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Posts Tagged ‘Spider-Man’

“A good title should be like a good metaphor: It should intrigue without being too baffling or two obvious.”
Walker Percy

I’m staying on the Up in the Air gravy train (gravy plane?)  just a little bit longer. Not only did I love the film but I love the title. It’s a title that has a literal meaning since it’s a film that deals with traveling via airplanes. But it’s also a common phrase in our culture meaning undecided or uncertain.

Up in the Air is a pretty good description of the Up in the Air main character Ryan Bingham, played by George Clooney.  A character whose only real purpose appears to collecting frequent flyer miles. Everything else is up in the air.

Many writers talk about starting with a title and build from there and others say they can’t even decide on a title even after they’ve written the script or book.  Can a movie succeed without a great title? Sure, look at Ferris Bueller’s Day Off.

Looking at the AFI list of top 100 films and you’ll see a mixture of great, good, and bland titles. A title doesn’t make a film, but in a day and age of the importance of the opening weekend, a great title is desired to help attract an audience.

The most common titles seem to focus a main character or being, place or thing, or an event.

Character or being:
Citizen Kane
E.T. The Extra-Terrestrial
King Kong
Rocky
Forrest Gump
Spartacus
Bonnie and Clyde
The Godfather
Tootsie
Jaws
Psycho
Raging Bull

A place or thing:
Titanic
The African Queen
Bridge on the River Kwai
Treasure of the Sierra Madre
On the Waterfront
Chinatown
Sunset Blvd.
The Maltese Falcon
The Apartment
Casablanca

An event:
High Noon
Apocalypse Now
Star Wars
2001: A Space Odyssey
Saving Private Ryan
Bringing Up Baby
Sophie’s Choice

And while not a hard and fast rule, great titles tend to be short (three words or less). Just look at the above list.  And my favorites of those listed are Jaws and Psycho. Each one a simple word, but both hit you at a gut level.

Titles like Avatar, Batman, The Matrix are easier to discuss around the water cooler.  Even longer titles (especially sequels) tend to get edited around the water cooler and just called  Harry Potter, Narnia, Pirates, Star Wars, Twilight, Spider-Man.

Up in the Air falls into that minority category of a title that’s a little more obtuse, in line with The Last Picture Show, A Streetcar Named Desire, Long Day’s Journey Into Night, Silence of the Lambs, or Gone with the Wind. (All of which happened to have been books or plays first which tend to favor a more intellectual audience.) If you go with a metaphor, it doesn’t hurt to have a movie star in the lead role. As I talk up the film Up in the Air, I find myself calling it “The George Clooney Film.”

What are some of your favorite titles (even if they aren’t one of your favorite films)? Or some of your favorite bad titles.
I love the title of the lesser known 50s film Them. And I like titles such as Black Hawk Down, Meet the Parents, Witness, The Hunt for Red October, Collateral and The Good, the Bad, & the Ugly because they all have built in conflict, mystery and intrigue. And the worst titles off the top of my head goes to Ishtar and Valkyrie, neither of which leave me with a visceral reaction.

Of course, the most bland title ever might just be…Movie Titles (tip #32). (But at least it’s twitter friendly.)

Update: I decided to do a Google search to see what others thought were the best and worst movie titles ever and found one blogger who had a post called Top 10 Worst Movie Titles Ever and the writer put Surf Nazis Must Die at #10. That film was written and directed by Peter George who I happened to go to film school with. (I was always a little upset I didn’t get a small role in the film.) If anyone knows where Mr. George is these days tell him I want my watch back. The one that I left at his Hollywood apartment after I crashed on his sofa one night back before he was making top ten lists.

Scott W. Smith


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“There’s nothing like it in American show biz. It’s part comedy and part burlesque. It’s raw drama. It’s not Crime and Punishment. And it doesn’t pretend to be Masterpiece Theater.”  Robert Thompson, director of the Bleier Center for Television and Popular Culture at Syracuse University on professional wrestling

This past week was a big week in wrestling. You may have missed it so I thought I’d fill you in on the celebrations and the spectacle. I will preface this by saying that I haven’t really followed wrestling of any form since I was about ten and watched professional wrestling on TV.

TV Announcer: “It looks like this match is over…wait, wait…he’s pulling a foreign object out of his pants…it looks like brass knuckles.” Never once did I ask how those brass knuckles, hidden in those tight underwear-like pants, went unnoticed by the ref the entire rest of the match. I was too caught up in the play.

Other than Dusty Rhodes I don’t remember any names, but I do remember the body slams, the jumping off the ropes, the sleeper holds, and the chair over the back move. High drama for a ten year old growing up in Central Florida before video games.

Last Sunday 74,635 people (a record for the Orlando Citrus Bowl) gathered for WrestleMania XXIV. I remember going to a Super Bowl of Rock concert at the Citrus Bowl as a teenager back in the day and I gotta tell you that it was a transcendent  moment looking out at a sea of flickering lighters in the summer night and hearing 60,000 people singing “Against the Wind” along with Bob Seger. I can imagine the atmosphere last Sunday. 

The event last week was called  “The Biggest WrestleMania Under the Sun” and over 40,000 tickets were sold in 30 minutes. Festivities lasted for five days and Snoop Dogg was the Master of Ceremonies. Internationally the main event was also on pay-per-view for $54.99 making it was one of the largest pay-per-view events in history with over a million buys. Do the math on $54.99 times a million.   

Vince McMahon and the World Wrestling Entertainment (WWE) have tapped into a multi-billion dollar melodrama. Is it Hollywood’s competition or your future work? Someone has to write those wrestling storylines.  

“To me, wrestling is just like watching a movie, or better yet a television series.” Colin Vassallo, editor of Wrestling-Online Newsletter was recently quoted as saying in an Orlando Sentinel article by Dave Darling, “It has good guys, bad guys, the women and the action. And what more would young men want to watch on television?”

Even boxing champion Floyd Mayweather got into the WrestleManna act and I read he even used good ole’ brass knuckles to knock out his opponent. Some tricks never fade away. Shakespeare had to compete with public hangings and as screenwriters and filmmakers you have to compete with professional wrestling and NASCAR. It’s good to know what you’re up against as well as what’s considered popular culture.

Back here in Iowa, Iowa Governor Chet Culver proclaimed last Thursday “University of Iowa Wrestling Day ” in the state of Iowa. It doesn’t get the same press and coverage as March Madness, but two weeks ago in St. Louis the Iowa Hawkeyes wrestling team won the school’s 21 NCAA title.

1972 Olympic champion wrestler Dan Gable once coached the University of Iowa to nine straight NCAA championships. And that’s the real deal — no brass knuckles. But still plenty of drama. In fact, writer John Irving (a former wrestler) is developing a movie on Gable’s life. Gable won every single high school and college match except for his last one.

Last Thursday was also the 100 Anniversary of Iowan Frank Gotch defeating George “The Russian Lion” Hackenschmidt for the world heavyweight wrestling championship. I had never heard of Gotch, but apparently this event in its day was a bit like Seabiscuit. According to Jim Neson of the Waterloo Courier it was front page sports news for the papers in New York and L.A. and a trip to the white house for Gotch to meet president Teddy Roosevelt.

And a play for the farmer turned wrestler toured up and down the east coast. (If anyone has a copy of this play I’d love to read it.) So wrestling and drama have gone hand in hand for a long time. 

Director Darren Aronfsky (Pi, The Fountain) recently wrapped production on Robert Siegel’s script The Wrestler starring Mickey Rourke as a long haired pro wrestler past his prime looking for a comeback. Marisa Tomei plays his stripper girlfriend and it’s said to feature a lot 80’s music. For some reason I’m sensing a lot of on screen perspiration. Why didn’t they just title it 9 1/2 Rounds?

Aren’t the Spider-Man movies just a glorified wrestling match with costume changes, over the top fights, and a girl thrown in the mix? This wrestling stuff is primal and probably has been side by side with storytelling since the beginning of time. 

If there’s one thing every screenwriter can learn from professional wrestling it’s this: when you character is running against the wind and all seems lost, that’s the time for them to pull out their brass knuckles. It works every time.

Come to think of it, almost thirty years later, Seger lyrics still resinate:

Well those drifter days are past me now
I’ve got so much more to think about
Deadlines and commitments
What to leave in, what to leave out

Against the wind
I’m still runnin’ against the wind
I’m older now but still still runnin’
Against the wind 

If you choose a life in the arts you will face many days when you’re runnin’ against the wind. You need lots of tenacity and determination…and it doesn’t hurt to have a pair of brass knuckles.

Scott W. Smith

 

 

 

 

 

 


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