“I’m not saying I’m like, ALLOWED to do this.”
Steven Soderbergh (on going Jack Sparrow with a Spielberg classic)
Can you spot what’s different about Indiana Jones?
I know it’s now officially Fall, but the Screenwriting Summer School is still in session on this blog. Today’s class with be led by Professor (producer, writer, director) Steven Soderbergh (whose dad really was a professor at LSU in Baton Rouge). And now Soderbergh can add pirate (for “educational purposes only”) to his resume—and the results are fabulous.
In fact, I’ll go as far as saying what Soderbergh did is my favorite film related article/video I’ve seen all year.
Yesterday on his website Extension 765 he posted an edit of Raiders of the Lost Ark (1981) where he shifting the color to black and white (it looks great) and replaced the sound with a music track, rumor has it, done by Trent Reznor.
Now why would Soderbergh go to all the trouble? Why would Soderbergh mess with a classic? Why nix the John Williams Oscar-nominated score?
Simply to explore the old film school truism (at least that’s where I learned it many years ago) that you should be able to watch a film without the sound and still know what’s going on simply by the visual storytelling.
Visual conflict & key light via a hot poker pulled from a fire.
According to Soderbergh the new score “is designed to aid you in your quest to just study the visual staging aspect.” Worked for me. I watched the whole new Raiders version by the other Steven S. last night from 10PM to midnight and think it’s an instant classic. (And I’m guessing will be instantly abhorred by others.)
Raiders does hold up well without dialogue, but then again I’ve seen it a few times so I’m not the best judge.
Speaking of judges… It’s a little ironic Soderbergh just lifted an entire Paramount film since on his website under Privacy and Terms it states; “Unauthorized use of the Contents is expressly prohibited by law, and may result in severe civil and criminal penalties. You might want to look up the word SEVERE, if you’re thinking about screwing with us.”
I’ve wondered if Tony Zhou’s excellent Vimeo account would be taken down because he makes his filmmaking points using many movie clips. I’m not a copyright lawyer, but my understanding is You Tube and Vimeo is a little beyond the means of educational purposes in a classroom. Often times I link to movie scenes found on You Tube that hit on points I’m trying to make, only to find out later that they’ve been pulled because of a copyright violation. I welcome any lawyers to clarify this area, because it is a direction I’d like to head for this blog in 2015. Regardless, better catch Soderbergh’s Raiders ASAP in case Paramount makes him take it down soon.
‘Story Telling Without Dialogue’ (Tip #82) “IF YOU PRETEND THE CHARACTERS CANT SPEAK, AND WRITE A SILENT MOVIE, YOU WILL BE WRITING GREAT DRAMA.”—David Mamet
Show, Don’t Tell (Tip #46)
Writing “The Artist” (Part 1) “I thought making a silent film would be a magnificent challenge.”
Garry Marshall’s Directing Tips (Part 7) “The reaction to the action is critical.”—Blake Edwards via Marshall
Directing Tips from Peter Bogdanovich “Silent looks between people—to me, that’s what movies are about.”—Peter Bogdanovich
Soderbergh Related Posts:
Steven Soderbergh is Platformagnostic
Fast & Furious—Steven Soderbergh
“State of Cinema” —Soderbergh
Sex, Lies, & Mr. Bill (Screenwriting from Louisiana)
Raiders Related Posts:
Movie Cloning (“Raiders”)
Raiders Revisited (part 1)
Raiders Revisited (part 2)
Raiders Revisited (part 3)
Raiders Revisited (part 4)
Scriptnotes’ 100th Podcast
P.S. I’ve been getting a few hits from a Malibu Screenwriting group that’s having a meet-up tonight (9/23/14) in Westlake Village. The were following a link to my 2008 post Screenwriting & Exposition. For what it’s worth, Indiana Jones saying, “I hate snakes” at the start of Raiders is exposition. Plus a nice set-up that will have a bigger payoff later in the movie. For that group here’s another post you may find useful, “Exposition is BORING unless…”
Scott W. Smith