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Posts Tagged ‘screenwriters outside L.A.’

“Three years ago I was living in Vegas as the night manager of the Mirage Hotel tram line.”
                                                            Anthony Zuiker
                                                            C.S.I., Creator & Exec. Producer 
                                                            Creative Screenwriting Vol 9 No. 5 (2001) 

 

“I like to gamble. The way I have learned to play poker is by putting a lot of hours into it and learning from my mistakes.” 
                                                             Peter Eastgate          
                                                                                  

Professional gambler Peter Eastgate became a multi-millionaire at 5 AM yesterday morning when he won over 9 million dollars–and a gold watch–at the main event at the World Series of Poker in Las Vegas. The 22-years-old from Demark also became the youngest person to ever win the tournament.

Eastgate symbolizes to many the best of Vegas. The hope that you can parlay a little into a lot in a short amount of time. (Some would say that is also the problem with Vegas.)

But back in 2003 Chris Moneymaker (yes, his real name) won the same tournament and became the face of Internet gambling. He parlayed $39 into $2.7 million dollars. He had never played in a live professional tournament, but he had gotten so good playing online poker that he could beat all his friends. And he was inspired by the movie Rounders in which Matt Damon plays a poker player in the World Series of Poker.    

That’s one more example of movies reflecting the culture they help create. Now there is talk of a movie being produced on the life of Chris Moneymaker. Maybe Matt Damon can play the lead in that as well — just to keep the cycle going.

“I got lucky along the way. I also bluffed a lot during this tournament, but somehow got away with it.”
                                                             Chris Moneymaker

But what does all this have to do with screenwriting? Once again the key is learning a skill and using the Internet. Just like Diablo Cody (Juno) being discovered on the Internet, Chris Moneymaker refined his game on the Internet.  I don’t think Cody and Moneymaker were as lucky as they were prepared. (Moneymaker did earn a Masters degree in Accounting and had played cards since his youth.) They were prepared for the moment that came there way. 

The same is true for C.S.I. franchise creator Anthony Zuiker who was working at Vegas Hotel when he translated some experiences at work into an immensely popular TV franchise. He had graduated from University of Nevada Las Vegas with a BA in English.  He wasn’t sitting in a coffeeshop in L.A. talking about be a screenwriter. He was in fly-over country (fly-to country?) working a regular job to pay the bills and keeping his eyes open for story ideas.

“The police and I are in this motel room searching for evidence when an officer lifts up the bed skirt. All I see is a pair of eyes before she leaps from beneath the bed clawing at my face. And I thought, ‘There’s a show here.'” 
                                                               Anthony Zuiker

Las Vegas itself is an iconic and fascinating place that I have watched reinvent itself it few times over the last 20 years since I first drove through there in college when they still had $3.99 steak dinners. The last time I was there was four years ago for a video shoot and happened to catch them shooting Miss Congeniality 2 at the Venetian. Vegas may not be a hotbed for creating writers but the atmosphere itself is conducive to a wide array of storytelling.

Leaving Las Vegas
Honeymoon in Las Vegas
Casino
Fear and Loathing in Las Vegas 
Viva Las Vegas
Heat
Melvin & Howard
The Electric Horseman
21
What Happens in Vegas
Pay it Forward  
3000 Miles to Graceland
Oceans 11 
Bugsy
Indecent Proposal
Vegas Vacation
Showgirls
Swingers
Austin Powers: International Man of Mystery

If you have a screenplay set in Las Vegas then look into the Nevada Film Office Annual Screenwriting Competition. It’s open to all unsold writers, though 75% of the screenplay must be filmable in Nevada. 

And since we’ve touched a little more on the internet, I think the first book that touched on the web for screenwriters outside L.A. is Christopher Wehner’s Sceeenwriting on the Internet. Wehner also launched screenwritersutopia.com back in 1996 which is packed with helpful information.

“With the Internet you really do have a resource that can help you find a market for your writing. No longer can we sit back and say, “if only I had connections, I could a been a contender…” We’re all contenders now!”
                                                                  Christopher Wehner 

I don’t really know what goes on in the rest of the state of Nevada production-wise because the spotlight always seems to be on Las Vegas. But I do have restaurant recommendation I discovered years ago when I was heading up to Squaw Valley from L.A. for a shoot. On the Nevada side of Lake Tahoe there is a Chart House Restaurant that has one of the most spectacular views I’ve ever seen. (Life can’t be screenwriting, screenwriting, screenwriting.)

 

Copyright 2008 Scott W. Smith

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“Here’s my unsolicited advice to any aspiring screenwriters who might be reading this: Don’t ever agonize about the hordes of other writers who are ostensibly your competition.  No one else is capable of doing what you do.”
Diablo Cody
Introduction/Juno
The Shooting Script

“The internet is a miraculous things. Just share as much as you can, self-publish, blog, podcast whatever you need to do. Just make sure you are not withholding your gifts from the world. Because you have so many opportunities now….We’re in a new frontier.”
Diablo Cody

I woke up this morning with a strange lady next to me. We just met last night and I was glad to see her still sitting on the night stand this morning. She’s gold, has wings and seems to be holding some kind of science project. I won her last night at the regional Emmy Awards in Minneapolis. It was a great way to end a good week.

The Emmy is for the Screenwriting from Iowa blog that I started earlier this year just a few days after seeing Juno. Of course, I didn’t know back in January that Cody would win an Oscar, but I thought her story was a great example of a writer emerging from fly-over country.

Nor did I think back in January when I started my first blog that it would lead to an Emmy 9 months later. (But that is good timing since this Emmy is an sort of an offspring of Juno.) So thanks to Ms. Cody for the inspiration and thanks to all the readers and friends who’ve encouraged me to keep chipping away at this concept.

Yesterday as I drove up from Cedar Falls to Minneapolis I thought about how this thing had come full circle.

Cody lived in Minneapolis when she wrote Juno just a few years after graduating from the University of Iowa. So to fully complete the circle this afternoon I visited the Starbucks inside the Target in Crystal, Minnesota where much of Juno was written. (Reportedly in just seven weeks.)

Adam Vanderlinder was working this afternoon when I walked in with my Emmy award (in a backpack, thank you) and ordered a chai latte and he confirmed that I was at the right Starbucks. He remembered Cody and even pointed out the table she sat while writing. I asked how he remembered the exact table and he said it is the only place with an electrical outlet.

This may not be a news flash, but I haven’t seen any newspaper, magazine or blogs showing any pictures of this part of the Juno back story. So in all its glory here are a couple photographs of my new angelic lady friend at the spot where Cody spent a little time before she made her way to the red carpet at the Academy Awards. (Complete with the soon to be famous electric outlet that somebody will probably steal and sell on ebay.)

So for all those screenwriters outside L.A. who think they could jump start their career if they could only move to L.A., I offer this photograph of Cody’s exotic former office (not to be confused with her former exotic job) far from Hollywood as a practical and inexpensive example of where your ideas and dreams can grow. (Just substitute your town or suburb.)

Vanderlinder also said he remembers Cody also drinking chai lattes. This symmetry is starting to move beyond full circle and into The Twight Zone…oh, while we’re speaking of classic TV — I wonder if Cody will ever get a statue like spunky Mary Tyler Moore (seven time Primetime Emmy Award-winner) has at the Nicollet Mall in downtown Minneapolis.

If you’ve never seen The Mary Tyler Moore Show (the story was set in Minneapolis) do yourself a favor and hunt down some episodes and watch the program that was ranked #11 in “TV Guide’s 50 Best Shows of All Time.”

The Coen Brothers are currently back in the Minneapolis–St. Paul area shooting a new movie (A Serious Man) on their home turf. I was pleased to hear all the Minnesota-rooted boys (Dylan, Prince and Garrison Keillor) on the radio during my short trip to the twin cities. I also learned that the current film Quarantine is the product of two St. Paul filmmakers (and, yes, brothers) Drew and John Erick Dowdle.

In an interview with Colin Covert in this Sunday’s Star Tribune, John explains their horror fixation, “We blame the long winters sitting home wishing we could get out. We’re the latest in a long list of Midwestern filmmakers and artists with a very dark side.”

So the Minneapolis–St. Paul area continues to show serious creative clout to go along with their serious cold weather. (Yes, it did snow in Minneapolis yesterday –a week before Halloween!)

This is as fitting a place to give you the link for Diablo Cody’s Tips for Blogging Your Way to Hollywood Success as written by John Scott Lewinski. And if you haven’t read The Juno-Iowa Connection it is still the number one read post on Screenwriting from Iowa.

And here are two little bonus Cody Q&A’s, the first with Steve Marsh I found at mspmag.com and the other with Oprah Winfrey:

What inspired Juno? 
”I was kinda sitting in my kitchen in Robbinsdale, and thinking about the image of a teenage girl sitting across from these uptight yuppies in their living room. They’re basically auditioning to be the parents of her unborn child. And I was like, that’s possibly the most awkward thing I could imagine, and it is therefore hilarious. And I wound up building the film around that image. And then I just based the character of Juno on myself as a teenager, although I was never that cool.”

Oprah Winfrey: How did you get it (Juno) to be so fresh? “I don’t know, I guess, you know, when you’re coming from the middle of the country and you’re not part of the industry and you’re just telling your own story, I think it’s easy to be more original.”

text & photos 2008 Copyright Scott W. Smith

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