Feeds:
Posts
Comments

Posts Tagged ‘TRuman Capote’

“I write in toilets, on planes, when I’m walking, when I stop the car. I make notes. If I am working at a studio, I work at the studio in the morning, then come home. I am really writing two days instead of one. After the studio, I have my second day [at home]. I write whenever I can.”
Richard Brooks
Oscar-winning screenwriter (Elmer Gantry)

The only thing that stopped Richard Brooks from writing was his death in 1992. Before that the writer/director originally from the slums of Philadelphia racked up four decades of credits on films such as In Cold Blood, Blackboard Jungle, The Professionals, and Cat on a Hot Tin Roof—all of which were nominated for Academy Awards.

As a side note, I am working on a script now that has some parallels to In Cold Blood (1967) and I just watched the film last year for the first time. From the story angle that Truman Capote wrote and for which the movie is based on, to the cinematography by Conrad Hall, to the performances on screen, In Cold Blood is a fine tuned movie. (Check out the film Capote, too. How many movies are made on the research done for a book & movie?)

In Cold Blood was based on events that occurred in a small town in Kansas back in 1959,  it is also a disturbing movie as it offers glimpse into the human heart.

In Cold Blood was also directed by Brooks giving you a deeper understanding of his talent. He directed a total of 24 films getting Oscar-nominated performances out of ten different actors including Paul Newman, Lee J. Cobb, and Elizabeth Taylor. I’m always interested in the events that paved the way for writers to break into Hollywood and Brooks did it the usual way—he wrote. He wrote a lot.

After studying journalism at Temple University, he struggled to land a job at a newspaper during the depression because they were letting reporters go, not hiring them. (Sound familiar?) He eventually landed in New York doing radio and started directing plays before heading to Hollywood.  But long before Brooks spent his final days in his house in Beverly Hills (which was paid for by his creative endeavors) he wrote stories and learned his craft before anyone paid him a dime.

“I’d written some short stories before, but none was published. Anyway, every day, another short story. Everything became grist for a short story. It began to drive me crazy . . . a different plotline every day. My ambition: write one story a week instead of a different story every day. In about eleven months I wrote over 250 stories.”
Richard Brooks
Backstory 2: Interviews with Screenwriters of the 1940s and 1950s/Patrick McGilliagan

So before he won an Academy Award, and before he adapted (with John Huston) the script for the classic Humphrey Bogart/Edward G. Robinson film Key Largo, he wrote—in case you missed it—250 short stories. Two, five, zero. Next time you hear a writer complain about not getting anyone to buy (or even read their script) ask them how many stories they’ve written.

And I should point out for good measure that Brooks, who served in World War II, is one more Marine in Hollywood folklore.

Big hat tip to Scott Myers at Go Into The Story for the extended passage on Brooks that he pulled from McGilliagan’s book.

Scott W. Smith


Read Full Post »

“I’m one of those coaches who believes it’s my responsibility to be there for my players—my students—any way I can.”
Ed Thomas

That kind of thing isn’t supposed to happen in a place like this.

Highly regarded and admired high school football coaches are not supposed to be killed. Icons of a community are not supposed to be shot. Especially in a small town in Iowa. But that’s what happened yesterday when Aplington-Parkersburg High School football coach Ed Thomas was shot and killed.

When I moved to Cedar Falls, Iowa from Orlando six year ago I didn’t think I was moving to a place free from crime. The end of the innocence happened long before this. It even happened before Truman Capote’s In Cold Blood where he chronicled murder in a small Kansas town in 1959. But yesterday’s shooting is still a shocking tragedy.

Parkesburg, Iowa is 20 miles west of Cedar Falls and was in the news one year ago due to the devastation of an EF 5 rated tornado that hit there last year. A couple days after the tornado destroyed about a third of homes (including Thomas’ home) and took several lives I was hired by an insurance company to video tape the damage. It was unlike anything I had ever seen before.

A few weeks ago that same company hired me to go back and help tell the stories of how some people had helped rebuild their lives. It was amazing to see the transformation that had taken place in just one year.

And symbolically at the center of the town’s transformation was the Aplington-Parkersburg High School football program lead by CoachThomas. ESPN did a feature last fall on Thomas and the team and how much they meant to the town. Reporter Steve Cyphers’ ESPN story called  The Scared Acre is a moving story. It really underscores the tragedy and loss of the death of Thomas. (If you click the ESPN link you will have to put up with an ad before the video plays.)

As a coach he had 292 wins, two state titles, and was the 2005 NFL High Football Coach of the year. Currently there are four NFL players who played under Thomas. Four players from the same high school is a staggering number considering some high schools have never had a single player in their entire history make it to the NFL.

A couple years ago columnist Bob McClellan pointed out that the city of Miami, Florida with its 40 high schools only had four active players in the NFL. To see the same number from the same school and from a small town of 2,000 people has to make you wonder if the coach has tapped into something special.

Thomas at Aplington-Parkersburg for 34 years and was a respected coach, teacher, and mentor as well as a man of faith whose concern for his players went beyond the football field.

“Aside from my own father and mother, no one had a more profound impact on my life than Coach Thomas…He truly epitomized everything that is great about high school football and all the things it can teach young men. Heaven just got a great football coach and an even better man.”
Jared Devries
Detroit Lions Defensive end

One of the top ten all time posts for Screenwriting from Iowa is called Don’t Waste Your Life.  In that post I quoted many well known screenwriters reflecting on their work and life and I used last year’s tornado as a springboard for that discussion. I even had a picture of the scoreboard from Aplington-Parkersburg High School that was blown down during the 200 mile per hour winds.

The death of Ed Thomas will no doubt be felt by the people and town of Parkersburg for a long time. But more importantly I believe the life of Ed Thomas will have a more profound and lasting effect.

Check out the ESPN story on Thomas because it’s a great example of where storytelling and meaning come together.

Don’t waste your life.

8/28/09 Update: ESPN in Parkersburg, Iowa.  They’re broadcasting tonight  nationally A-P’s first  high school football game in 34 years without Coach Thomas on the sidelines.

Scott W. Smith

Read Full Post »

“Ohh Nooo!!!”
Mr. Bill

“You could make a really good-looking movie right now for ten grand.”
Steven Soderbergh

The other day I saw Mr. Bill in a commercial and I realized I hadn’t seen him in many years. That took me back and I somehow I ended up looking at screenwriters from Louisiana because that’s where Mr. Bill’s creator Walter Williams is from and now lives.

The New Orleans native discovered Super-8 film when he was 17 years old. According to the Mr. Bill website he began making comedy films that were shown in local clubs and bars and he ended up with his own UHF TV show.

In the pre-You Tube days of 1975 Saturday Night Live put out a call for home movies and Mr. Bill debuted on Saturday Night Live in 1976 and ran until 1980. (Williams was eventually hired by Lorne Michaels as a staff writer.) The years ’76-80 were the early golden years of the program with a cast that included Bill Murray, Dan Aykroyd, Chevy Chase, Jane Curtin and John Belushi.

Mr. Bill and his supporting cast Mr. Hands and Sluggo were quite an inspiration to me in those years because they were my high school years. One of my first films in Annye Refoe’s creative writing class featured my version of Mr. Bill. I don’t remember the story line but I do recall the obligatory destruction scene where Mr. Bill is standing in front of the door as the entire class leaves for the day flattening Mr. Bill. “Ohh, nooo!!! (My art teacher mom had to make a few Mr. Bill’s for the stunts.)

It was that class that set me on course for film school and an over 20 year career in production. Looking back on the years ’76-80 there was an eclectic mix of inspiration for a young creative mind:  Star Wars (77), Close Encounters of the Third Kind (77), David Lynch’s Elephant Man (80), Rocky (76), Raging Bull (80), Woody Allen’s Annie Hall (77), Saturday Night Fever (77), Grease (78), Animal House (78),  Apocalypse Now (78) Kramer Vs. Kramer (79), Norma Rae (79), …And Justice for All (79), Breaking Away (79), Halloween (78)Being There (79), The Great Santini (79), Silent Movie (76), Silver Streak (76), Heaven Can Wait (78), Mad Max (79)  along with those movies I probably saw at the now defunct Prairie Lake Drive-In Theater–Smokey and the Bandit (77), Up in Smoke (78) and The Kentucky Fried Movie (77).

Mr. Bill is an American icon from the 70s and it’s nice to see him (and Williams) kicking around 28 years later. Williams has not only directed Mr. Bill in spots for Lexus, Burger King and Ramada Inn but in non-profit efforts to help restore the wetlands in New Orleans.

In 1978 there was a 15 year-old over in Baton Rogue, Louisiana who began to make animation and short narrative films (perhaps inspired by Mr. Bill’s success) who would go to make his mark in 1989 writing and directing and shooting sex, lies, and videotape. (Winner of the Palm d’Or at the ’89 Cannes Film Festival some credit the film with starting the modern day independent film movement.)

Steven Soderbergh went on to win an Oscar for best director for Traffic (2000). (That same year his Erin Brockovich was also nominated for best picture at the Academy Awards. That’s called having a great year.)

Soderbergh has done an amazing job of making big budget features with actors as such as George Clooney, Brad Pitt and Julia Roberts, and then turning around and making a DV feature like Bubble with amateur actors in Ohio and West Virginia. (Though from what I’ve read, it’s not a favorable outlook on small town America.) His next two films, Guerrilla & The Argentine (on Che Guevara) were shot with the new revolutionary RED camera which shoots digitally –no film or tape. (Am I the only one who thinks it’s ironic to make a film on a Marxist leader with a camera called Red?)

Now that I think about it, do we really need two more films on Che Guevara? From a guy who was executive producer on Syriana? (Justifiably cynical at best, anti-American at worse.) It’s good to be reminded in film critic Andrew Sarris’ review of Syriana that despite this countries problems, ” The world is too full of people who’d kill us (Americans) for the shoes on our feet.”

We need counter-cultural writers and filmmakers who challenge us (even our capitalistic & materialistic faults that helped bring on the mortgage crisis), but do we need to make socialist, marxist, communist, dictators, and/or terrorist our heroes? (And I’d bet that there are more than one pro-Taliban scripts floating around Hollywood.)  But I do look forward to seeing what the RED camera footage looks like on the big screen and I’m sure Benicio Del Toro performance as Guevara will be worthy and increase sales of Che Guevara t-shirts.

Politics aside, Soderbergh is also unusual in that he is the director of photography on most of his films, and sometimes the editor as well.  I think he and multiple creative hat wearer Robert Rodriguez will be the inspiration and model for filmmakers of the future.

Anne Rice, novelist and screenwriter of Interview with the Vampire, was born in New Orleans which is where many of her stories take place. Novelist and essay writer Walker Percy (The Moviegoer, The Second Coming) spent his last forty plus years in Covington and most of his stories take place in Louisiana.

Ernest J. Gaines  whose A Lesson Before Dying was nominated a Pulitzer Prize and made into a TV movie is a writer-in-residence at the University of Louisiana at Lafaytte.

Other well-known writers with a Louisiana connection are Lillian Hellman (The Little Foxes), Stephen Ambrose (writer of Band of Brothers and consultant on Saving Private Ryan), and Tennessee Williams (A Streetcar Named Desire).

John Kennedy Toole after years of publishers rejection won the 1981 Pulitzer Prize A Confederacy of Dunces over a decade after committing suicide. Truman Capote (Breakfast at Tiffany’s, In Cold Blood) was born in New Orleans but belongs more to Alabama where he grew-up.

On the production side, Louisiana has been aggressive over the years in making movies in the state:
The Apostle
Southern Comfort
The Big Easy
Dead Man Walking
The Cincinnati Kid
Live and Let Die
King Creole
Tightrope
All the Kings Men

Even Shreveport is getting into the action according to an USA Today article last month titled “Hooray for movie locations outside Hollywood.” According to writer Alexandyr Kent, Shreveport has attracted “at least 18 projects in 2008, totaling more than $200 million in production budgets, and more than 80% of that will likely be spent in Louisiana.”

Shreveport is where Katie Holmes filmed Mad Money and where Josh Brolin was arrested in an incident outside a bar in July while there for filming Oliver Stone’s W. (No, Stone didn’t use a RED camera.)

To learn more about the film industry in Louisiana contact the  Louisiana Film & Television Office of Entertainment Industry Development and Louisiana Movies Blog.

Copyright 2008 Scott W. Smith

Read Full Post »

%d bloggers like this: