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“Drama has rules. We’re given a premise. The hero wants something. To find the cause of the plague on Thebes, or to free the Jews, or to establish civil rights, or to fly the Atlantic. We get it. We are going to follow his or her journey until the end. And the end is going to be surprising—and inevitable. Just like in a great football game.”
Screenwriter/ Playwright David Mamet 
Masterclass/Purpose of Drama

Mamet (like Aaron Sorkin) points to Aristotle’s Poetics for direction and says, “The rules are pretty simple. Start at the beginning. Go on until you get to the end. Don’t stop. Be interesting. Make sure everything is on the line.”

And by “on the line,” Mamet means that if the story is about a character who needs to go from NY to LA that you must stay on that through line or plot line.

Scott W. Smith

 

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There is a tendency to think that art is finally the place where there are no rules, where you have complete freedom. I’m going to sit down at the keyboard and it’s just going to flow out of me onto the paper, and it’s going to be pure art. No. What you’re describing is finger painting. Rules are what makes art beautiful. Rules are what makes sports beautiful…Think about the rules to baseball. Abner Doubleday was a freaking genius. That’s a great game. Football is a great game. It’s the rules that makes sports beautiful, and it’s the rules that make art not finger painting. Think about music and all the rules that music has. Anyone who studied music for a year or two when they were in elementary school, anyone who picked up a flute or a trumpet, knows that at the beginning of every piece of music, there’s a time signature and a key signature. If you’re in 4/4 time, it means there are four beats in a measure and a quarter note gets one beat. There can’t be five beats in a measure. There can’t be three beats in a measure. If you’re in the key of C, it means that there are no sharps and no flats. There can’t be a sharp. There can’t be a flat. These rules also apply to writing. The rulebook is The Poetics by Aristotle. All the rules are there.”
Oscar-winning screenwriter Aaron Sorkin (The Social Network)
Masterclass/ Rules of Story

Link to Poetics. (S.H. Butcher version on The Project Gutenberg site.)

P.S. Tomorrow I’ll follow this post with David Mamet taking the torch from Sorkin and driving this point home. You can believe what you want to believe about rules, but if Aaron Sorkin and David Mamet agree on something then you might want at least pause before you embrace the “there are no rule” viewpoint.

But Sorkin is also clear that the “The only rules there are are the rules of drama.”

Related posts:

Trying to Understand the Mysterious Process of Writing 
“There are no rules.” (Tip #92)
There are no rules, but…(Tip #93+)
Screenwriting’s One Unbreakable Rule
Rules, Breaking Rules, No Rules
Screenwriting & Structure 

Scott W. Smith

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