“I have no idea where it came from. It just came all of the sudden. One minute it wasn’t there and the next thing the whole line was there.”
—Paul Simon on writing Bridge Over Troubled Water
Twice in the past week I heard two accomplished artists talking about unconsciousness in terms of creativity and I thought I’d string them together for you to ponder. And then I tie them in from a screenwriting perspective from my book where Quentin Tarantino (Once Upon a Time in Hollywood), Jim Uhls (Fight Club), and Star Wars writer Lawrence Kasden address the mystical part of writing.
“Your personal experience and your emotional stress finds its way by way of your unconscious mind over into the mind of reality. And it translates itself into your lyrics, and you don’t even know that’s happened.”
—Musician Gordon Lightfoot
The documentary Gordon Lightfoot: If You Could Read My Mind
“I’m interested in acting that involves the unconsciouses. We all know how to do something and hit beats and deliver to kill a performance. I’m interested in giving the performance that I don’t know how to deliver. . . . It’s very fluid when you’re in a take. And there’s definitely some structure to the scene because of the dialogue, or how the scene is going to play out. And I rely heavily on the director for that structure, too. But I’m here to bring responses and truth.”
—Academy Award winning actress Nicole Kidman
WTF Podcast with Marc Maron
Here’s a section pulled from my book Screenwriting with Brass Knuckles:
Mike De Luca asked Fight Club screenwriter Jim Uhls, “When did you first feel when you had what it takes to be a screenwriter? Did you have this specific moment when you felt the confidence of,‘I can do this.’?” Uhls resonded, “It was when the analytical side and the intuitive side merged together, worked together as a creative unit.”
Oscar-winning screenwriter Tarantino said of creating the Mia character (Uma Thurman) in Pulp Fiction, “I have no idea where she came from. I have no idea whatsoever. ” That’s intuition. And talent.
The intuitive side of screenwriting is hard to articulate. The intuitive side isn’t as concrete as the analytical side. It could even be called mystical.
When Lawrence Kasden was asked how he came up with Yoda’s unique speech pattern (“Much to learn, you still have.”) when writing Star Wars: The Empire Strikes Back he did not know.
“I don’t know that we choose how we write. I think it somehow chooses us. It’s very mystical.”
—Oscar-winning screenwriter Horton Foote (Tender Mercies).
Scott W. Smith