Feeds:
Posts
Comments

Posts Tagged ‘filmmaking’

The best laid schemes
o‘ mice and men
often go astray
—Robert Burns (1759-1796)

When I hit a period of transition almost 20 years ago, one of the books that was recommended to me was Who Moved My Cheese?: An A-Mazing Way to Deal with Changes in Your Work and in Your Life by Spencer Johnson, M.D.  At this moment, we are in a time of change due to a global pandemic —so it seems like a good time to mention that best selling book which first came out in 1998

It’s the simple parable of two sets of mice who run out of cheese. Two of the mice (named Hem and Haw) basically sit around moan about the lack of cheese and speculate when someone is going to bring more. The other two mice (Sniff and Scurry) are proactive, and they put on their little mice running shoes and head out on an adventure to find a new stash of cheese.

I won’t spoil the ending for you—but let me just say that three of the mice end up in a good place. It’s a simple story, but one that resonates many people going through difficult situations. Which explains why the 94-page book has sold 26 million copies, and been translated into 37 languages.

Here’s the writing on the wall that one of the mice wrote to encourage future travelers who’d also run out of cheese:

Change Happens
They Keep Moving The Cheese
Anticipate Change
Get Ready For The Cheese To Move
Monitor Change
Smell The Cheese Often So You Know When It Is Getting Old
Adapt To Change Quickly
The Quicker You Let Go Of Old Cheese, The Sooner You Can Enjoy New Cheese
Change
Move With The Cheese
Enjoy Change!
Savor The Adventure And Enjoy The Taste Of New Cheese!
Be Ready To Change Quickly And Enjoy It Again
They Keep Moving The Cheese.

This world has been through wars, famines, floods, tornadoes, earthquakes, plagues, hurricanes, volcano  exploding, stock market crashes, faulty governments, and you can fill in a zillion other calamities and changes. But the human race seems resilient. And I believe in time this too will pass. May we all get through this transition with grace.

The second part of this post involves the timely launch of Brené Brown‘s podcast Unlocking Us.  Brown is a research professor at the University of Houston and two of her five New York Times best selling books are The Gifts of Imperfection and Daring Greatly.She may be most widely known for her TED talk, The Power of Vulnerability, which has been viewed 47 million views on the TED  website and another 12 million on TED’s YouTube channel.

“I want to be in the arena. I want to be brave with my life. And when we make the choice to dare greatly, we sign up to get our asses kicked. We can choose courage or we can choose comfort, but we can’t have both. Not at the same time.”
—Brené Brown

May you dare greatly today, don’t miss the writing on the wall, and keep your running (or walking) shoes nearby.

Scott W. Smith

Read Full Post »

“Whenever there is that struggle for power, of who is going to be the leader, that is pure Shakespeare.”
Sam Wanamker (Nicholas Hammond)
Once Upon a Time … in Hollywood (Blu-ray extra scene)

Screen Shot 2020-03-27 at 1.39.32 PM

The other day a friend of mine watched Once Upon a Time … in Hollywood for the first time and really enjoyed it. I told him I’d written several blog posts about that movie, and he said to send him some links. When I did a search on my blog I actually discovered some blog posts I’d written with that title back in 2009.

That’s a full ten years before Quentin Tarantino released his Once Upon a Time … in Hollywood title, that I wrote ten blog posts called Once Upon a Time in Hollywood. …. The only difference was the placement of the ellipses. (My Once Upon were kind of a sweeping overview of some of the changes throughout film history.)

Once Upon a Time in Hollywood… (Part 1) 
Once Upon a Time in Hollywood … (Part 2) 
Once Upon a Time in Hollywood … (Part 3) 
Once Upon a Time in Hollywood … (Part 4) 
Once Upon a Time in Hollywood … (Part 5) 
Once Upon a Time in Hollywood … (Part 6) 
Once Upon a Time in Hollywood … (Part 7) 
Once Upon a Time in Hollywood … (Part 8) 
Once Upon a Time in Hollywood … (Part 9) 
Once Upon a Time in Hollywood … (Part 10)

I’m not saying that Tarantino lifted the title from my blog (or even knows it exist), but I did write and publish that title long before his even started writing his script. I don’t recall ever seeing the title Once Upon a Time in Hollywood used before my posts, but it’s possible someone will say that used that title ten years before I did. Or someone else did in 1940-something.

There is a book titled Once Upon a Time in Hollywood  (no ellipsis) by Juliette Michaud, but it wasn’t published until 2013.

There’s nothing new under the sun folks.

Here’s a few of the links I sent my friend:

The Unofficial ‘Once Upon a Time … in Hollywood’ Film School
Once Upon a Time … in Van Nuys
Once Upon a Time in Modesto (and the American Graffiti influence on Tarantino) 
‘Once Upon a Time …’ Once Again 
Once Upon a Time … in Hollywood —in 1987 (How Robert Townsend’s ‘Hollywood Shuffle’ Influenced Tarantino
Once Upon a Time … in Burbank

P.S. After seeing Once Upon nine times in the theaters, I now have the Blu-Ray and will see if the movie holds up as well at home.

Scott W. Smith

 

Read Full Post »

“I gotta keep breathing. Because tomorrow the sun will rise. Who knows what the tide could bring.”
Chuck Nolan (Tom Hanks)
Cast Away

Screen Shot 2020-03-26 at 8.30.28 AM

Tom Hanks in Cast Away (who in real life is recovering from the Coronavirus)

On March 1, I flew back to Orlando from Boston after attending a documentary filmmaking workshop and started reading on the plane In the Heart of the Sea; The Tragedy of the Whaleship Essex.By the end of the first chapter, author Nataniel Philbrick lays out how the small island of Nantucket in the 1800s was one of the wealthiest places in the country thanks to the whaling industry. But changes came that put an end to a 100 year tradition as demand for whaling oil diminished and eventually died.

It reminded me of my grandfather who worked for more than 30 years at Youngstown Sheet & Tube in Ohio before the steel industry greatly shut down production. Business guru Tom Peters once said, “If you don’t like change, you’re going to like irrelevance less.” In the past few weeks, we’ve seen a world of change. (From a record stock market high to record unemployement.)

While I heard this week someone in the grocery business say that their business has doubled in the last week, I know more who are like my freelance production friends who have had their work in the past week to 10 days totally disappear. It’s normal to have a shoot here and there be canceled or pushed back, but the fear here is what does the new normal look like.

How long will this Coronavirus shutdown last? And obviously, it’s not just the production world that’s impacted by this. Here in Orlando, the ripple effects of Disney World and Universal Studios being closed financially impacts people working in theme parks, hotels, conventions, restaurants and bars, airlines, etc.

This may seem like a bad time to bring up the concept of an emergency fund, but I’ve found in my own life that hard times are ideal times to hit the reset button. And in case, you don’t feel like reading further, let me point you to Dave Ramsey’s website where tonight (March 27, 2020) he and some of his team will be streaming a free message of hope starting at 8 PM. It’s billed as “Answers to your top questions on money, career and life during this time of uncertainty.”

Ramsey is known for his popular radio program and podcast The Dave Ramsey Show where he gives financial advice and encourages people to get out of debt and create wealth. While he has his share of critics, he also has millions of people who are success stories. I’m one of them.

I was already aware of Ramsey and some of his teachings—yeah, he’s the cut up your credit card guy—when my financial planner gave me his book The Total Money Makeover the year it came out in 2003. I wish I could tell you that I was a quick learner, but some lessons take years to learn. (I’d made plenty of my share of financial mistakes along the way, so I was open to Ramsey’s core teachings.)

And I’m still learning. I was listening to his podcast two days ago on a walk, and I heard that they were giving free access to people for 14 days to their Financial Peace University ($129 after that). These are high-quality videos that walk you through their nine steps of financial freedom. If you’re out of work at the moment with major concerns about paying your bills, watch the first three videos today (about a three-hour investment) and then cancel before your credit card/debt card gets dinged. (Binge watch them all if you’re ambitious.)

Since I’d never gone through a Ramsey class or video series, I signed up yesterday for the free  14-day trial offer and watched those first three messages and here’s a recap. (And it’s important to point out that Ramsey learned these lessons after he was overextended on some real estate dealings and filed for bankruptcy at age 28.)

“You’re never going to win with money as long as you’re paying payments.”
—Dave Ramsey

—80% of people in the US live paycheck to paycheck.
—The average new car payment is over $500.
—Money problems are the number reason for divorce.
—Having a good credit score only means you’re a good borrower.
—There are plenty of well-dressed people, driving nice cars, who are broke.
—Run from debt like a gazelle runs from a cheetah.
—The goal is to have an emergency fund, pay off debt, and build wealth & give.
—How? One step at a time. (It’s like working out. One pound at a time.)
—Baby step one: Set aside $1,000 for an emergency fund.
—Baby step two: Pay off debt with the debt snowball. Sell that car you really can’t afford. Pay off the smallest debt first, regardless of the interest rate. You need small victories and to gain momentum to pay off larger debts. Most people can do this in 24 months if they’re focused. Get a second job if you have to.
—Baby step three: Build up a 3-6 month emergency fund.  This covers all your expenses for 3 to 6 months.  Why? Because emergencies  happen. (The fallout from the Coronavirus is just the latest reminder. And the more unstable your field, the longer you emergency fund should be. I think having an emergency fund is like a superpower that is attainable.)

Some of Ramsey’s steps seem radical. (If you have credit card debt, you shouldn’t see the inside of a restaurant. The paid off house, not the BMW, is the new status symbol.)  But radical steps are often needed. He jokes that you should try it his way and get out of debt— if you don’t like it you can go back to being in debt.

His more advanced steps are saving for your kid’s college, building up your retirement fund, paying off your house, and being at a place where you can live and give like no one else.

And if you’re looking for a job, Dave Ramsey is hiring, and they’re located in Nashville/Franklin, TN—one of my favorite parts of the country. Amazon is looking for 100,000 full and part time people to hire to meet their increased demand. The University of Texas in Austin just posted a job for a multimedia producer.(A lot of schools are going to be looking for multimedia producers.)

Working in any creative field is always an uphill and competitive battle.  And if you live in New York or L.A. it’s extra hard because the cost of living in so high.  I feel for you. And if I can offer any solace, it’s that I’ve been there. There will be brighter days.

In 1984, I graduated from film school in Los Angeles and worked as a photographer for a couple of years before landing a job as a 16mm camera operator and editor in 1987. My first big shoot was going to Aspen, Colorado to shoot footage of a national downhill ski competition. I was going on the Warner Bros, Disney, and Paramount studio lots. I was 26 years old and living the dream.

On October 19, 1987 the stock market crashed. Long story short, in December ‘87 I moved back to Florida. Thought I’d get on the ground floor of what was called “Hollywood East.” That transition didn’t go well and though I shot a few weddings and bar mitzvah’s, my main source of income was delivering Domino’s Pizza. (Note: Domino’s Pizza and many food delivery places are also looking for drivers.) Remembering my grandfather worked in a steel mill for 30 years gave me a little perspective on my “hard times.”

I did that for a few months and was soon working back in production. The silver lining there was Domino’s did a star search and I sent in an old acting headshot and was one of eight people chosen to fly to Ann Arbor, Michigan to meet the Domino’s founder Tom Monaghan, and shoot a Domino’s Pizza commercial.  All those acting workshops in L.A. finally paid off with a gig that paid. Thanks Mr. Monaghan.

Fast forward to shortly after September 11, 2001. I left a group I’d been producing and directing videos and a radio show for over a decade to go out on my own. There was a group in Chicago that wanted to hire me as a producer on their TV program as soon as a hiring freeze was lifted, but could offer me steady freelance work. One of my production friends told me, “You know, the middle of a recession isn’t the best time to hang out your shingle.”

The first few months were incredibly busy and I lined up some other ongoing projects. I even did a video shoots in London and Berlin. Living the dream 2.0.

Long story short, that job in Chicago never panned out as they stopped the show they were producing altogether (meaning no more freelance work from them).

For cash flow, I took a sales job that I wasn’t particularly good at. But I did learn about sales, and I met a fellow named Marc Reifenrath who was great at sales and had an up and coming  (now well-established) web marketing and design company named Spinutech. Marc threw some production work my way and before I knew it I was off to shoots in Russia, Jamaica, and South Africa. Meeting Marc was the beginning of one of the most fruitful and fun decades of my career. And it all started taking a three month non-production job I needed for cashflow.

Marc was also the person that introduced me to blogging. That led to this Screenwriting from Iowa blog—which led to winning my first Emmy. That blog that I started in 2008 is finally becoming a book in 2020. Step by step.

And a third time of personal transition followed a health bump in the road in 2014 that put and end to being out on my own. In 2015, I landed a job as a multimedia producer at a college doing mostly educational videos. There’s perhaps no such thing as job security in production, but working in the online educational world is currently a hot field, as the trend for all schools at all levels to be at least online friendly is probably a new reality.

I hope something in this post encourages you in this time of transition. If you’re in high school, let this be a lesson to avoid any student loans you can. If you’re a new or recent college graduate, there will be new opportunities that flow out of this current situations as companies look for cheaper ways of doing things.

And if you’re further along in your career and facing a bleak future, do what you can to stay positive and know sometimes you just have to do what you have to do to pay the bills.

Watch that Ramsey free seminar tonight because it’s about career as well as financial advice. Ramsey’s hope is rooted in his Christian faith, which may not be your thing, but listen to what screenwriter Brian Koppelman (Billions, Rounders) had to say about Ramsey when he had him on his podcast:

“I am a Jewish, atheist, screenwriter, New York liberal and you’re like one of my three favorite things to listen to. Because at the core, it’s clear how much you care about people. … What you’re saying to people, especially these young people listening, is develop a habit of thinking about your future and protecting yourself for your future. And take these steps that will help you be able to not make the mistakes that so many of us made along the way.” 
—Brian Koppelman
The Moment with Brian Koppelman, “Best of: Dave Ramsey”

There’s an old saying that we buy things we don’t need, with money we don’t have, to impress people who don’t care. This is a good time to reconsider how we’re living our lives.

P.S. The only movie poster I own is from the 2003 movie Seabiscuit.

That Great Depression-era story of three broken people (and one broken horse) coming together to mend each other touched me during one of the harder transitions of my life.

“You don’t just throw a whole life away just because it’s banged up a little.”
—Tom Smith (Chris Cooper)
Seabiscuit’s trainer

“This is not a movie about victory, but about struggle.”
Seabiscuit screenwriter/director Gary Ross,

And to come full circle, Cast Away (2000) is also a movie not about victory, but struggle.

Related post:
Revisiting Seabiscuit in 2008 (With a photo of the poster in my then office)

Scott W. Smith  

Read Full Post »

“The first Mickey Mouse was made by twelve people.”
Walt Disney
(It is debated whether Disney or Ub Iwerks drew the first Mickey)

“According to market research, Mickey Mouse has a 97% name recognition in the United States, which is even higher than Santa Claus.”
Elizabeth Segran
Fast Company article 4.01.19

Screen Shot 2020-03-15 at 6.59.20 AM

“The original Mickey was rattier and leaner. He also had clawed feet.”        — Garry Apger

As original a thinker as Walt Disney was, he didn’t create things out of thin air. And the creation of Mickey Mouse was no exception. The inception was probably somewhere between Aesop’s Fables (that Disney enjoyed reading)  that often featured mice and real life mice that were around the Hyperion Studios where Disney and his team created their short animations, and  drawings of a character named Johnny Mouse drawn by Clifton Meek.

Screen Shot 2020-03-14 at 7.09.14 AM

Johnny Mouse by Clifton Meek

Looking for a character to animate, Walt drew a picture of a mouse. With Disney’s team of artist, that mouse would evolve into the character Mickey Mouse and first appear in the 1928 short Plane Crazy.

It’s impossible to watch Plane Crazy today and not see that first iteration of Mickey as devious —after all, he does try to scare Minnie into giving him a kiss. She not only refuses but jumps out of the plane that Mickey is piloting. Spoiler alert;  Fortunately, Minnie does have a parachute and lands safely.

Mickey’s second film Barn Dance was his first film that showed that Disney and annimator Ub Iwerks had hit something special as it played in more theaters.

Over the years, both Mickey’s movement—and morals—improved, and he  found a wide audience. Mickey Mouse offered cheap escapist entertainment to audiences that had just experienced the Wall Street crash of 1929, and the start of The Great Depression.) By 1930, Mickey was getting 30,000 fan mail letters a month.  But his relationship with Minnie was still complicated.

Disney did not hide his admiration for Charlie Chaplin, calling him “the greatest of them all.” In Neal Gabler’s book Walt Disney, he quotes animator Ward Kimball as saying, “Walt kept the feeling of this little droll kind of pathetic little character who was always being picked on. But cleverly coming out on top anyway.”

“We wanted something appealing, and we thought of a tiny bit of a mouse that would have something of the wistfulness of Chaplin—a little fellow trying to do the best he could.”
Walt Disney

Another influence on Mickey Mouse was the actor Douglas Fairbanks, who was known for his action movies The Thief of Bagdad, Robin Hood, and The Mark of Zorro. Disney animator Ub Iwerks  said of Fairbanks, He was the superhero of his day, always winning, gallant and swashbuckling.”

Iwerks was the one who took Disney ‘s early rough drawings of Mickey and brought him to life in the early films. Though Iwerks and Disney had worked together since their Kansas City days, and on Silly Symphonies  together, the two had a falling out and parted ways in 1930.

But Disney and Iwerks—with a little Chaplin and Fairbanks—created one of the great and most loved characters in film history.  One whose popularity that moved from silent films to talkies,  and as a brand has moved all the way into the current digital era—almost 100 years after his first film.

But every mouse has his day, and as a movie star Mickey seemed to be peak somewhere in the late—1930s. In 1935 there were 500 million paid admissions to see a Mickey Mouse movie.  (To put that in perspective, Gone with the Wind has sold more tickets than any single movie—202,286,100 .) Granted the releases over ten movies that year, but 500 million admissions is a big number. At Mickey is the character that kicked off the whole merchandising thing in Hollywood, and Walt ended up making more on shirts, dolls, toys, etc. than on Mickey movies.

Gabler points out that Mickey was the victim of his own success. As animation got more realistic, Mickey had an identity crisis. Was he more mischievous like Chaplin, or more a hero like Fairbanks? Was he man, boy, or animal? His body movement changed, as did his hands and feet change in this new style of animation. He became nicer—and more boring.  Then, like all stars sooner or later, he got upstaged by a rising star—the wacky, brash Donald Duck.

If you have Disney+ you can see in high quality how sound, color, and animation techniques transformed both Mickey Mouse and Disney Studios over the years.

Related links:
Stealing for Screenwriters (According to Paul Schrader)
Stealing from Shakespeare
Fueling Your Imagination (Jarmusch Style) “Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination.”
Creating Under the Influence “Oh, I’ve stolen from the best. I mean I’ve stolen from Bergman. I’ve stolen from Groucho, I’ve stolen from Chaplin, I’ve stolen from Keaton, from Martha Graham, from Fellini. I mean I’m a shameless thief.”Woody Allen
Movie Cloning (Part 2) “I think it’s fine for young [filmmakers] to out and out rip off people who come before them because you always make it your own.” Francis Ford Coppola

P.S. I had this photo taken with Mickey about five years ago when I did a shoot at Walt Disney World. Mickey has aged better than most.

Screen Shot 2020-03-15 at 7.03.47 AM

Scott W. Smith 

 

 

 

Read Full Post »

IMG_0189

Today I completed a five-day workshop on Writing and Developing The Documentary at the Maine Media Workshops in Rockport. It was led by former Time magazine reporter Emmy Jack McDonald, whose writing and directing credits include working with Discovery, National Geographic, and PBS.

I watched and discussed more documentaries than I have in any single week of my life—probably more than in most months, and some years. I can’t breakdown what I learned from watching all or part of 15+ documentaries, or the many proposals we looked at, but I can share with you the core of the class in one photo. (It’s no surprise there is much crossover in structuring a documentary, and structuring a narrative story. And both are deceptively hard to do well.)

IMG_0112

Scott W. Smith

 

 

Read Full Post »

“I left the theater [after seeing Once Upon a Time … in Hollywood] thinking that this was Brad Pitt— kind of like his Dirk Nowitzki 2011 Finals title. Where it’s like, oh man, I’d written the chapter on his legacy. I didn’t realize we were going to keep rewriting the legacy.”
Bill Simmons (Comparing Pitt’s now Oscar-winning later career performance to a NBA basketball player who helped his team win a Finals title—and series MVP— later in his All-Star career.)
The Bill Simmons Podcast

Screen Shot 2020-02-18 at 11.19.30 AM

I saw Once Upon a Time … in Hollywood nine times while it was in theaters. That’s right, I saw Quentin Tarantino’s ninth film nine times—don’t judge.  That tripled my viewing record of any film while it was still in theaters. It’s an amazingly rewatchable movie, so it’s no surprise that I enjoyed The Rewatchables podcast where host Bill Simmons and the gang discussed Once Upon at the Sundance Film Festival last month.

Tarantino loves hang-out movies, and I think you could consider The Rewatchables as a hang-out podcast. (In the Once Upon episode, Simmons hung out with Sean Fennessey and Chris Ryan for a lively discussion.)  I’ve been binging on back episodes for the past week, and it was no surprise that Tarantino himself popped up to hang-out on a few of The Rewatchables. These are usually long format podcasts, but here’s a short sample of the episode on the movie Unstoppable where between talking about his love for actor Denzel Washington, Tarantino spoke about how he wrote the Jules character in Pulp Fiction for Laurence Fishburne— and why Fishburne turned down the role.

Simmons comes from the world of sports analyzing (ESPN, HBO, Grantland) and brings to each podcast a fresh take on movies where he mixes his encyclopedia of knowledge on a variety of topics and sprinkles in enough sports analogues to get someone like me jazzed.

The first 20 years of my life were defined by sports. My ’70s childhood/teenage memories are full of watching the ’72 Miami Dolphins go undefeated, and the Big Red Machine winning the ’75 World Series. I played competitive baseball and football for a decade. I read Jim Boudin’s Ball Four, Gary Shaw’s Meet on the Hoof: The Hidden World of Texas Football.  and consumed sports movies like Brian’s Song, Le Mans, The Longest Yard, Rocky, and North Dallas Forty.

All of that lead for a year in college to working as a sports photographer/journalist with the Sanford Herald.  There I interviewed and/or photographed pro athletes Jack Billingham, Doug Williams, and Tim Raines. Then I walked-on to the Miami Hurricane football team and started studying movies and filmmaking.

After dislocating my shoulder in practice and having an operation, I walked-off and moved to Los Angeles in 1982 to finish film school. Back then, sports and movies were essentially two different worlds. My first spec script was titled Walk-On and I was repeatedly told Hollywood didn’t like sports films because they didn’t sell. That was years before Rudy— and a zillion other sports films.  I learned that in filmmaking, as well as sports, that timing is everything. And there’s always a talent pyramid. (One of my football coaches was fond of saying at the beginning of the season “the cream always rises to the top.”)

While in Los Angeles I worked for a few years at Yary Sports Photography, co-owned by Ron Yary. Yary blocked for O.J. Simpson and won the Outland Trophy at U.S.C, before going on to be a seven time pro-bowl player with the Minnesota Vikings. He was elected into the Pro Football Hall of Fame in 2001.

That sets up why Once Upon a Time … in Hollywood and Bill Simmons resonate so much with me. I had the opportunity to drive all over Southern California (including Sunset Blvd. and Hollywood Blvd. hundreds of times) between ’82-‘87 taking team photos (including the L.A. Rams and L.A. Raiders) as well as getting a healthy dose of old Hollywood. I was also able to do business at various movie/TV studios including Disney, Warner Bros., and Paramount. It feels like half of Once Upon takes places driving around L.A., which explains why the Once Upon soundtrack has lived in my car CD player since July.

Perhaps in an alternative world, instead of being a few years older than Simmons, ideally I would have been a few years younger and ready to work on the ESPN’s 30 by 30 sports documentaries that launched in 2009—with none other that Bill Simmons as co-creator with Connor Schell.

One of the first 30 by 30 docs was directed by Billy Corban on the University of Miami National Championship football program in the ’80s and ’90s. A documentary so successful that ESPN did a second doc on on the Hurricanes.

With The U doc (along with Rudy, Friday Night Lights, Sandlot, etc.etc.) it’s easy for me to identify some with Rick Dalton (Leonardo DiCaprio) about the road not taken, but also Cliff Booth’s (Brad Pitt) life ain’t so bad philosophy. Working in production has paid my bills for over three decades, allowed me to travel widely, and to work with many very creative folks.

And like  Once Upon a Time … in Hollywood, I still have hope that at the end of day that just maybe (like Rick Dalton) the gates will open to yet another new chapter of life. Who doesn’t want to have hope we’re “just one pool party away” from whatever it is we’re longing for? To be like NFL great John Elway leading the Denver Broncos to back to back Super Bowl victories in the final two years of his career.

“My father always said to me I would be a late bloomer. I believe I’m the oldest person to ever win this particular award. I hope that record is broken.”
Oscar-winning speech by 74-year old David Seidler (The King’s Speech)

But I’m at a point in my life when I can truly appreciate other people’s success. That includes Simmons own “Apex Mountain” (to use a phrase he’s fond of) who’s selling his L.A. based The Ringer podcast company to Spotify in a deal reported to be in the $200 million range. Not bad for a CEO who was fired by ESPN five years ago.

That’s more stunning than if Tarantino had written an ending with Rick Dalton being cast to star in the Roman Polanski directed film Chinatown (1974) instead of Jack Nicholson. Congrats to Bill Simmons on his team for adding their version to Once Upon a Time … in Hollywood folklore.

P.S. One of the categories of The Rewatchables is nitpicks. For instance, in Once Upon they wondered if Brandy the dog that hangs out in Cliff’s trailer has someone take her out for a bathroom break during the day. I did wonder that. But my real nitpick in Once Upon revolves around a key moment of the film. At Spahn Ranch, Cliff discovers not only that he has a flat tire, but that the knife is still in the tire. First, why would you leave your knife in the tire that you flattened?  And secondly, why was only one tire punctured? If you wanted to mess with someone, wouldn’t you flatten all four tires? The only logical explanation is upon flattening the first tire, the knife got stuck. But I think it’s really an homage to Road House (1989), where Dalton (Patrick Swayze) comes out of a bar late at night (after a rowdy fight) to find a knife in his flat tire. In that case, all four tires were slashed. And it had a nice set-up and payoff in that we see in the prior scene Dalton buying four tires and sticking them in his trunk (implying that he’s two steps ahead of the bad guys, knowing they are going to slash his tires).

Related posts:
The Unofficial ‘Once Upon a Time … in Hollywood’ Filmmaking School
The Dave Martinez  Redemption and the Drama of the 2019 World Series
Remembering the Friday Night Lights 
Once Upon a Time … in Burbank  (reflecting a little on Burt Reynolds )
Once Upon a Time … in Hollywood (Part 1 of 10)

Scott W. Smith 

Read Full Post »

“Congrats to Julia and Steven, the filmmakers behind American Factory, for telling such a complex, moving story about the very human consequences of wrenching economic change. Glad to see two talented and downright good people take home the Oscar for Higher Ground’s first release.”
Barack Obama

Filmmakers Julia Reichert and Steven Bognar won an Oscar Sunday night for their documentary American Factory, which they shot in—what I consider an unlikely place to lead them to Hollywood success—a factory in Moraine/Dayton, Ohio.

Both my grandmother and grandfather worked for NCR in Dayton, Ohio (where I was also born), and I had a great aunt who was a nurse at a GM factory there. In northeast Ohio, my paternal grandfather spent 30 years working for Youngstown Sheet and Tube. And I worked in a boat windshield factory in Florida one summer while in college. So while factories and Ohio may not get your heart pumping, that combination has a special place in my heart.

And obviously for Reichert and Bognar as well, as they also made the  documentary The Last Truck :Closing of a GM Plant.  A film nominated for an Oscar in 2009.

In the spirit of finding stories in your own back yard, Reichert and Bognar live in Yellow Springs, Ohio, just east of Dayton. Reichert went to Antioch College in Yellow Springs and has been nominated for an Oscar four times.

At the age of 73, and diagnosed with terminal cancer, it must have been fulfilling for Reichert to stand on the world stage and receive her first Oscar award.

Of course, it’s hard to miss that in Reichert’s acceptance speech that she’s probably the first person in Oscar history to both give a “Go Buckeyes” shoutout and quote Karl Marx. That will bring her friends and foes on both sides.

I’ve yet to see American Factory (which is currently on Netflix), so I don’t know if the filmmakers take a prescriptive, descriptive, subjective or objective  filmmaking approach to a Chinese billionaire bringing his car glass manufacturing plant in Ohio.

But she did say this on a recent interview:

“Some workers feel like the American dream is done. We are never going to get that back. And others say, you know you really have to believe in the American dream. And I think it’s really up for grabs. Is there an American dream still? Is there something that people can if they work hard and stick to the laws that they’re going to have a good life. Is that possible anymore? I think that’s a real question that I hope our film sort of raises. Is this the world we want to live in?”
Julia Reichert
Fresh Air interview with Terry Gross 

These are the questions, that in some ways, philosophy, religion, and politics have wrestled with for the past 200 years, and if you remove the American dream aspect, probably since the beginning of time. Long before capitalism, communism, socialism, and Make America Great Again were being debated.

It does feel like we are in a significant global transition period. If you watch 4-time Oscar winner Parasite (2019), it’s not hard to make the connection between daily financial struggles in Korea and those in Ohio. It’s also not hard to watch the documentary One Child Nation (2019), read current news about the spread of the deadly coronavirus, or track tariffs in China and realize how interconnected the world is these days.

Hat tip to Megan Cunningham for putting Julia Reichert on my radar. Cunningham wrote the book The Art of Documentary that I first read in 2006, and I’ve had the opportunity to produce and shoot projects with her company Magnet Media Films. In a LinkedIn post yesterday, Cunningham said Richert was a recipient of the 2016 Chicken and Egg Award . (The Chicken and Egg Award recognizes and elevates five female non-fiction directors each year with $50,000 unrestricted grants.)

Reichert wrote a book called Doing it yourself: A handbook on independent distribution that was published in 1977, and I’m not sure where you can find a copy.

P.S. From the back to the future file:  Watch the trailer to the 1986 film Gung Ho to see how an early Ron Howard film dealt with cultural differences as a Japanese company acquires a car manufacturer in western Pennsylvania.

Scott W. Smith 

 

 

Read Full Post »

Older Posts »

%d bloggers like this: