“David Lynch’s The Elephant Man is the one Lynch film that found a mesmerizing middle ground between conventional Hollywood story structure and its director’s surreal dreamscapes. Yet today it seems on the verge of being forgotten, and that’s a shame.”
Kyle Smith, National Review
The Elephant Man is currently available on Amazon Prime and I had forgotten what an extraordinary film it is. The direction (David Lynch), the acting (John Hurt, Anthony Hopkins, Anne Bancroft, John Gielgud), the make-up (Christopher Tucker), the black & white cinematography (Freddie Francis), and the screenwriting (Christopher De Vore, Eric Bergren, Lynch) are brilliant.
It was nominated for eight Oscars and the winner of BAFTA Best Picture in 1981. I saw the film in theaters when I was a teenager and it definitely peaked my early interest in what films could be.
Rewatching the movie makes me want to go read the original source material on the life of John Merrick; The Elephant Man and Other Reminiscences by Sir Frederick Treves and The Elephant Man: A Study in Human Dignity by Ashley Montagu.
And here’s a super article that fills in more about the movie.
P.S. The Elephant Man opened in theaters in October 1980 and that was a great time to be a teenager newly interested in movies. This was the pre-internet days and VHS or cable TV hadn’t come into my world yet. My movie tastes were evolving so I went to see everything I could. Here’s an eclectic—and partial— sample of what I saw in theaters in 1980:
The Shining
Caddyshack
Raging Bull
Star Wars: The Empire Strikes Back
The Blues Brothers
Airplane!
The Fog
Urban Cowboy (worth watching just to see Scott Glenn eat the worm)
Stir Crazy (Gene Wilder and Richard Pryor)
Coal Miners Daughter
My Body Guard
Private Benjamin
Used Cars
The Gods Must be Crazy
Brubaker
The Blue Lagoon
Melvin and Howard
Atlantic City
Ordinary People (Oscars: Best Picture, screenplay, direction, supporting actor)
Then there’s a list of 1980s films I didn’t catch until later Breaker Morant, Altered States, Stardust Memories, and Alligator (early John Sayles screenplay). A couple that slipped by me I need to check out: Kurosawa’s Kagemusha and Jim Jarmusch’s Permanent Vacation. And some interesting titles I never saw and probably never will; Cannibal Apocalypse, Fists of the White Lotus, Eaten Alive!, Blood Beach.
Cheers to the class of 1980. Lots of talent on display that year.
Related post:
Legacy Filmmaking (and Your Bank Account): “They’re never going to talk about your bank account when you’re dead, but they will talk about maybe the movies you left behind if you really cared about what you did.”—Frank Darabont