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Posts Tagged ‘Star Tribune’

Juno delivers uproarious laughs, fully fleshed personalities, honest uplift and tender moments when the throat goes dry and the eyes grow moist. Much of the credit goes to the deservedly acclaimed script by former Twin Cities scribe Diablo Cody, whose blogs-to-riches story seems destined to culminate in a spotlight solo at the next Academy Awards.”
                                                                         Colin Covert 

                                                                         Star Tribune movie review of Juno
                                                                         December 17, 2007 

 

As soon as I discovered Rotten Tomatoes I discovered movie critic Colin Covert of the Star Tribune in Minneapolis. I found his reviews intelligent and insightful. And that he could turn a phrase with the best of them as he did in his review of the Russian mob drama Eastern Promises; “It’s a mouthful of blood with a vodka chaser.”

With the fairly recent success of screenwriters from Minnesota, Diablo Cody (Juno) & Nick Schenk (Gran Torino), it seemed logical to throw a few questions Covert’s way to get a pulse on the creative scene in the Twin Cities. 

Q: Do you have a favorite film that has come out the state of Minnesota? 

Colin: “A Simple Plan,” a superbly realized story of heartland values and creeping corruption from Sam Raimi. It’s topnotch filmmaking from the depth of the script to the elegance of the direction to the evocative use of snow and shadows to suggest the stark moral choices facing the characters when they discover a downed plane containing $4 million in drug money. 

Q: At the 2008 Academy Awards Diablo Cody and the Coen Brothers represented Minneapolis well by winning Oscars. What in the world makes Minneapolis a special place for writers? 

Colin: It’s a bit like Vienna, 1900. Creative people gravitate here, cross-pollinate with folks from other disciplines, and sharpen their talents with debate and collaboration. Add to that the can-do work ethic of the place and you have a real petri dish for artistic growth. 

Q: When do you mark the beginning of this literary movement in the Twin Cities? 

Colin: That’s like one of those “when does human life begin?” questions. 

Q: When you first saw “Juno” did you think it would have universal appeal, be a box-offer winner, and win an Academy Award for its screenwriter Diablo Cody? 

Colin: I can honestly answer, yes. She’s scary-smart and hit a solid home run with the story, which gets deeper and smarter every time you watch it. Her hipster dialog is just one small facet of her skill as a writer. She creates flesh-and-blood characters who surprise you at every turn, yet remain consistent and truthful. 

Q: Right now there are two films in the theaters written by writers from Minnesota, Gran Torino (Schenk) & New in Town (Ken Rance) is this a fad or a part of a growing trend? 

Colin: It’s the steady pulse of creativity. There is a critical mass of bright, engaged people here who will continue to make a mark on the film industry. 

Q: Who do you see as the next screenwriter or filmmaker from the Twin Cities that’s we’re going to be hearing about in the coming months or years? 

Colin: That’s a tough call. It could be Bill True, whose psychological drama “Runaway” (with Melissa Leo and Robin Tunney) is scheduled to go into release this year. It’s a strong piece of work. 

Q: Artist Grant Wood spoke about regionalism in that painters would we true to where they live. Do you think regionalism is beginning to occur in movies or are creative decisions being made to shoot outside L.A. simply because of tax incentives by various states and countries? 

Colin: If painters got tax incentives from New Mexico, they’d paint a lot more cow skulls and cacti. 

Q: What does it mean for the Twin Cities that the Coen Brothers returned to the Minneaplois-St. Paul area to shoot their most recent film “A Serious Man”? 

Colin: Long term, not too much. But it was a lovely gesture that really energized all the local folks who appeared as bit players and extras. We almost lost that ultra-regional Minnesota-set film to Wisconsin because they offer richer production rebates, you know! 

Q: They say every film critic dreams of being a screenwriter or a filmmaker. Do you have a script hidden in a drawer? 

Colin: I don’t kid myself that I have that kind of talent. 

Q: Tell me about the screenwriting seminar you are putting together in the Minneapolis area. What’s the goal you hope to accomplish? 

Colin: The first week in October, we’ll convene a conference of notable local and national screenwriters, present sessions on the professional rewards and challenges of the movie writer’s life, and schmooze at parties and have a lot of fun. I hope to see you there. Anyone who wants more information, please email me at colincovert@gmail.com!

The Star Tribune is also producing videos with Covert’s movie reviews and to see a sample with reviews from The Wrestler and Gran Torino go to startribune.com.

Cedar Falls, Iowa is only 3 1/2 hours south of Minneapolis so I hope to be at the screenwriting conference in October. 

Related Posts: Juno Has Another Baby (Emmy)

                            The Oscars Minnesota-Style

                            Screenwriting Quote of the Day #19 (Nick Schenk)

Side notes: For what it’s worth, it was Covert who I learned that Cody wrote Juno at the Starbucks inside the Target Superstore in Crystal, Minnesota. And lastly, the movie  “A Simple Plan” was based on the book by that other Scott Smith, Scott B. Smith.


Scott W. Smith
 

 


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If you’ve read Malcolm Gladwell’s bestselling books The Tipping Point and Blink then you are familiar with his interesting way of looking at the world. You may not always agree with his conclusions, but his observations are always thought provoking. His recent book Outilers is no different. In fact, it is the perfect book for this blog and I will write about it more in the coming days.

But if you are not familiar with Outliers, or even Galdwell, I wanted to make sure they both got on your radar. The subtitle to Outliers is The Story of Success. Galdwell looks at why an usually high number of the top hockey players are born in January, February, and March. Why Hamberg, Germany played a key role in developing the talent of the Beatles. And why being born on or around 1955 was important to be a computer wiz like Bill Gates, Paul Allen, and Steve Jobs. 

“People don’t rise from nothing. We do owe something to parentage and patronage. The people who stand before kings may look like they did it themselves. But the fact they are invariably the beneficiaries of hidden advantages and extraordinary opportunities and cultural legacies that allow them to learn and work hard and make sense of the world in ways others cannot. It makes a difference where and when we grew up. The culture we belong to and the legacies passed down by our forebears shape the patterns of our achievment in ways we cannot begin to imagine. It’s not enough to ask what successful people are like, in other words. It is only by asking where they are from that we can unravel the logic behind who succeeds and who doesn’t.”

We’ll look more into this beginning tomorrow with a special Q&A with Colin Covert, the film critic for the Star Tribune in Minneapolis. One cannot ignore the fact that two films in the that two years that  have made over $100 million at the box office (Juno & Gran Torino) were written by writers in the Minneapolis area.

Related post: Screenwriting Jamaican-Olympic Style

Update: I just decided at random  to see when three of the top all-time pro hockey players (off the time of my head) were born and Gladwell’s research was on the money;  Wayne Gretzky (January), Bobby Orr (March), Gordie Howe (March).  I think Gladwell, and those whose he reports on who have done research in this area, are on to something. 

 

Scott W. Smith

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“Here’s my unsolicited advice to any aspiring screenwriters who might be reading this: Don’t ever agonize about the hordes of other writers who are ostensibly your competition.  No one else is capable of doing what you do.”
Diablo Cody
Introduction/Juno
The Shooting Script

“The internet is a miraculous things. Just share as much as you can, self-publish, blog, podcast whatever you need to do. Just make sure you are not withholding your gifts from the world. Because you have so many opportunities now….We’re in a new frontier.”
Diablo Cody

I woke up this morning with a strange lady next to me. We just met last night and I was glad to see her still sitting on the night stand this morning. She’s gold, has wings and seems to be holding some kind of science project. I won her last night at the regional Emmy Awards in Minneapolis. It was a great way to end a good week.

The Emmy is for the Screenwriting from Iowa blog that I started earlier this year just a few days after seeing Juno. Of course, I didn’t know back in January that Cody would win an Oscar, but I thought her story was a great example of a writer emerging from fly-over country.

Nor did I think back in January when I started my first blog that it would lead to an Emmy 9 months later. (But that is good timing since this Emmy is an sort of an offspring of Juno.) So thanks to Ms. Cody for the inspiration and thanks to all the readers and friends who’ve encouraged me to keep chipping away at this concept.

Yesterday as I drove up from Cedar Falls to Minneapolis I thought about how this thing had come full circle.

Cody lived in Minneapolis when she wrote Juno just a few years after graduating from the University of Iowa. So to fully complete the circle this afternoon I visited the Starbucks inside the Target in Crystal, Minnesota where much of Juno was written. (Reportedly in just seven weeks.)

Adam Vanderlinder was working this afternoon when I walked in with my Emmy award (in a backpack, thank you) and ordered a chai latte and he confirmed that I was at the right Starbucks. He remembered Cody and even pointed out the table she sat while writing. I asked how he remembered the exact table and he said it is the only place with an electrical outlet.

This may not be a news flash, but I haven’t seen any newspaper, magazine or blogs showing any pictures of this part of the Juno back story. So in all its glory here are a couple photographs of my new angelic lady friend at the spot where Cody spent a little time before she made her way to the red carpet at the Academy Awards. (Complete with the soon to be famous electric outlet that somebody will probably steal and sell on ebay.)

So for all those screenwriters outside L.A. who think they could jump start their career if they could only move to L.A., I offer this photograph of Cody’s exotic former office (not to be confused with her former exotic job) far from Hollywood as a practical and inexpensive example of where your ideas and dreams can grow. (Just substitute your town or suburb.)

Vanderlinder also said he remembers Cody also drinking chai lattes. This symmetry is starting to move beyond full circle and into The Twight Zone…oh, while we’re speaking of classic TV — I wonder if Cody will ever get a statue like spunky Mary Tyler Moore (seven time Primetime Emmy Award-winner) has at the Nicollet Mall in downtown Minneapolis.

If you’ve never seen The Mary Tyler Moore Show (the story was set in Minneapolis) do yourself a favor and hunt down some episodes and watch the program that was ranked #11 in “TV Guide’s 50 Best Shows of All Time.”

The Coen Brothers are currently back in the Minneapolis–St. Paul area shooting a new movie (A Serious Man) on their home turf. I was pleased to hear all the Minnesota-rooted boys (Dylan, Prince and Garrison Keillor) on the radio during my short trip to the twin cities. I also learned that the current film Quarantine is the product of two St. Paul filmmakers (and, yes, brothers) Drew and John Erick Dowdle.

In an interview with Colin Covert in this Sunday’s Star Tribune, John explains their horror fixation, “We blame the long winters sitting home wishing we could get out. We’re the latest in a long list of Midwestern filmmakers and artists with a very dark side.”

So the Minneapolis–St. Paul area continues to show serious creative clout to go along with their serious cold weather. (Yes, it did snow in Minneapolis yesterday –a week before Halloween!)

This is as fitting a place to give you the link for Diablo Cody’s Tips for Blogging Your Way to Hollywood Success as written by John Scott Lewinski. And if you haven’t read The Juno-Iowa Connection it is still the number one read post on Screenwriting from Iowa.

And here are two little bonus Cody Q&A’s, the first with Steve Marsh I found at mspmag.com and the other with Oprah Winfrey:

What inspired Juno? 
”I was kinda sitting in my kitchen in Robbinsdale, and thinking about the image of a teenage girl sitting across from these uptight yuppies in their living room. They’re basically auditioning to be the parents of her unborn child. And I was like, that’s possibly the most awkward thing I could imagine, and it is therefore hilarious. And I wound up building the film around that image. And then I just based the character of Juno on myself as a teenager, although I was never that cool.”

Oprah Winfrey: How did you get it (Juno) to be so fresh? “I don’t know, I guess, you know, when you’re coming from the middle of the country and you’re not part of the industry and you’re just telling your own story, I think it’s easy to be more original.”

text & photos 2008 Copyright Scott W. Smith

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