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Posts Tagged ‘Swingers’

I didn’t intend to spend several days exploring movie cloning, but it’s turned into quite a rabbit hole of information. On top of the words that I listed in part 1 that explain why some movies remind you of other movies (remake, update, homage, rip-off, mash-up, inspired by, parallels, movie mapping, story patterns, story echo, influences, plagiarism) some additional words have popped up—imitation, riff,  and paean. (Paean: A fervent expression of praise.) Writer Lee A. Matthias at The Last Reveal calls it “Lateral Screenwriting.”

Now on the comment section of Movie Cloning (Part 2) a point was made that the word cloning “makes it sound like copying and that reduced creativity is involved.”  But I’m not talking about hitting Apple—C on a script. And I wrestled with using the word cloning, but went with it because it seemed fresh. Another reason is I associate the concept of DNA with cloning.

Perhaps a scientist can fill us in (in layman’s terms) on how cloning is really an “umbrella term.” Not all cloning is the same. My understanding is that not all cloning is reproductive cloning (a duplicate copy). Nor is there anything easy about it. (And, for the record, scientists do very creative work.)

I think “DNA Cloning” is what I had in mind when linking two films that have similar characteristics. With the example of “Avatar” and “Dances with Wolves” I don’t think there was anything easy about James Cameron’s 15 year journey to get “Avatar” made. But I do think it’s clear that “Avatar” and “Dances with Wolves” do share the same DNA—and that was by design.

Cameron used structural DNA from “Dances” and that helped greatly with some of the heavy lifting on “Avatar,” but there was still a lot of work to be done.

It’s not really even possible to perfectly clone a film unless you had the exact same actors, locations, etc. The 1998 version of Psycho where Gus Van Sant matched Hitchcock’s 1960 version shot for shot is as close as I can think of as a film that was trying to literally clone another film. (I wondered if someone had edited the famous shower scene together from both versions and of course they have uploaded it to You Tube: Psycho Re-Imagined. (I think it was Sydney Pollack who said something to the effect that Hitchcock had his own style because he kept making the same film.)

And if you think all of this talk is beneath you as a writer, listen to the screenwriting advice from a Hollywood agent:

“Deliver a world or a setting that we’ve never seen before, or that we haven’t seen in a while (remember approximately 50% of the movie going audience is between 14 & 24. If a concept was used 10+ years ago, odds are they haven’t seen it). “War of the Worlds” = “Independence Day”=”War of the Worlds”. “Kelly’s Heroes” = “Three Kings”. “Taming of the Shrew”=”10 Things I Hate About You,” “Disturbia” = “Rear Window.” Are these exact matches? No! But are they delivering, or repackaging if you will, concepts that the earlier films/plays successfully sold to the consumer. Yes!”
Bruce Bartlett
Bartlett Screenwriting Tips Blog

Bartlett, by the way. was the first agent I ever talked to. Back in 1996 he read a script of mine called First Comes Marriage.* (In a follow-up phone call he said he was looking for something edgier like Swingers.) He’s a partner at Above the Line Agency in Beverly Hills. (You can submit queries to them online.) His partner, Rima Greer, has written an informative book called The Read , Low Down, Dirty Truth About Hollywood Agenting.

But as for movie cloning, can you really watch the 2010 film Date Movie and not at least think of Hitchcock’s 1959 film North by Northwest? Of course you can, and that’s Bartlett’s point. People just want to watch Steve Carell & Tina Fey and laugh—which is why it made $98 million domestic.  But people who write and are up on film history know otherwise. In fact, I just Googled, “Date Night is North by Northwest” and found a post by Allen Palmer titled, Did you catch Hitchcock in Date Night? He can fill you in on the similarities of the two films.

Ever wonder how Walt Disney and his team of animators were able to crank out so many great films? Maybe it had something to do with using the same DNA. (Again, I saw this connection on Kal Bashir’s website.)

Winnie the Pooh

The Jungle Book

Just one more reminder that there’s nothing new under the sun.

*As a side note, First Comes Marriage, a script I completed in 1995 involved a couple getting married the day they met. It was simply an original idea that I had never seen or read  before (or had ever heard of happening in real life) but I thought it could happen and would be interesting to explore. While never produced, the basic concept was similar to the hit TV show Dharma & Greg (1997-2002), and in the 2008 film What Happens in Vegas.

Scott W. Smith

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“Three years ago I was living in Vegas as the night manager of the Mirage Hotel tram line.”
                                                            Anthony Zuiker
                                                            C.S.I., Creator & Exec. Producer 
                                                            Creative Screenwriting Vol 9 No. 5 (2001) 

 

“I like to gamble. The way I have learned to play poker is by putting a lot of hours into it and learning from my mistakes.” 
                                                             Peter Eastgate          
                                                                                  

Professional gambler Peter Eastgate became a multi-millionaire at 5 AM yesterday morning when he won over 9 million dollars–and a gold watch–at the main event at the World Series of Poker in Las Vegas. The 22-years-old from Demark also became the youngest person to ever win the tournament.

Eastgate symbolizes to many the best of Vegas. The hope that you can parlay a little into a lot in a short amount of time. (Some would say that is also the problem with Vegas.)

But back in 2003 Chris Moneymaker (yes, his real name) won the same tournament and became the face of Internet gambling. He parlayed $39 into $2.7 million dollars. He had never played in a live professional tournament, but he had gotten so good playing online poker that he could beat all his friends. And he was inspired by the movie Rounders in which Matt Damon plays a poker player in the World Series of Poker.    

That’s one more example of movies reflecting the culture they help create. Now there is talk of a movie being produced on the life of Chris Moneymaker. Maybe Matt Damon can play the lead in that as well — just to keep the cycle going.

“I got lucky along the way. I also bluffed a lot during this tournament, but somehow got away with it.”
                                                             Chris Moneymaker

But what does all this have to do with screenwriting? Once again the key is learning a skill and using the Internet. Just like Diablo Cody (Juno) being discovered on the Internet, Chris Moneymaker refined his game on the Internet.  I don’t think Cody and Moneymaker were as lucky as they were prepared. (Moneymaker did earn a Masters degree in Accounting and had played cards since his youth.) They were prepared for the moment that came there way. 

The same is true for C.S.I. franchise creator Anthony Zuiker who was working at Vegas Hotel when he translated some experiences at work into an immensely popular TV franchise. He had graduated from University of Nevada Las Vegas with a BA in English.  He wasn’t sitting in a coffeeshop in L.A. talking about be a screenwriter. He was in fly-over country (fly-to country?) working a regular job to pay the bills and keeping his eyes open for story ideas.

“The police and I are in this motel room searching for evidence when an officer lifts up the bed skirt. All I see is a pair of eyes before she leaps from beneath the bed clawing at my face. And I thought, ‘There’s a show here.'” 
                                                               Anthony Zuiker

Las Vegas itself is an iconic and fascinating place that I have watched reinvent itself it few times over the last 20 years since I first drove through there in college when they still had $3.99 steak dinners. The last time I was there was four years ago for a video shoot and happened to catch them shooting Miss Congeniality 2 at the Venetian. Vegas may not be a hotbed for creating writers but the atmosphere itself is conducive to a wide array of storytelling.

Leaving Las Vegas
Honeymoon in Las Vegas
Casino
Fear and Loathing in Las Vegas 
Viva Las Vegas
Heat
Melvin & Howard
The Electric Horseman
21
What Happens in Vegas
Pay it Forward  
3000 Miles to Graceland
Oceans 11 
Bugsy
Indecent Proposal
Vegas Vacation
Showgirls
Swingers
Austin Powers: International Man of Mystery

If you have a screenplay set in Las Vegas then look into the Nevada Film Office Annual Screenwriting Competition. It’s open to all unsold writers, though 75% of the screenplay must be filmable in Nevada. 

And since we’ve touched a little more on the internet, I think the first book that touched on the web for screenwriters outside L.A. is Christopher Wehner’s Sceeenwriting on the Internet. Wehner also launched screenwritersutopia.com back in 1996 which is packed with helpful information.

“With the Internet you really do have a resource that can help you find a market for your writing. No longer can we sit back and say, “if only I had connections, I could a been a contender…” We’re all contenders now!”
                                                                  Christopher Wehner 

I don’t really know what goes on in the rest of the state of Nevada production-wise because the spotlight always seems to be on Las Vegas. But I do have restaurant recommendation I discovered years ago when I was heading up to Squaw Valley from L.A. for a shoot. On the Nevada side of Lake Tahoe there is a Chart House Restaurant that has one of the most spectacular views I’ve ever seen. (Life can’t be screenwriting, screenwriting, screenwriting.)

 

Copyright 2008 Scott W. Smith

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