“I was skinny and unpopular. I was the weird, skinny kid with acne. I hate to use the word wimp, but I wasn’t in the inner loop. I never felt comfortable with myself, because I was never part of the majority.”
—Steven Spielberg on his youth
Today I did something that I haven’t done since the COVID pandemic first started in early 2020—I went to two movie in one day. Spielberg’s The Fabelmans and Aronofsky’s The Whale. For those keeping score, that’s four and a half hours of watching dysfunctional families in action. But both have plenty of humor, are exceptionally well crafted, and worthy of seeing on the big screen.
It’ll take me a while (years?) to process The Whale, but I can’t imagine Brenden Fraser not getting a lead actor Oscar nomination. And I got a kick out of one of the characters in the movie being from Waterloo, Iowa. (Waterloo is the city next to where I lived in Iowa for a decade, Cedar Falls.) But I was totally swept away by The Fabelmans. To paraphrase what David Mamet once said about plays, The movies are always dying, and always being reborn.
I saw The Fabelmans not far from where I stood in line to see E.T. back in 1982, Raiders of the Lost Ark in 1981, and where I saw Jaws in 1975. And not far from the home where I was living when I didn’t know who Spielberg was but was riveted by a TV movie titled Dual that featured Dennis Weaver. Spielberg directed it when he was in his early 20s.
Now he’s in his mid-70s giving us a version of his own origin story. I loved every frame of it. He’s made some of the greatest and films of cinema, including the ones previously mentioned as well as Schindler’s List, Empire of the Sun, Close Encounters of the Third Kind, Jurassic Park, and Saving Private Ryan. From the odd connection file, Saving Private Ryan was inspired by the Five Sullivan Brothers who all died on the same ship during WWII and just happened to be from Waterloo, Iowa.
While I’ve never met Spielberg, I do have a certificate from him for working on a project then called the Survivors of the Shoah Visual History Foundation (now the USC Shoah Foundation) that he was the founder and chairman. Back in the ’90s, I was a cameraman in Central Florida for two interviews of Holocaust survivors. One of the most memorable production experiences I’ve ever had.

For anyone who made 8mm and 16mm films back in the day there will be a tinge of nostalgia in watching The Fabelmans. For everyone else there is the joy (and heart break) of the journey of one of the greatest directors to ever made movies. And one heck of a grace note ending featuring David Lynch playing an iconic Hollywood director.
Scott W. Smith is the author of Screenwriting with Brass Knuckles