“Break on through to the other side…”
You can file this post under “Old dog, New Tricks.”
Recently we welcomed a 9-year-old Golden-Lab rescue dog named Ginger into our home. It was just about a year after our 15-year-old Golden Retriever Lucy died, and we still had all of her tug toys and were looking forward to our new dog playing with them.
But we found out that Ginger did care to play with any of Lucy’s toys. We were told that Ginger’s original owners were elderly and could no longer care for her which is why they gave her up. We realized that maybe she’d never chased a tennis ball or played with a stuffed dog toy.
But slowly we’ve introduced an old dog to new tricks. Albeit she’s a bit awkward because she is not a puppy, but she seems to be enjoying her latent retriever skill set.
Then it was my turn.
Yesterday, I completed three days of training on the Adobe Creative Cloud at Genius DV here in Orlando. I made the switch from Final Cut Pro to Premiere two years ago, but this filled in some gaps as well as gave me a better working knowledge of After Effects, Photoshop and Audition. (Way back in 2002, I also went to Genius DV when I was making the transition from AVID to Final Cut Pro.)
While I’ve learned greatly from various online tutorials over the years (paid and free), there is something special about stepping away from your regular work environment for a few days (or a week if you can afford it) and doing a hands-on workshop or class. (Some of my greatest leaps in learning have come from going to workshops/seminars in various places throughout the county.)
And here’s the secret that an older TV/video producer taught me when I was younger. I was complaining about a two-day seminar that I attended and how I didn’t learn that much. That can be a problem with any seminar, and there are usually many people there with varying degrees of knowledge and experience. So you can’t just skip a few pages forward, you have to stay on pace with the group.
Anyway, my friend told me, “Scott, you don’t go to workshops to learn everything, you go to learn a few things that make you better at what you do.” Amen. It may only be 10-20% of what’s taught, but that 10-20% can be huge in helping you create better work.
And I’ll add to that that your learning is not always what was actually meant to be a part of the training. Sometimes it’s the rabbit trail discussions, the passing conversations at lunch or break time with others taking the workshop, that are meaningful.
In my Adobe class led by Juan Carlos Santizo he taught this old dog, many new tricks. Some had to do with the nuts and bolts of Premiere (virtual reality in the next upgrade), much in After Effects, and a healthy dose of shop talk including showing the following behind the scene video of three of the then remaining members of The Doors (Ray Manzarek, Robby Krieger and John Densmore) recording with Grammy-winning Skrillex back in 2012. The official song on You Tube has 19 million views. Old dogs—new tricks. Keeps life interesting.
P.S. And I haven’t given up on Final Cut Pro. I just finished a project using FCP7 and started dipping into FCP-X earlier this year. I think it’s wise to be platformagnostic—to borrow Morgan Spurlock’s phrase. I started my production career as a Arri & Eclair 16mm cinematographer and Steenbeck flatbed editor, so I’ve learned to actually enjoy the continual changes in technology. And I’ve long cherished the sentiment of photographer Ansel Adams (1902-1984) who said his one regret was that he wouldn’t be around to take part in the digital world.
Scott W. Smith
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