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Posts Tagged ‘Walter Kerr’

SilentClownsSmall_0231.jpg

For the last few days I’ve been working on condensing a massive amount of digital files. And when you do something like that you stumble across a few gems. Here’s a photo I took while photographing Gary Kelley’s artwork for a multimedia project we were working on a few years ago.

Gives you a little glance into Gary’s process. If I recall correctly, he had The Silent Clowns by the late film critic Walter Kerr on hand for the title cards he was designing that captured a WWI silent film era.

Here’s a 2013 promo by the Waterloo Cedar Falls Symphony for that production.

Related posts:
Mr. Silent Movies
Silent Screenwriter Dies
Harold Loyd v. Buster Keaton
Writing the Artist
You Tube Film School (Early Film History)
Artist Gary Kelley Paints the Cloud in Iowa

Scott W. Smith

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“When we speak of silent comedy we speak instantly of three names—Chaplin, Loyd, Keaton.”
Walter Kerr
The Silent Clowns 

The eyes of the world are on the Midwest today. Tomorrow they could shift back to the Middle East and Israel vs. Iran. But for at least a few hours during Super Bowl XLVI it will be New England vs. New York. Manning vs. Brady.

One-third of the entire United States population will be focused on the game (or the commercials) as the Patriots battle the Giants in Indianapolis, Indiana.  (The game will also be broadcast in more than 200 countries.)

I thought it would be a fun challenge  to see if I could connect the silent film era that I have been writing about recently with the Super Bowl. And so here’s the Harold Loyd Vs. Buster Keaton debate—in the battle of football movies.  (I didn’t include Chaplin because he recently had his own post—Mr. Silent Films—plus he didn’t make a film about football.)

“It is taking nothing from Keaton or Loyd to say that Chaplin built the road along which they swept to success.”
Kevin Brownlow
Hollywood; The Pioneers 

Despite Loyd being famous for his clock management, and Rudy-like zeal (Indiana reference #2) of not being that gifted athletically—he was only a first year player in The Freshman (1925):

Keaton would appear to have the advantage because as Walter Kerr  pointed out, “Keaton ran so often during the twelve features he made in the 1920’s that the sprint became a trademark.”   And, in fact, he did run a good deal in  Three Ages  (1923):

And the winner is—Buster Keaton. Why? Three reason:

1) First, Keaton not only starred in Three Ages, but he’s also credited as producing, directing and writing the film.
2) The Freshman was said to be pirated from H.C. Witwer’s short story, The Emancipation of Rodney.
3) I trust drama critic Walter Kerr’s (1913-1996) assessment of Keaton in his book The Silent Clowns:  “Let Chaplin be king and let Keaton court jester. The king effectively rules, the jester tells the truth.”

P.S.  Just for some added Midwest mojo, Buster Keaton was born in Piqua, Kansas and Harold Loyd was born in Burchard, Nebraska—more unlikely places for Hollywood icons to come from. Talent comes from everywhere. Kerr (who was also a produced playwright, on top of writing for the New York Times) was born in Evanston, IL just about 200 miles north of today’s big game and received his BA and MA from Northwestern, on his way to becoming a Pulitzer Prize-winning writer in criticism.

P.P.S. And if you catch the game today, you might see a singer who was born in Bay City, Michigan and has sold more than 300 million albums. Madonna will be performing the half-time show.

Scott W. Smith 

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