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Posts Tagged ‘John Krasinski’

Screen Shot 2018-07-11 at 1.52.55 PM

Yesterday I picked up the Blu-Ray of A Quiet Place. I haven’t bought a movie on the day of its release in years. I wanted to fit in another post about it and landed on this first frame from the movie—DAY 89.

That’s minimalistic exposition at its best. It hooks the audience and forces them to wonder, “Day 89 of what?” And the mysterious part is we’re not given the answer. No tired voice-over of someone explaining what happened. Just “DAY 89.” It pulls the audience into the story and makes them put together the puzzle.

The opening scene of an abandoned town and a family of five having an unorthodox shopping spree would work without DAY 89—but I don’t think near as well. Don’t know if that came from writer/director John Krasinski, the other credited screenwriters Scott Beck & Bryan Woods, or someone else, but good choice.

It reminds me of another minimal bit of exposition from Sicario (2015) where a fellow tells Alejandro (Benicio Del Toro), “Sorry for your loss.” But were not told what that loss is until much later in the film, where that information will have it’s most impact.

Until then we just have Del Toro’s face and body language to tell us that this is a man who has had a hard life. At the 2:29 mark of the video below, you’ll find Taylor Sheridan’s writing, Denis Villeneuve’s direction, and Emily Blunt’s acting—before her role in A Quiet Place—keeping us intrigued about what mystery man Alejandro lost.

“You’re asking me how a watch works.”= Mysterious Minimal Exposition

Related posts:
Screenwriting & Exposition (an oldie from 2008 post)
“Exposition is BORING unless…”
10 Solid Exposition Examples
‘A Quiet Place’ Meets ‘Screenwriting from Iowa’

Scott W. Smith

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A Quiet Place has now been out in theaters for a whole month and still came in #3 at the box office this weekend. You could also say it entered full culture iconic status over the weekend when Saturday Night Live spoofed it with their A Kanye Place skit.

And also over the weekend, Scott Myers at Go Into the Story concluded a six-part interview with A Quiet Place screenwriters Scott Beck and Bryan Woods. Here’s an excerpt that touches on the great opening of that movie without really spoiling it for those of you who haven’t seen it yet.

Very early on, the idea that attracted us was opening with a completely idyllic farmscape and what appears to be the perfect family living out the perfect life. Little by little, as this family starts to move about their farmhouse, we start to realize that there are weird things going on.

They’re putting padding on the walls. They’re wearing shoe covers on their feet. They don’t seem to be speaking very much. Everything is really quiet. It all builds up to that Monopoly scene where there’s a noise and we realize, ‘Oh, there’s creatures out there. If they make a noise, then they’re in danger.’

That’s how it started. Then it started to evolve more into this Jaws opening, where we set the stakes up immediately. We would pay full credit to John [Krasinski] for going this dark this early, but we love it.
Screenwriter Bryan Woods
Scott Myers/Go Into The Story  interview with Bryan Woods & Scott Beck

P.S. Congrats to Scott Myers for his excellent blog being named recently to the 20th Annual Writer’s Digest 101 Best Websites for Writers list. This month his blog celebrated its 10th anniversary and I’ve been a fan of his site since way back in 2008.

Scott W. Smith

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“John Krasinski is not the name you’d think of like ‘Can’t wait to see a horror movie by that guy.’ And the reason why is I wouldn’t think that either. Until I read this script originally by these amazing writers Beck & Woods (Scott Beck & Bryan Woods), and they had this incredible idea of a family that had to live quietly or else they would die. And to me, this whole movie is about family. It’s not a horror movie—I mean it is a horror movie, but to me the theme of family and what would you really do for your kids is the reason why I did the movie.”
Director, writer, actor John Krasinski (A Quiet Place)

Scott W. Smith

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