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Posts Tagged ‘Bob Hope’

“Everybody agreed (Gilligan’s Island) was a terrible show and it’s still running every night everywhere.”
Sherwood Schwartz
Creator, Gilligan’s Island

“I wanted to do a show about democracy, in its basic form. Seven people who have to learn to live together. I couldn’t do that with a job because you can get fired. Where could I put people where they could not get away from each other? That’s what started that show. The only place I could think of was an island, a deserted island, where a group of people were for some reason stranded there.”
Shewood Schwartz


Sherwood Schwartz is not as common a name as Gilligan, the Skipper, or Ginger, but he did create one of the most loved, ridiculed and longest running shows on television—Gilligan’s Island. He also created The Brady Bunch. I just came across an interview Schwartz did with L.Wayne Hicks at TV Party.com that provides some interesting insights into Schwartz’s career.

Schwartz graduated from NYU with the goal of going to med school.  But in the 30s in New York being Jewish was a hindrance. He was advised to change his last name to Black and put down on his application that he was a Unitarian. That concept didn’t sit to well with Schwartz;

“I said, ‘Look, I’m Jewish. I’m not ashamed of that. My name is Schwartz and I’m not ashamed of that. I’m not going to be changing anything to get into medical school.’ So as a result I didn’t get into medical school.”

Instead Schwartz moved to California and earned a master’s degree in biological sciences. So how did he go from that to Gilligan’s Island? After he got his master’s he still couldn’t get into med school. He had a brother who was a head writer for Bob Hope’s radio show and wrote some sample jokes and ended up getting hired for a five-year period until he was drafted.

His time in the military would be a fruitful time creatively as he got to work on the Armed Forces Radio Service shows with, “about everybody you ever heard of, and probably some people you never heard of but who were famous stars at that time. Because the Army had access to all stars and they all did it for nothing, so you’d do shows with anybody and everybody.”

When he got out of the service he wanted to get away from variety shows and move toward situational comedy and wrote for the radio programs Ozzie and Harriet and I Married Joan. But then he wanted his own show and created Gilligan’s Island which was rejected time after time. He said his book, Inside Gilligans’s Island, is about the struggle to get Gilligan’s Island on the air. But remember, like any good protagonist, Sherwood was used to dealing with adversity.

In the TV Party interview Schwartz was asked; What kept you going? Why didn’t you just give up?

“I thought I had a great idea. And it’s still a great idea. It’s people. Here’s a serious show. It’s serious in that Arabs and Jews have to learn to live together for they’re stuck together. North Koreans and South Koreans, they have to learn. If you don’t learn, you’ll all die. So there’s this philosophic basis — this is not an afterthought, this is in the show. When the show first came on the air I got with regularity bachelor’s degree, master’s degree thesis from people in the theatrical area explaining what’s the basis for Gilligan’s Island. Like I didn’t know. It was carefully thought out, these seven people. That took me like a year to figure out who should be on the island. And it was all with a view towards the respect that people have to learn for each other because nobody is the same as anybody else. When would a billionaire sit down and have lunch with Gilligan, except if he had to? The same is true of a movie star and a professor. There’s miles between them, but when they’re stuck in the same place they have to learn to live together. That’s what the show is about, people learning to live together.”
Sherwood Schwartz

So in the case of Gilligan’s Island,  I’m going to put Schwartz down for writingfrom theme. (As opposed to starting with an interesting cast of characters or a shipwreck. His beginning place was a show about democracy, and how seven people “learn to live together.”)

Schwartz won an Emmy for Outstanding Writing Achievement in Comedy as one of the writers on The Red Skelton Hour. Born in 1916, he’s still alive and getting fan mail. The Archive of American Television has a video interview they did with Schwartz in 1997. Schwartz has said that if he was making Gilligan’s Island today he would have a multi-ethnic cast.

P.S. And in case you haven’t heard, there is a Gilligan’s Island script in the works being written by Brad Copeland (Arrested Development, Wild Hogs). You can find many humorous casting suggestions at various websites. One report had Schwartz pulling for Michael Cera (Juno) as Gilligan and Beyonce as Ginger.

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Scott W. Smith


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Chicago-born writer Larry Gelbart died on September 11, 2009 adding one more name to what I’m now officially calling the summer of deaths. Good thing fall starts tomorrow.

Gelbart had an incredible career. Just one of his success stories would be an amazing feat, but the fact that he pulled them all off at such a high level is hard to comprehend. He was the co-creator of one of the most popular TV programs of all-time (M*A*S*H), he was co-writer of one very long Broadway show (A Funny Thing Happened on the Way to the Forum), and he c0-wrote one of the most popular and highly regarded comedy movies in the last 30 years (Tootsie).

He won an Emmy, a Tony, and had an Oscar nomination. Not bad for a kid from Chicago whose Jewish parents immigrated from Poland.

The L.A. TImes quoted Jack Lemmon describing Gelbart as “One of the greatest writers of comedy to have graced the arts in this century.” In a statement Friday, Woody Allen called Gelbart  “the best comedy writer that I have ever knew and one of the best guys.”

Gelbart began his writing career as a teenager and learned from the best including Danny Thomas, Bob Hope, Carl Reiner, Mel Brooks, and Neil Simon. One of my favorite quotes of his was his reaction to all the rise in screenwriting classes; “So many gurus and so few good writers. Where are all these lessons going?”


Scott W. Smith


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