Bedford Falls vs Pottersville

“Now that all the decay is over, things are going to get better.”
Adam (Brendan Frazier) in Blast from the Past
Written by Billy Kelly and Hugh Wilson

Who knows how long this will last
Now we’ve come so far, so fast
The End of the Innocence
Bruce Hornsby/Don Henley

Watching It’s a Wonderful Life and The Wolf of Wall Street back to back made me think of the 1999 film Blast from the Past. Kind of what would happen if George Bailey (Jimmy Stewart) of the 1940s showed up in Martin Scorsese’s modern version of Pottersville? (Pottersville is the Girls-Girls-Girls flip side nightmare world to the Norman Rockwell—like Bedford Falls in the Frank Capra classic.)

But Pottersville in Scorsese’s hands comes across like a perpetual party paradise.  An echo of Gary Kamiya’s All hail Pottersville! article— “Pottersville rocks!” Boring vs. Fun.

Perhaps the Wolf of Wall Street himself had a clearer view of the world he created at the brokerage firm Stratton Oakmont:

“It should have been Sodom and Gomorrah. After all, it wasn’t every firm that sported hookers in the basement, drug dealers in the parking lot, exotic animals in the boardroom, and midget-tossing competitions on Fridays.”
Jordan Belfort

Earlier this month, a former worker at Stratton Oakmont who once idolized Belfort gave his perspective:

“But eventually, the blindness from the drugs, the girls and the cars, the clothes and the money, wore off. These people were some of the worst people that I have ever met in my life — they would sell their own grandmother in a second….I’m still going to see the [The Wolf of Wall Street]. My parents want to go with me. I would hope people would try to keep some morality while still trying to achieve success — but I’m not sure the movie is going to show that. Just the wild ride.”
Josh Shapiro
My life working for the real life ‘Wolf of Wall Street’

The movie is a three-hour fantasy wild ride that—well, I won’t spoil it for those who haven’t seen it—but it’s an upside down world. One that Scorsese celebrates more than he condemns. Actress Hope Holiday was quoted in The Wrap saying a screen writer at an Academy screening for The Wolf of Wall Street screamed at Scorsese “Shame on you.” But if you’ve seen Scorsese’s Taxi Driver, Raging Bull, or GoodFellas you know the director has a fondness for depravity over redemption.

The Wolf of Wall Street is not Billy Wilder’s classic The Apartment (1960) on steroids…or cocaine, quaaludes or even viagra. The stated theme seems to want to be “When the chickens come home to roost,” but comes across more like “Crime pays, and it pays well.” Maybe Scorsese and screenwriter Terence Winter (Boradwalk Empire, The Sopranos) were just being faithful to Belfort’s book that the movie was based on.

It’s hard to say the 3 hour movie (okay, technically 2 hours and 59 minutes) is missing anything but constraints, but I think TIME’s Richard Corliss says it best—”What’s missing is the broker’s acknowledgement of a wasted life — if not his, then his victims.”

Scorsese said he knows the The Wolf of Wall Street is not for “everyone’s taste” and added, “It’s not made for 14 year olds.”

But I believe that 14-year-olds are going to see this film. And for some The Wolf of Wall Street will be their ideal—their goal. Just as young Jordan Belfort said Gordon Gekko in Wall Street became his ideal, his goal after watching Wall Street. (And Wall Street was not the upside down, amoral world of The Wolf of Wall Street.)

Gordon (“Greed… is good”) Gekko is the #24 Villain on AFI’s 100 Year…100 Heroes & Villains. Ranked just ahead of Jack Nicholson’s character in The Shining (Here’s Johnny!). But the Gekko character may rank as the #1 villain that most people want to be like. Actor Michael Douglas said he was surprised at how many people over the years have told him they became stock brokers because of his Oscar-winning performance of what he called “the bad guy.” (And how many of those Gekko followers became players in the banking collapse of 2008? Movies reflect the culture they help produce.)

“As the years have gone by, it’s heartening to see how popular the film has remained. But what I find strange and oddly disturbing is that Gordon Gekko has been mythologized and elevated from the role of villain to that of hero.”
Wall Street co-screenwriter Stanley Weiser
Repeat After Me: Greed Is Not Good, 2008 LA Times

“I’d just say anyone who took away that greed is good has missed the point. The movie speaks for itself. People who walk out of the movie and think ‘[Gekko’s] such a great guy,’ they need to think and ask themselves on what terms am I willing to do that?”
Oliver Stone, Wall Street director and co-screenwriter
Oliver Stone: Life after Wall Street by Telos Demos/ CNNMoney

Wall Street was closer in ideals to It’s a Wonderful Life than The Wolf of Wall Street. More Bedford Falls than Pottersville. More the ’80s Miami of Scarface than the ancient Roman orgies of Caligula.

Perhaps the ongoing battle is the way the world is versus the way we want it to be. But what do I know? Well, I do know one thing—that Jordan Belfort’s speaking fee just went up.

P.S. A movie that’s said to have influenced Stone’s Wall Street was Executive Suite (1954) directed by Robert Wise from a script by Ernest Lehman from a novel by Cameron Hawley.

Related Posts:

Raging Bull vs. Martin Scorsese
“Study the Old Master.”—Martin  Scorsese
The Heart of “Hugo” (Part 1)
The Heart of “Hugo” (Part 2)
Hugo & The Artist
Writing Good Bad Guys (Tip #85)

Scott W. Smith

 

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Writing for Movie Stars

“Who wouldn’t want to play Hans Gruber, Norma Rae Webster, Hannibal Lecter, Ellen Ripley, or Gordon Gekko?”
Jeffrey Hirschberg
11 Laws of Great Stroytelling

Everyone is not interested in writing to attract a movie star, but for those of you who wouldn’t mind a movie star being attracted to a screenplay you write here’s some good advise;

“Movie stars like to play complex, fascinating characters with interesting moral dilemmas. It does’t matter whether you create a completely original character, negotiate the life story rights of a living character based on a true story, or portray a larger-than-life  historical figure: Make your character big, complex and fascinating!”

Kate Wright
Screenwriting is Storytelling
Page 33

Scott W. Smith

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Gordon Gekko vs. Paul Newman (tip 14)

“Greed, for lack of a better word, is good.”
                                                         Gordon Gekko
                                                         Wall St. 

“Our entire economy is in danger.”
                                                         President George W. Bush
                                                         September 2008    

“When was the last time you cared about something except yourself, hot rod?”
                                                          Doc Hudson (voice of Paul Newman)
                                                          Cars       

                                                    

This is a look at two Hollywood icons. One fictitious, one real. One that’s alive and well and one that just died. 

But before we get to our heavyweight match-up let’s look at why I’ve put them in the ring together.

“It’s the economy, stupid” was a phrase made popular during Bill Clinton’s first presidential bid. It’s always about the economy. Well, usually. Understanding economics can help your screenwriting greatly.  

First let me clarify that if you’re looking for “The Economics of Screenwriting” (how much you can get paid for screenwriting)  then check out Craig Mazin’s article at The Artful Writer. 

Few things are as primal in our lives as the economy. Wall Street’s recent shake-up joins a long list of economic upheaval throughout history. Just so we’re on the same page, the word economy flows down from the Greek meaning “house-hold management.” I mean it to include how people, businesses, villages, towns, cities and countries manage resources such as money, materials and natural resources. 

That is a wide path indeed. It’s why college football coach Nick Saban is on the cover of the September 1, 2008 issue of Forbes magazine as they explain why he is worth $32 million dollars to the University of Alabama. Why is the economy center stage once again in the most recent presidential election? Because… it’s always the economy, stupid.

Looking back you’ll see economics at the core issue of not only Enron, Iraq, 911 and the great depression but world wars, famines, and even the Reformation. I’m not sure how much further we can look back than Adam and Eve, but that whole apple/fruit thing in the garden had huge economic (as well as theological) ramifications. (In fact, it’s been said that there is more written in the Bible about money than about salvation.)    

There is no question that economics plays a key role in films as well — in production as well as content. On some level it’s almost always about the economy. This first dawned on me when I saw Chekhov’s play “The Cherry Orchard” for the first time and I realized the thread of money in it. Then I read Ibsen’s play  “An Enemy of the People” and noticed the economic theme there. They I started noticing it everywhere in plays, novels and movies.

From the mayor’s perspective the real danger of Bruce the shark in Jaws is he threatens the whole economy of the island town. In The Perfect Storm, George Clooney takes the boat back out because money is tight. Dustin Hoffman auditions as a women in Tootsie because he can’t get work as a male actor. Once you see this you see it everywhere in movies. 

Here is a quick random list where money, need to pay bills, lack of a job, greed and/or some form of economics play a key part in the story:

Chinatown
Scarface
Titanic
Sunset Blvd.
Tootsie
On the Waterfront
Wall St.
Cinderella 
Cinderella Man
Ragging Bull
Rocky 
Jaws
Jerry Maguire
It’s a Wonderful Life
Field of Dreams
Big
Greed
Body Heat
Falling Down
The Godfather
Butch Cassidy and the Sundance Kid 
The Jerk
Gone with the Wind
The Verdict 
Gone with the Wind 
The Grapes of Wrath
Risky Business
Do the Right Thing
Hoop Dreams 
Rain Man
The Treasure of the Sierra Madre
The Gold Rush
Home Alone
Babette’s Feast
The Incredibles
Castway
Ocean’s Eleven
The Perfect Storm
Pretty Women
Trading Places
Indecent Proposal 
The Firm
American Ganster 
Rollover 

And it’s not limited to dramatic films. It’s hard to watch Hoops Dreams, Ken Burns’ The West, or any Michael Moore documentary and not connect it to economics.

So if you’re struggling with a story or struggling what to write, open up that door that explores economics. You don’t have to write The Wealth of Nations, but at least explore some aspect of it.  Join Tennessee Williams, John Steinbeck, Eugene O’Neill and other great writers who tackled that monster.

One thing living in the Midwest the past five years has done is help me understand how the world works economically. Because on a small level you see when John Deere is selling tractors locally, nationally and globally it helps the housing market here as the standard of living increases. The Midwest was the only place to to see homes appreciate last quarter. (Other parts of the country saw a 2 to 36% drop.)  But that wasn’t always the case.

When the farming crisis hit in the mid-eighties and John Deere (Cedar Valley’s largest employer) laid off 10,000 of it’s 15,000 employees and people were walking away from their homes. A film that came out of that era was the 1984 Sam Shepard, Jessica Lange film Country filmed right here in Black Hawk County. (By the way John Deere the company celebrates today 90 years being in this area. If you’ve ever eaten food they’ve had some role in it along the way.)

Three years later Oliver Stone’s film Wall St. came out the same year Black Monday occurred as stock markets around the world crashed. It was the largest one-day percentage decline in stock market history since the great depression. (It only ranks #5 now.)  So here we are 20 years later still trying to figure it all out as two of the top ten largest stock market drops have been in the last two weeks. (Sept 29 update: Make that three of the top ten stock market drops have occurred in the last two weeks.)

(I’m sure Stone felt good when Wall St. first came out, kinda of like “I told you so.” But on the DVD commentary Michael Douglas said that he often told by stock brokers that they got into the business because of the Gekko character he played. Douglas said he doesn’t understand because he was the bad guy. But how many of those guys now in positions of leadership in the financial crisis had Gekko as their hero? To quote writer/professor Bill Romanowski one more time, “Movies reflect the culture they help produce.”

The news will tell us what happened, critics will tell us why it happened, and it’s up to writers to tell us what it means. For years now I have noticed in many different states that more often than not when I go into a convenience store I see someone buying beer, cigarettes and lottery tickets and I ask myself, “What does this say about about the direction we are heading?”

Screenwriting is a place where we can pose those questions –and the playwright Ibsen said it was enough to ask the question.  So get busy asking questions. And if the economy gets worse remember this Carlos Stevens quote:

”Throughout most of the Depression, Americans went assiduously, devotedly, almost compulsively, to the movies.”

On the opposite end of Hollywood from Gordon Gekko is Paul Newman. If there ever was an example of a talented actor/director and giving businessman/ social entrepreneur it was Ohio-born and raised Newman who passed away last night. Newman’s films Butch Cassidy and the Sundance Kid, Cool Hand Luke, Absence of Malice and The Verdict will always be favorites of mine.

“I had no natural gift to be anything–not an athlete, not an actor, not a writer, not a director, a painter of garden porches–not anything. So I’ve worked really hard, because nothing ever came easily to me.”
                                                                                            Paul Newman 

 

(Newman’s Midwest roots extend to performing in summer stock theaters in Wisconsin and Illinois. And an Iowa connection is his last Academy Award nomination was for his role in The Road to Perdition which was based on the graphic novel by Iowa writer Max Allen Collins. And don’t forget that the Newman’s Own label was inspired by Cedar Rapids artist Grant Woods’ American Gothic.

I find it interesting that the three largest legendary film actors coming up in the 50s were all from the Midwest; Marlon Brando (Nebraska), James Dean (Indiana) along with Newman.)

Gavin the lawyer Newman played in the David Mamet scripted The Verdict says words that are just as relevant today as when they we spoken a couple decades ago: “You know, so much of the time we’re lost. We say, ‘Please God, tell us what is right. Tell us what’s true. There is no justice. The rich win, the poor are powerless…’ We become tired of hearing people lie.”

The world is upside down when we pay executives millions in golden parachutes when they drive a company into the ground. And that’s after they lied about the about the companies financial record along with their hand picked spineless board of directors. And after they’ve cashed in their own inflated stocks while the stockholders and employees are shortchanged.

But how nice to see a company like Newman’s Own whose entire profits from salad dressing and all natural food products are donated to charities. The company motto is “Shameless Exploitation in Pursuit of the Common Good.” To date Newman and his company have generated more than $250 million to thousands of charities worldwide. 

“What could be better than to hold out your hand to people who are less fortunate than you are?
                                                                                                      Paul Newman

P.S. Robert Redford had hoped he and Newman would be able to make one last film together and had bought the rights to Des Moines, Iowa born and raised Bill Bryson’s book A Walk in the Woods. 

“I got the rights to the movie four years ago, and we couldn’t decide if we were too old to do it,” said Redford. “The picture was written and everything. It breaks my heart.”

 

Copyright 2008 Scott W. Smith

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