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Posts Tagged ‘Usain Bolt’

The 2016 Rio Olympics closing ceremony ended yesterday with many memorable moments over the past two weeks including three more gold medals for Jamaican sprinter Usain Bolt. So I thought it would be fitting to re-post what I wrote about Bolt after he won three gold medals four years ago:

“I would say I’m the greatest.”
Usain Bolt

“This is very good for the country.”
Portia Simpson—Miller
Prime Minister of Jamaica after the 200m Olympic finals

Jamaica stunned the world yesterday. Taking home the gold, silver, and bronze in the men’s 200-metres finals at the 2012 Summer Olympics in London.

I haven’t written about this year’s Olympics, because I hadn’t found any motivation to connect it to screenwriting.  Then suddenly a bolt of inspiration hit me. And not just as in Usain Bolt being dubbed the fastest man ever after he became the first person ever to win the 100m & the 200m races in back to back Olympics. But because of Jamaica’s historic 1,2,3 finish in the 200m race.

Think about that—The population of Jamaica is smaller than the population of the state of Iowa. In other words, a country of less than 3 million people had three sons in one race who were faster than the other 7 billion people living on this planet. Sprinters Bolt, Yohan Blake, and Warren Weir walked away with the medals sweep.

That doesn’t happen by accident. Four year’s ago in the post Screenwriting Jamaican-Olympic Style, I wrote about the long establish training tradition that has made Jamaica such a force in the men’s and women’s track & field. And the connection to screenwriting and filmmaking is some incredible things can happen in small tucked away places, but they are years in the making.

Remember I launched this blog in January of 2008 after seeing Juno and learning about a Minneapolis screenwriter (Diablo Cody) who wrote that script in the suburbs of Minneapolis. In the post Beatles, Cody, King & 10,000 Hours, I mentioned that while it was Cody’s first screenplay it followed 15 years of creative writing everyday . (Including four years of writing while at the University of Iowa.)

Yesterday all the talk about Bolt and the one time fastest man in the world, Carl Lewis, reminded me that I once stood next to greatness. It was 1987 at the Mt. SAC Relays in Walnut, California. Lewis had won four gold medals at the 1984 Olympics in Los Angeles and would later be named by Sports Illustrated “Olympian if the Century.” I was a cameraman shooting footage with an Eclair NPR 16mm camera as Lewis performed “one of the most outstanding individual performances ever witnessed at the Relays, as all six of his leaps in the long jump exceeded 28 feet.” I was 25 years old, the exact age of Lewis—and the exact age of Bolt.

What’s fun about writing this blog is the little connections I can make from time to time. While I’ve been able to parlay a love of photography, movies, and a film school degree into a lifelong career in production—even got to shoot a documentary in Kingston, Jamaica back in ’06—I would never confuse what I do with what Billy Wilder and Paddy Chayefsy did or what Steve Zaillian and Aaron Sorkin do today. But my little successes (and failures) make me appreciate those with huge talent backed up by outrageous success. And the hope that we all have is that we can learn from the great ones (and even the less than great ones) and it will improve our work.

 

Scott W. Smith

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“I would say I’m the greatest.”
Usain Bolt

“This is very good for the country.”
Portia Simpson—Miller
Prime Minister of Jamaica after the 200m Olympic finals

Jamaica stunned the world yesterday. Taking home the gold, silver, and bronze in the men’s 200-metres finals at the 2012 Summer Olympics in London.

I haven’t written about this year’s Olympics, because I hadn’t found any motivation to connect it to screenwriting.  Then suddenly a bolt of inspiration hit me. And not just as in Usain Bolt being dubbed the fastest man ever after he became the first person ever to win the 100m & the 200m races in back to back Olympics. But because of Jamaica’s historic 1,2,3 finish in the 200m race.

Think about that—The population of Jamaica is smaller than the population of the state of Iowa. In other words, a country of less than 3 million people had three sons in one race who were faster than the other 7 billion people living on this planet. Sprinters Bolt, Yohan Blake, and Warren Weir walked away with the medals sweep.

That doesn’t happen by accident. Four year’s ago in the post Screenwriting Jamaican-Olympic Style, I wrote about the long establish training tradition that has made Jamaica such a force in the men’s and women’s track & field. And the connection to screenwriting and filmmaking is some incredible things can happen in small tucked away places, but they are years in the making.

Remember I launched this blog in January of 2008 after seeing Juno and learning about a Minneapolis screenwriter (Diablo Cody) who wrote that script in the suburbs of Minneapolis. In the post Beatles, Cody, King & 10,000 Hours, I mentioned that while it was Cody’s first screenplay it followed 15 years of everyday writing. (Including four years of writing while at the University of Iowa.)

Yesterday all the talk about Bolt and the one time fastest man in the world, Carl Lewis, reminded me that I once stood next to greatness. It was 1987 at the Mt. SAC Relays in Walnut, California. Lewis had won four gold medals at the 1984 Olympics in Los Angeles and would later be named by Sports Illustrated “Olympian if the Century.” I was a cameraman shooting footage with an Eclair NPR 16mm camera as Lewis performed “one of the most outstanding individual performances ever witnessed at the Relays, as all six of his leaps in the long jump exceeded 28 feet.” I was 25 years old, the exact age of Lewis—and the exact age of Bolt.

Probably what makes me appreciate the efforts of both Lewis and Bolt more than the other Olympic athletes is I won my share of races through high school. I’m sure if I was once a gymnast, a volleyball player or a diver I would be more fixated on those sports and athletes. While being the fastest runner in the 50-yard dash at English Estates Elementary School Olympics is a thin connection to what’s happening in the London Olympics, it’s a thin connection I enjoy making.

It’s actually what’s fun about writing this blog. While I’ve been able to parlay a love of photography, movies, and a film school degree into a lifelong career in production—even got to shoot a documentary in Kingston, Jamaica back in ’06—I would never confuse what I do with what Billy Wilder and Paddy Chayefsy did or what Steve Zaillian and Aaron Sorkin do today. But my little successes (and failures) make me appreciate their huge talent. And the hope that we all have is that we can learn from the great ones (and even the less than great ones) and it will improve our work.

P.S. Usian Bolt created a little controversy yesterday when he said, “No one remembers Carl Lewis.” Well, I remember Carl Lewis. I remember his greatness. But I also remember his aloofness. I remember that he once said, “I am limitless.” Much like Muhammad Ali saying, “I am the greatest.” Now we can put Bolt’s “I would say I’m the greatest” on that same shelf—and watch how time handles those words. Remember, it was once thought that breaking the four-minute mile was impossible. The world record today is a more than 16 seconds below the four-minute mark. The first sub-four minute mile happened back in 1954. Time has a way of smiling on what we think is great today.

And when you’re talking great at the 2012 Olympics it’s hard to overlook Michael Phelps winning his record-setting 22th Olympic medal—spread over three Olympics. I wonder if Bolt remembers him. I know that was last week’s news, but Phelps does have 18 gold medals—13 more than Bolt currently has, and double the number of any other Olympian.

P.P.S. And while not on par with what Jamaica’s done, I must give a shout-out to 16-year-old gymnast Gabby Douglas, who came to West Des Moines, Iowa to train with Shawn Johnson’s coach Liang Chow and won two gold medals in London.

Scott W. Smith

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“Little Jamaica — our country is blessed with some of the best, if not the best, talent you can find.”

Olivia Grange,
Jamaica’s minister of sport

Chances are when you think of movies and Jamaica Cool Runnings comes to mind. (If you’re old school you may remember that part of Sean Connery’s first Bond film, Dr. No, was filmed in Jamaica.)  But my interest in connecting screenwriting and Jamaica has to do with the 2008 Summer Olympics.

Not to take away from Baltimore’s Michael Phelps’ outstanding achievement of winning eight gold medals in Beijing, but I can’t get over the fact that over the weekend Jamaican athletes won gold in the men and women’s 100 meter sprint.

Usain Bolt did it in world record speed on the male side and on the female side Jamaican runners collected all the medals. ESPN dubbed Jamaica “World’s Fastest Nation.”

What is most amazing to me about this feat is that the total population of Jamaica is under 3 million compared to over 300 million for the United States. (And there are a few other countries at the Olympics as well.) Another way to look at it is Iowa also has three million people. This is really at the heart what Screenwriting from Iowa is all about. That amazing things can come from little places.

But amazing things don’t come out of thin air. If you look beyond Jamaica’s gold medals you will find the secret to how a small impoverished island ended up on top the world stage.  Matthew Clark wrote an insightful article on this titled a couple of months ago, How Tiny Jamaica Developed So Many Champion Sprinters. Like champion long distances runners from Kenya and Ethiopia the key word there is developed.

Anthony Davis, the sports director at Jamaica’s University of Technology (UTECH), whose programs and facilities developed Bolt told Clark, “You’d have had to plant a seed long ago to get where we are today.”

Davis helped start the school because traditionally Jamaica’s best athletes left the country to compete for colleges in the United States. And though the program is looking golden now, its original vision was doubted and even today its facilities are still second-rate compared to the US.   According to Davis, “We had a choice: complain about the resources and do nothing or work with what we have.”

Clark’s article points out; Another reason for Jamaicans’ success: their attitude, according to  (Fitz) Coleman ( a technical coach on Bolt’s team) “We genuinely believe that we’ll conquer,” he says. “It’s a mindset. We’re small and we’re poor, but we believe in ourselves.”

A couple years ago I shot a documentary in Jamaica and spent a few days in Kingston far away from the other side of the island where tourist usually spend their time on peaceful beaches. We were told not to walk outside the barbed wire topped walls of our hotel at night and that the murder rate per capita was higher than Haiti.

The economics of the area are poor — in fact one home we shot in would be the equivalent of a large tool shed in the States-no air and and no bathroom. But I found the people warm and friendly, and the music, food, culture and history totally captivated me.

We did take time to tour the Bob Marley Museum in the home where he used to live and it is a must see for reggae fans. Nothing quite brightens driving on snowy freezing day in Iowa as listening to Bob Marley’s “Three Little Birds.” (But even if a white guy from Iowa likes reggae music, it may be a sin for him to wear a traditional Jamaican hat. At least I didn’t get the one with fake dredlocks for the full Rastafarian poser look. Just doing my part to help the economy there.)

And just how has a little island again produced such memorable music? No, I’m not thinking about the herbs Marley had in his spliff. Once again talent, training and time are the key.

Believe it or not there is actually a strong connection between Jamaica’s musical heritage and a school run by Catholic nuns. The Sisters of Mercy founded the Alpha Boys’ School in 1892 to house and educate “wayward boys’ from poor families in Jamaica. Music was a key part of their education.

An interesting read on this is Tracing reggae’s Catholic roots by Thomas Green.

“Without the school, there just wouldn’t have been the blossoming of talent on the island in the key period of the `60s and `70s,” says Laurence Cane-Honeysett, a music consultant to reggae label Trojan Records, who has compiled the excellent album Alpha Boys’ School: Music in Education 1910-2006.

“When the Jamaican music industry took off, it was totally dependent on those who studied there,” he says.

So wherever you are in your screenwriting journey I hope you can be inspired by the small island of Jamaica and its recent gold medal achievements. And whether you live in West Des Moines, West Africa, or West Covina I hope you remember the words of Jamaican sports director Anthony Davis, “We had a choice: complain about the resources and do nothing or work with what we have.”

August 22, 2008 Update
In the last couple days the men and women’s Jamaican track team left no questions in regard to their dominance as they claimed gold medals in every single Olympic individual sprinting event. Anyone working on the script on the life of three time gold medalist and world record holder Usain Bolt’s life story yet?

To put Jamaica’s achievements in perspective, they ended up with six gold medals. It was estimated that for China to have won the same amount of gold medals per capita that they would have had to won 2,889 gold medals. So pop open a Red Stripe for the little guys this week.

(It was also great to see Iowa’s own Shawn Johnson—who just happens to be from West Des Moines— win a gold on the balance beam.)

Copyright 2008 Scott W. Smith

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