“I think what makes a film stick to the brain is the theme.”
William C. Martell
“There’s no place like home.”
Dorothy
The Wizard of Oz
There are many ways to attack writing your story and if you read enough of how writers ply their trade you will find quality writers who come from all kinds of angles; plot, character, situation. Another angle is writing from theme. And even those who don’t start with theme have one emerge somewhere in the process.
Talking about theme can can get a little tricky but I like to say that it is not your story, but is what your story is really about. (Some also call this the controlling idea.) The story of Oliver Stone’s Scarface is a Cuban emigrant who rises from tent city to become a drug lord in Miami. The theme of Scarface is the old standard crime doesn’t pay, or you could say, a life of excess and ruthless ambition will destroy you. Theme wise, Tony Montana (Al Pacino) is in the same family as Shakespeare’s Macbeth.
Variations of theme can pop up anywhere in the story. At the beginning of another Stone film Wall St., the first words out of Bud Fox’s (Charlie Sheen) mouth when he’s asked how he’s doing is, “Any better and it’d be a sin.” Bud Fox does much better and it’s not only a sin but he has to go to prison.
Stone uses the wiser, older Lou (Hal Holbrook) to be the voice of reason as he tells Bud, “that’s the problem with money — it makes you do things you don’t want to do.” Another time he tells Bud, “Enjoy it while it last — cause it never does.” (That film takes place in ’85 but they would have been fitting words for all of us in ’05, and probably will be twenty years from now. Good themes are timeless and universal.)
Again the theme of Wall St. is crime doesn’t pay, or a life of excess will destroy you, or even “the love of money is the root of all sorts of evil.” (Anyone working on a script for the Bernie Madoff story?) The big difference between Scarface and Wall St. is Bud Fox doesn’t get killed at the end like Tony Montana. No, it’s more hopeful and Bud seems to have learned his lesson.
Speaking of hope … The Shawshank Redemption is all about hope and screenwriter & director Frank Darabont finds many ways to express that theme. On page 63 of the script Andy says while in prison “…there’s a small place inside of us they never lock away, and that place is called hope.” Then there’s the most often quoted line from the film,”Get busy living, or get busy dying.” (Usually meant to get busy living.)
Some writers post the theme on the wall where they write to as a way to keep them centered and focused. On the front page of The Shawshank Redemption script are the words, “Hope is a good thing, maybe the best of things, and no good thing ever dies…” — words that echo throughout the film. Words that stick with us long after we leave the theater.
The theme of hope is one of the major reasons people watch The Shawshank Redemption again and again. We may not ever have been in a state prison but we can identify with the situation as we all at times know what it’s like to live in our own personal prisons or at least know what it’s like to almost lose hope in difficult situations.
Theme pops up at the end of Braveheart as the last word that William Wallace (Mel Gibson) yells is “Freedom!” Or as the screenplay says, “FREEEEE-DOMMMMMM!” Throughout the film the fleshed out theme “Live free or die” is clear and that resonates here in the United States of America. (Heck,”Live Free or Die” is even the official motto of New Hampshire.)
Paul Schrader has said he wrote Taxi Driver by recognizing “a rip in the moral fabric of society” and used the metaphor of a taxi driver to represent loneliness.
Of course the danger with theme is writers can become heavy handed with it and audiences don’t like being beaten over the head with it. Films work best not as an intellectual exercise but as an emotional experience. (At least that’s traditionally been true in American cinema.) Audiences want to be sweep away by your story. They want to discover the theme not have it handed to them.
Theme is powerful stuff. So remember as you write, “With great power comes great responsibility.”
Related posts: More Thoughts on Theme
Screenwriting from Iowa 
Of cource it’s the combination of the story and the title that makes it stick to the brain.
Field of Dreams?
Ghost Player? (coming soon)
The is no doubt that “Field of Dreams” is a great title and a great story. But I do think its lasting appeal is the themes represented in the movie.
1) Having a dream or vision to do something that most people think is a crazy waste of time.
2) The desire to live a simpler way of life — including playing a game for pure joy.
3) The desire to be reconnected again with loved ones who have died (or who we haven’t talked to in a long time).
There is a point when some movies become more than just a story on the screen, but becomes our story. In some sense a story that we want to live in or incorporate into our lives. And I think it is the theme that wraps itself around our hearts and minds.
In an interview with Chris Neumer back in 2004 the director of “Field of Dreams,” Phil Alden Robinson said this, “I just today was doing another interview and the journalist told me that shortly after the film came out his father died and one of the last things they’d done together was to see this film. So he went to see the film again and he bought a ticket and put the ticket in his dad’s pocket when his dad was buried. That is powerful. We heard a lot of stories like that when the film first came out. And then over the years, when somebody finds out [who I am] they feel compelled to tell me their ‘Field of Dreams’ story. At the time though I remember a lot of guys told me that they hadn’t talked to their dad in years and after I saw the film and called him.”
[…] 13, 2009 by Scott W. Smith Earlier this year I did a post called Writing from Theme (tip #20) and I just came across a couple more related quotes on the matter so I thought I pass them […]