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Posts Tagged ‘Travis McGee’

“The etymology of freelance is exactly as it sounds. In medieval days if you were a ‘free lance’ you were a knight without a lord. You were a mercenary. And I loved the idea of going to Hollywood without an agent, without a manager, without a publicist, without a lawyer, and booking as much work as I could. I didn’t care about the work. I didn’t care about the quality of the work.  I didn’t care if it was infomercials. I didn’t care if it was books on tape. I didn’t care if it was sitcom or talk shows, it didn’t matter—I did it all. Or tried it all. And got my share. And by 1995 I’d had dozens and dozens of jobs in Hollywood, and in New York, and feeling kind of arrogant in the way you do when you think you’ve figured out what most people haven’t. And so I was freelancing. And many, many jobs—eight months on, four months off. I’d pattered that whole part of my career after John D. MacDonald and Travis McGee. A guy who took his retirement in early installments. And I just loved it. And American Airlines was one of maybe 300 jobs that I Forrest Gumped my way into.”
TV host/narrator Mike Rowe (Dirty Jobs, Deadliest Catch)
Podcast interview with Tim Ferriss

I’ve been a fan of Mike Rowe’s for a while, but John D. MacDonald & Travis McGee—fuhgeddaboudit. Discovered those cats over three decades ago. In college I even did a report on MacDonald for an American Lit class. No one told me that you weren’t supposed to write about a pulp fiction writer of detective stories. (Besides now that we know that William Faulkner lied his way through his non-fiction classic Travels with Charlie— MacDonald is holding his own these days—long after his death.) Stephen King said MacDonald was, “the great entertainer of our age, and a mesmerizing storyteller.”

Now if George Clooney would just play Travis McGee in a film or two that part of my life would be complete.

What I also love about Rowe’s above comments is it just shows a great degree of hustling to have the kind of success he’s had. Rowe also said he’s not the one to tell people to “follow their passions” but to follow the opportunities that come their way—and take their passion with them.

And here’s a nice bookend comment (also from a Tim Ferriss interview):

“I love being a storyteller right now. I love being a content creator, being a filmmaker, a director, whatever you want to call it, because there is a place now to tell all these stories. Whether it’s 90 minutes, or 30 minutes, or 20 minutes, or 10 minutes, or three minutes. Like we made an amazing bunch of movies a few years ago called Focus Forward that GE paid for where we basically made these 3 minute short films about innovators around the world. People who were doing incredible things. And each one of these movies were three minutes long and they were powerful. They’re so beautiful and inspiring and now they’ve been seen by a 100 million people around the world.”
Morgan Spurlock (Super Size Me
Podcast interview with Tim Ferriss

Related posts:
‘Art is Work’—Milton Glaser
Stephen King’s Doublewide Trailer
Beatles, Cody, King & 10,000 Hours
Iowa Kutcher on Jobs/Work

 

Scott W. Smith

 

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“I had no notion of becoming a writer,” is how writer Walter Mosley describes his life before reading the following two sentences:

“He was looking at me and neither his eyes nor his gun moved. He was as calm as an adobe wall in the moonlight.”
The Long Goodbye, written by Raymond Chandler

“It took Raymond Chandler to show me something that I already knew but had never been aware of. Adobe walls in the lunar light of the southern California desert had the most passive demeanor—they were the ideal of peacefulness. Then the writer contrasts this nearly absolute tranquility to an armed and dangerous man … For the first time I understood the power of language to reach beyond the real into the metaphysical and into metaphor. Those 24 words alerted me to the potential power of writing.”
Author Walter Mosely who’s published 34 books and won the O Henry award, a Grammy, and PEN Lifetime Achievement Award
The Two Raymond Chandler Sentences That Changes Walter Mosley’s Life written by Joe Fassler in the Atlantic

“Everyone knows who Raymond Chandler is and I began reading him in the late ’40s when I was writing westerns. And I remember thinking, ‘why don’t I switch over to things like the kinds of stories that Raymond Chandler’s doing?’”
Author Elmore Leonard (Get Shorty)
On receiving the Raymond Chandler Award

“He wrote like a slumming angel and invested in the sun-blinded streets of Los Angeles with a gusto and imaginative flair.”
Reference about Raymond Chandler by crime fiction author Ross Macdonald who created detective Lew Archer (The Moving Target)

“What [Quentin] Tarantino may be most renowned for is his focus on highly stylized modes of speech. Greatly influenced by the likes of film noir/pulp fiction writers Dashiell Hammond, Raymond Chandler and Elmore Leonard, Tarantino elicits vivid responses from his audiences by incorporating mundane banter about ubiquitous popular culture subject matters.”
Michael Peters
An Analysis of Quentin Tarantino and His Films

“Your clothes should be jazzy, very jazzy indeed, Steve. To be inconspicuous in this town is to be a busted flush.”
Raymond Chandler, The King in Yellow 
A short story by Chandler, and worth noting because the name author John D. MacDonald called the famed houseboat in 21 Travis McGee private detective novels was The Busted Flush. (Though the character McGee won the boat in a poker game, some consider it a nod to Chandler by the writer MacDonald.)

And here’s a different kind of Chandler influence from the trailer for Dead Men Don’t Wear Plaid (1982) written and directed by Carl Reiner and starring Steve Martin:

That’s just what I could come up with in a breif search online. Do you know of other writers who were influenced by Chandler?

Scott W. Smith

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