Tender Mercies was filmed in Texas in the Waxahachie area with mainly Texas crews.
Horton Foote, Texas-born screenwriter
Tender Mercies, A Trip to Bountiful
I was born and raised in Texas in a family with 10 brothers and sisters. I was a daydreamer and bored at school, so I’d draw and doodle and make little flip cartoon movies. When I was 12, I decided to start making actual movies rather than just cartoons using my dad’s Super 8 camera.
Robert Rodriguez, Filmmaker
His movies have earned over $600 million
There was an Austin breeze in Iowa last night as Willie Nelson was in town for a concert. The good seats costs $69.50 to hear the 75-year-old, and Sling Blade writer/director Billy Bob Thornton (The Boxmasters) was on the bill as well. I didn’t go but it did make me think it would be a fitting time to look at screenwriting from Texas.
While Willie is not a screenwriter, he is a legend. And he is a Texan (which I think is bigger than being a legend). And he certainly is a proven storyteller, a prolific songwriter and believe it or not has over 300 film and TV credits as actor, sound track music, composer, producer, and playing himself.
I’ve been hooked on Willie’s music ever since I first heard “Mama Don’t Let Your Babies Grow-Up to be Cowboys” and have heard him play live a couple times. And I remember fondly his starring roll in Barbarosa back in the day. (And just for the record, the Barbarosa screenplay was written by Texas born Bill Wittliff who would go on to write the scripts for Legends of the Fall and The Perfect Storm.)
I don’t have time to write about all the talent that has come from Texas because it is a big state. But when I think of movies and Texas one name stands tall;
Horton Foote.
That pretty much sums up screenwriting from Texas. Of course, he’s not the only writer from Texas — he just embodies the essence of fine writing from the longhorn state. He is best known for his screenplays Tender Mercies and To Kill a Mockingbird both of which earned him Academy Awards.
But he has had a long distinguished career that includes the 1995 Pulitzer Prize for his play The Man from Atlanta, A Trip to Bountiful (for which Geraldine Page would win an Oscar for Best Actress), and the script for the Gary Sinise & John Malkovich version of Of Mice and Men.
Foote was a trained actor born in 1916 in Wharton, Texas and made his broadway debut in 1944. But it was writing for the theater and in the early days of TV where he earned a living and made a name for himself eventually being called the “American Chekhov.”
But standing next to Horton Foote on the right is Larry McMurty.
McMurty, born in Wichita Falls, Texas in 1936 is yet another giant literary talent from the state. He was nominated for an Oscar in 1972 for The Last Picture Show and shared an Oscar win with Diana Ossana for the script for Brokeback Mountain.
He won the 1986 Pulitzer Prize for Fiction for his novel Lonesome Dove that was also turned into a popular TV mini-series. (Wittliff, if you’re keeping a scorecard, also won a WGA Award for adapting part one of Lonesome Dove.) And way back in 1963 McMurty’s novel Horseman Pass By was made into the Mitt Ritt directed Hud staring Paul Newman and Patricia Neal (who won the Oscar for Best Actress in a leading role).
Two quirky things about the prolific McMurty is he still writes on a typewriter and he owns a large antiquarian bookstore, Booked Up, in Archer City Texas where The Last Picture Show was shot and where he now lives.
And standing next to Horton Foote on the left I’ll put three time Oscar winner writer/director Robert Benton who was born in Waxahachie. Huh? The same place Tender Mercies was filmed in — interesting. I don’t know what’s in the water there, but once coming back from a gig in Austin I went out of my way to drive through Waxahachie just to breath the air.
Benton’s screenwriting career began with Bonnie & Clyde and he wrote and directed Places in the Heart which is just a beautiful film. Ellen McCathy of the Washington Post wrote this about Benton; “His most noteworthy films of the past three decades — 1979’s Kramer vs. Kramer, 1984’s Places in the Heart and 1994’s Nobody’s Fool — present familiar characters, ordinary lives and the full range of love’s twisted complexities.”
Maybe instead of calling my blog Screenwriting from Iowa I should of called it Screenwriting from Waxahachie. Then again, how many people can spell Waxahachie? I think it’s an Native Indian word that means land of sacred storytellers.
I’m not sure where to put Robert Rodriguez. But then again he stands out from the pack because he does a little of everything and is one of the greatest overall creative forces in cinematic history.
Born in Texas in 1968, Rodriguez has done a remarkable job of making the low budget El Mariachi (on a reported $7,000 budget) as well as big Hollywood mega hits including Spy Kids which made over $100 million. Personally I like what Rodriguez is doing more than what he has done. That is I don’t revisit his films but I love that he is a producer, director, camera operator, Steadicam operator, director of photography, actor, writer, editor, sound mixer, visual effects supervisor and composer who not only pushes the envelop in the digital world but he is free to tell you what he’s doing so you can get in on the show.
Rodriguez is based in Austin which is its own filmmaking mecca that has inspired Matthew McConaughey (by the way, love the Airstream in Malibu concept), Richard Linklater, Wes Anderson, Mike Judge, Owen Wilson and is home to The Austin Film Festival. Austin as a whole is one of the most interesting cities in the country. The have the state capitol, a major college in the heart of the city, there are plenty of old hippies, rednecks, computer geeks, business people, artists and musicians of all kinds thrown into the mix for a great overall creative vibe.
And since at the time of this post the number one box office movie is Twilight (with a $70 million opening weekend) I must mention that the director Catherine Hardwicke was born and raised in McAllen, Texas. She was also the writer/director of Thirteen. (Making a case for speed writing, Thirteen was co-written in six days with 14-year old Nikki Reed.)
And Texas as a whole is a full of a wonderful wacky history and mix of characters and talent Mark Cuban, Don Henley, Lance Armstrong and you fill-in-the-rest. Here is a short list of some of the films made in Texas that I haven’t mentioned:
Red River (1948)
Giant (1956)
Urban Cowboy (1980)
The Texas Chain Saw Massacre (1974)
North Dallas Forty (1979)
Southern Comfort (1981)
The Best Little Whorehouse in Texas (1982)
Waltz Across Texas (1982)
Fandango (1985)
Scary Movie (1989)
Rushmore (1998)
Office Space (1999)
Miss Congeniality (2000)
The Alamo (2004)
Friday Night Lights (2004)
No Country for Old Men (2007)
There Will Be Blood (2007)
North Dallas Forty writer Peter Gent played wide receiver for the Dallas Cowboys and is an excellent writer and who for whatever reason only has one film credit to his name. Now living in Michigan I hope it’s not his last and that he hook-ups with one of those Michigan filmmakers and knocks our socks off once again. (How about a look into the heart of the auto industry like you did with professional football?)
As I said I’m sure I missed a few people and great films but feel free to send your comments. But a fitting place to end this tour of Texas is back in Austin with William Broyles Jr. the Oscar-nominated screenwriter from Houston (who now lives in Austin) who wrote the screenplays for Apollo 13, Cast Away, and Flags of Our Fathers.
“This movie (Cast Away) begins and ends in Texas. And that’s not an accident. This is where my heart is.”
William Broyles Jr.
The Austin Chronicle (Dec. 2000)
Apparently he’s not alone there.
2008 Copyright Scott W. Smith
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