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Posts Tagged ‘Ted Elliott’

“Sometimes your convictions are the greatest stumbling blocks to fixing a story problem. It’s that thing that you’re certain of, that you don’t challenge — that you just know is right about a scene — that stops you from finding the inventive solution. It’s a good idea to have this general rule: challenge everything. Go through the problem scene step by step and consider the effect of doing the exact opposite of your story decisions.

“The audience will come to ‘know’ the character through their actions. When characters can make decisions that run counter to expectations, bringing immediate reversals into the story, that’s of immediate interest. (When Indiana Jones ties up Marion instead of releasing her [In Raiders of the Lost Ark], it’s a marvelous reversal, and we gain huge insights into Indy’s character by that one action.”
Screenwriters Terry Rossio & Ted Elliott (Pirates of the Caribbean)
Wordplay Columns/ Plot Devices

I couldn’t find the Indy/Marion scene online, but the classic opening of Raiders of the Lost Ark is a great reversal that goes from positive to negative.

And speaking of Rossio & Elliot, how about this reversal from their Pirates of the Caribbean: The Curse of the Black Pearl script“You are without a doubt the worst pirate I’ve ever heard of” to “That’s got to be the best pirate I’ve ever seen.”

P.S. If you’re not familiar with Rossio & Elliot’s Wordplayer screenwriting columns you’re missing out on some of the best free screenwriting advice on the Internet—for almost 20 years!

Scott W. Smith

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“I think 10 bucks to escape to a different world is worth the 10 bucks.
Stuart Beattie

“No survivors? Then where do the stories come from, I wonder?”
Jack Sparrow (Johnny Depp)

Though I was a lover of the Walt Disney World ride Pirates of the Caribbean since my childhood, when I originally heard they were making a movie based on the ride my first thought was, “Well, that’s not going to be any good.”  Pirates of the Caribbean, Curse of the Black Pearl (2003) ended up being nominated for five Oscars, earned over $650 million worldwide, and made the IMDB Top 250 listed tied with The Graduate, The Hustler, A Fistful of Dollars, Rope and Jurassic Park.

Empire Magazine’s list of The 100 Greatest Movie Characters named pirate Jack Sparrow (Johnny Depp) as #8—just behind The Dude (Jeff Bridges in The Big Lebowski) and Indiana Jones (Harrison Ford). To date, the Pirates franchise of four films has a box office gross of  just over $3.7 billion. And as the word billion resonates in your head, you may be surprised to learn that the seeds of that franchise came from college students in Corvallis, Oregon. 

“Basically I was at Oregon State and I was hanging out with a friend and we were like, ‘Let’s write a movie.’ He’d never written a screenplay, but he liked that I was writing. I was like, ‘let’s do that–what’s a movie that hasn’t been done in a while?’ And we were thinking and thinking and suddenly we both said, ‘pirates.’ That hadn’t been done since Errol Flynn. And I end up writing this thing called Quest of the Caribbean, because I couldn’t use the actual Pirates of the Caribbean. But it had all the scenes from the [Disney] rides. The tongue in cheek Raiders of the Lost Ark version of pirates. And we sent that around town—got a lot of meetings, a lot of people interested, but it never ended up getting bought. And then years later I sold Collateral—this was in the period before it got made—and I submitted it again to Disney and  said, ‘Come on, you gotta do this.” And they said, “no, no, no—we’re actually working on our own now.” And so they had hired an in-house writer and he was doing a draft, but they wanted me to work on 20,000 Leagues Under the Sea. So I was working on that and they were like, ‘We not happy with this draft [of Pirates] would you like a go of it?’ And I was like, ‘Well, I’ve been asking for 10 fucking years, yes please!’ So I went in—pitched and got the job. I did two drafts basically. The draft that got it going and got a draft to [Jerry] Bruckheimer and Johnny [Depp], and then [screenwriters] Ted Elliott and Terry Rossio came on.”
Screenwriter Stuart Beattie (Story credit on Pirates of the Caribbean, Curse of the Black Pearl, and character credit on the other Pirate films)
The Dialogue Interview: Learning from the Masters interview with Mike De Luca

Screenwriting from Oregon

Related post: Movie Cloning (Pirates) Ted Elliott talks about the movie The Prisoner of Zenda  (1937) as an inspiration.

Scott W. Smith

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