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Posts Tagged ‘Steve Zaillan’

“I know when I write a line that I like. When musically it feels right. What the words sound like are as important to me as what they mean….I don’t know [while writing] we’re going to be saying ‘You can’t handle the truth,’ however many years later.”
Aaron Sorkin
Interview with David Brooks

“I’m not writing something that’s meant to be read; I’m writing something that’s meant to be performed. Just having written a screenplay is no more satisfying to me than if a songwriter handed out pieces of sheet music.”
Aaron Sorkin
Inside Aaron Sorkin’s Writing Process
by Christy Groaz, Variety  

Screenwriter Aaron Sorkin is one of those exceptions to the rule. Movies are a visual medium so there is much emphasis to write visually. (Visual Conflict, Visual Subtext, George Miller Masterclass in Visual Storytelling, Show Don’t Tell.) Which explains these quotes found on the ScreenCraft website.

“A good film script should be able to do completely without dialogue.”
Screenwriter/playwright David Mamet (The Verdict)

“Dialogue is a necessary evil.”
4-time Oscar-winning producer/director Fred Zinnemann (High Noon)

And this one from a Timeout interview:

‘I’m not one of those people who writes long soliloquies… And I just think that visual storytelling, for me, is more interesting. So if I can show something rather than say it, I will. And to have a character who almost says nothing is perfect for me, I love that.’
Oscar-winning screenwriter Steve Zaillian (Schindler’s List)

But Sorkin wasn’t a hyper movie buff growing up, his parents took him to plays and he developed an ear and appreciation for dialogue. He majored in musical theatre. And so one of the things that set Sorkin apart was his knack for writing sharp dialogue.

P.S. Ironically the two credited screenwriters on Moneyball are Sorkin and Zaillian. A film which happens to have some moments that play out visually and others that play out with dialogue that flows like music. Sorkin & Zaillan—yin & yang.

Related posts:
‘Everyone wants to say cool dialogue.’
‘Storytelling Without Dialogue’
Writing Actor Bait (Tip #64)
Directing Tips from Peter Bogdanovich  “Silent looks between people—to me, that’s what movies are about.”—Peter Bogdanovich
The Four Functions of Dialogue 

Scott W. Smith

 

 

 

 

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