“I never studied writing. I never studied screenwriting. I just hear voices and I see visions, and instead of being locked up I’m a screenwriter.”
The Dialogue Interview: Learning from the Masters (Part 1) interview with Mike De Luca
“I don’t like roller coasters.”
In the first part of screenwriter Nick Kazan’s interview on The Dialogue he mentioned he liked roller coasters. Kazan’s latest script set to be produced is a good example of how much of a roller coaster the film business can be. The Whole Truth was set to be shot earlier this year in Boston starring Daniel Craig, but The Hollywood Reporter said Craig pulled out at the 11th hour—”days before filming.” Part of what that means is an entire crew who had blocked out x-amount of months for work on that project now had to scramble for new opportunities. It also means a loss of millions of dollars in hotels, meals, rentals, etc. in the Boston area.
Fast forward a few months and I’ve read reports that instead of the story being about a lawyer in Boston, it will now be a southern lawyer as production has shifted to New Orleans. Keanu Reeves to replace Craig with Renee Zellweger co-starring and Courtney Hunt (Frozen River) directing. While one article said the changing of locations was a “slight shift in the story” think about what that means from Kazan’s perspective.
Boston and New Orleans are two different cultures. Perhaps the plot stays the same, you could even change the setting of a historic building in Copley Square to a historic building in the French Quarter. A downtown waterfront scene set in Boston Harbor can be shot on the Mississippi River. But the whole background and mindset of a lawyer from New Orleans and a lawyer from Boston can be as different as their accents. Worlds apart.
I guess they could cheat and make it a Boston lawyer in New Orleans. I’m sure there’s more than one Harvard-educated lawyer kicking around Louisiana. Kind of a fun contrast to think about. Image a lawyer from a wealthy Boston family who when thinking of heading south, thinks of Martha’s Vineyard. Give that man a shrimp po’boy and toss him into the mix of a post-Katrina New Orleans.
But Kazan’s a writer and so he’ll make it work–new visions and new voices.
And just in case you’re wondering why producers would make such a major shift in locations so late in the game the answer is simple—money. Louisiana has been aggressive in the last few years in courting film production via film incentives. In fact, at this year’s Oscar awards “four of the six highest-profile Academy Awards went to New Orleans-shot films.” (Including the Best Picture, 12 Years a Slave.) You may be surprised that one report said that in 2013 Louisiana overtook California in film production.
“We have been on a steady upward trajectory since Louisiana adopted its incentive program in 2002… 2013 was our biggest year.”
Chris Stelly, executive director of Louisiana Entertainment
Move over Hollywood! Louisiana is top for film production, CNN Money
When I started this blog Screenwriting from Iowa…and Other Unlikely Places in 2008 it was meant to have built-in irony. My Purple Cow to borrow Seth Godin’s phrase. But with the change in the economy since ’08—plus changes in digital filmmaking— and seeing Louisiana become a major player and Atlanta being called The New Hollywood—somehow filmmaking outside New York and L.A. seems less ironic.
I’ll write more about that later, but it would be interesting to read an interview where Kazan unpacked how his voices and visions changed as he had to transpose his script from Boston to New Orleans.
BTW—That roller coaster of change happens at every level of production. I have a DP friend who was booked on a big broadcast shoot recently who invested $3,000 in new equipment for the shoot only to have it cancel. That roller coaster effect is probably one of the top five reasons crew people leave the production business. It’s hard enough if you live in LA and are booked on a 2 or 3 month shoot away from your family, but harder when that shoot cancels and you end up not landing another gig quickly. The whole truth is roller coasters can be fun, you just don’t want to live on one.