Even in his final days as he was in the midst of a divorce, he reportedly had “marijuana joints throughout his compound’ and loaded guns nearby to help ease the pain of his cancer and perhaps provide an exit—Hopper was Shakespearean to the end.)

I’ll always prefer to remember Hopper as his role in Hoosiers as the brilliant, yet alcoholic, Shooter. The story of a town drunk and a disgraced coach who both have a shot at redemption. That’s the hope I have for everyone, especially the artists—the crazy ones who seem to have a harder time than most dealing with demons.

“I am just a middle-class farm boy from Dodge City and my grandparents were wheat farmers. I thought painting, acting, directing and photography were all part of being an artist. I have made my money that way. And I have had some fun. It’s not been a bad life.”
Dennis Hopper
USA Today

Scott W. Smith

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Tender Mercies was filmed in Texas in the Waxahachie area with mainly Texas crews.

                                                               Horton Foote, Texas-born screenwriter
                                                               Tender Mercies, A Trip to Bountiful

I was born and raised in Texas in a family with 10 brothers and sisters. I was a daydreamer and bored at school, so I’d draw and doodle and make little flip cartoon movies. When I was 12, I decided to start making actual movies rather than just cartoons using my dad’s Super 8 camera.

                                                               Robert Rodriguez, Filmmaker
                                                               His movies have earned over $600 million 


There was an Austin breeze in Iowa last night as Willie Nelson was in town for a concert. The good seats costs $69.50 to hear the 75-year-old, and Sling Blade writer/director Billy Bob Thornton (The Boxmasters) was on the bill as well. I didn’t go but it did make me think it would be a fitting time to look at screenwriting from Texas.

While Willie is not a screenwriter, he is a legend. And he is a Texan (which I think is bigger than being a legend). And he certainly is a proven storyteller, a prolific songwriter and believe it or not has over 300 film and TV credits as actor, sound track music, composer, producer, and playing himself.

I’ve been hooked on Willie’s music ever since I first heard “Mama Don’t Let Your Babies Grow-Up to be Cowboys” and have heard him play live a couple times. And I remember fondly his starring roll in Barbarosa back in the day. (And just for the record, the Barbarosa screenplay was written by Texas born Bill Wittliff who would go on to write the scripts for Legends of the Fall and The Perfect Storm.)

I don’t have time to write about all the talent that has come from Texas because it is a big state. But when I think of movies and Texas one name stands tall;

Horton Foote. 

That pretty much sums up screenwriting from Texas. Of course, he’s not the only writer from Texas — he just embodies the essence of fine writing from the longhorn state. He is best known for his screenplays Tender Mercies and To Kill a Mockingbird both of which earned him Academy Awards.

But he has had a long distinguished career that includes the 1995 Pulitzer Prize for his play The Man from Atlanta, A Trip to Bountiful (for which Geraldine Page would win an Oscar for Best Actress), and the script for the Gary Sinise & John Malkovich version of Of Mice and Men.  

Foote was a trained actor born in 1916 in Wharton, Texas and made his broadway debut in 1944. But it was writing for the theater and in the early days of TV where he earned a living and made a name for himself eventually being called the “American Chekhov.”

But standing next to Horton Foote on the right is Larry McMurty.

McMurty, born in Wichita Falls, Texas in 1936 is yet another giant literary talent from the state. He was nominated for an Oscar in 1972 for The Last Picture Show and shared an Oscar win with Diana Ossana for the script for Brokeback Mountain.

He won the 1986 Pulitzer Prize for Fiction for his novel Lonesome Dove that was also turned into a popular TV mini-series. (Wittliff, if you’re keeping a scorecard, also won a WGA Award for adapting part one of Lonesome Dove.)  And way back in 1963 McMurty’s novel Horseman Pass By was made into the Mitt Ritt directed Hud staring Paul Newman and Patricia Neal (who won the Oscar for Best Actress in a leading role).

Two quirky things about the prolific McMurty is he still writes on a typewriter and he owns a large antiquarian bookstore, Booked Up, in Archer City Texas where The Last Picture Show was shot and where he now lives.

And standing next to Horton Foote on the left I’ll put  three time Oscar winner writer/director Robert Benton who was born in Waxahachie. Huh? The same place Tender Mercies was filmed in — interesting. I don’t know what’s in the water there, but once coming back from a gig in Austin I went out of my way to drive through Waxahachie just to breath the air.

Benton’s screenwriting career began with Bonnie & Clyde and he  wrote and directed Places in the Heart which is just a beautiful film. Ellen McCathy of the Washington Post wrote this about Benton; “His most noteworthy films of the past three decades — 1979’s Kramer vs. Kramer, 1984’s Places in the Heart and 1994’s Nobody’s Fool — present familiar characters, ordinary lives and the full range of love’s twisted complexities.”

Maybe instead of calling my blog Screenwriting from Iowa I should of called it Screenwriting from Waxahachie. Then again, how many people can spell Waxahachie? I think it’s an Native Indian word that means land of sacred storytellers.

I’m not sure where to put Robert Rodriguez. But then again he stands out from the pack because he does a little of everything and is one of the greatest overall creative forces in cinematic history.

Born in Texas in 1968, Rodriguez has done a remarkable job of making the low budget El Mariachi (on a reported $7,000 budget) as well as big Hollywood mega hits including Spy Kids which made over $100 million. Personally I like what Rodriguez is doing more than what he has done. That is I don’t revisit his films but I love that he is a producer, director, camera operator, Steadicam operator, director of photography, actor, writer, editor, sound mixer, visual effects supervisor and composer who not only pushes the envelop in the digital world but he is free to tell you what he’s doing so you can get in on the show.

Rodriguez is based in Austin which is its own filmmaking mecca that has inspired  Matthew McConaughey (by the way, love the Airstream in Malibu concept), Richard Linklater, Wes Anderson, Mike Judge, Owen Wilson and is home to The Austin Film Festival. Austin as a whole is one of the most interesting cities in the country. The have the state capitol, a major college in the heart of the city, there are plenty of old hippies, rednecks, computer geeks, business people, artists and musicians of all kinds thrown into the mix for a great overall creative vibe. 

And since at the time of this post the number one box office movie is Twilight (with a $70 million opening weekend) I must mention that the director Catherine Hardwicke was born and raised in McAllen, Texas. She was also the writer/director of Thirteen. (Making a case for speed writing, Thirteen was co-written in six days with 14-year old Nikki Reed.)

And the newcomer from Texas is Chris Eska who comes from Ottine, Texas (pop 98) whose film debut Evening August  was the winner of the 2008 Spirit Awards’ John Cassavetes Award and the Best Film Awards at the Los Angeles Film Festival. Like those oil wells, Texas just keeps producing.

And Texas as a whole is a full of a wonderful wacky history and mix of characters and talent Mark Cuban, Don Henley, Lance Armstrong and you fill-in-the-rest. Here is a short list of some of the films made in Texas that I haven’t mentioned:

Red River (1948)
Giant (1956)
Urban Cowboy (1980)
The Texas Chain Saw Massacre (1974)
North Dallas Forty (1979) 
Southern Comfort (1981)
The Best Little Whorehouse in Texas (1982)
Waltz Across Texas (1982) 
Fandango (1985)
Scary Movie (1989)
Rushmore (1998)
Office Space (1999)
Miss Congeniality (2000)
The Alamo (2004) 
Friday Night Lights (2004)
No Country for Old Men (2007) 
There Will Be Blood (2007) 

North Dallas Forty writer Peter Gent played wide receiver for the Dallas Cowboys and is an excellent writer and who for whatever reason only has one film credit to his name. Now living in Michigan I hope it’s not his last and that he hook-ups with one of those Michigan filmmakers and knocks our socks off once again. (How about a look into the heart of the auto industry like you did with professional football?)

As I said I’m sure I missed a few people and great films but feel free to send your comments. But a fitting place to end this tour of Texas is back in Austin with William Broyles Jr. the Oscar-nominated screenwriter from Houston (who now lives in Austin) who wrote the screenplays for Apollo 13, Cast Away, and Flags of Our Fathers

“This movie (Cast Away) begins and ends in Texas. And that’s not an accident. This is where my heart is.” 
                                                                    William  Broyles Jr.
                                                                     The Austin Chronicle (Dec. 2000)

Apparently he’s not alone there.


2008 Copyright Scott W. Smith

 

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