“As a 17-year-old, Patrick Mahomes dreamed one day that he would be able to say those words [‘I’m going to Disney World’] if he won a Super Bowl. Fast-forward seven years and Mahomes’ dream certainly came true.” Eduardo Gonzalez Los Angeles Times
Feb. 3. 2020
Last night, Kansas City Chiefs quarterback Patrick Mahomes led his team to a 31-20 victory over the San Francisco 49ers. And he picked up Super Bowl LVI MVP honors along the way. Here’s what he’s been up to the last 17 hours or so.
Disney World in greater the Orlando, Florida area just is 12 miles away from where I’m typing this post. It’s sunny and 73 at 5:00. It’s like Disney and Mahomes wrote the perfect script.
On Wednesday, the Chiefs will be honored back in Missouri with a parade. Having won their first Super Bowl in 50 years, I think it’s going to be quite a celebration.
About a decade ago I spent some time on a various productions in Missouri and took a little time visiting some of Walt Disney’s old stomping grounds. In a 2009 post I talked about visiting the town of Marceline, MO where Walt Disney spent time as a child. That Main Street that Mahomes is visiting today at Walt Disney World was inspired by the Main St. in Marceline.
In the 2011 post Walt & Walter in KC, I touched on driving by the building where Walt Disney “built his own studio that created Laugh-O-Grams that became popular enough for Disney to have a building and several animators.” Though he eventually filed for bankruptcy and had a nervous breakdown.
But every story needs a reversal—a comeback. It took Disney few years, but he found wild success in California. It only took Mahomes a few months to find his wild success, coming back from a knee injury earlier in the year that he thought was going to sideline him for the season.
P.S. Watching the NFL honor the top 100 players of all time before the Super Bowl, it was fun to see three players that I’ve had the opportunity to directly work with in my career as a cameraman and video producer—Eric Dickerson, Reggie White, and Deion Sanders.
“Spending too much energy romanticizing the past or dreaming about the future can come at the expense of appreciating today.”
Casey Neistat What Just Happened?
Many years ago I crossed paths with Orlando-based photographer Bill Bachmann who had one of those jobs that creative people dream about—get paid to travel around the world taking photos. He was a tall guy with a dynamic personality, and incredibly talented.
He invited me to his home studio to talk about a project and I was instantly impressed with his photos that were from everywhere on your bucket list (and a few that aren’t). He gave me a signed copy of one of his travel books before I left that day and our paths unfortunately never crossed again.
Last year, I wondered what he was up to and I found out he died from cancer in 2017. (His obituary said that he’d traveled to 200 countries, authored 15 books, and photographed five U.S. presidents.)
On the last day of 2019 I found myself driving by a cemetery where I knew he was buried and I decided to pull into the cemetery to see if I could find his mausoleum. Because mausoleums have a way of standing out it only took me about a two minutes to find it.
I’m one of those people who finds peace in cemeteries. They remind us of the people who’ve gone before us, and of our own mortality. It puts things in perspective.
This puts things in perspective, too . . . a few days ago I was working out when a old movie started on TCM and I realized as I watched the opening credits that I did not recognize a single name of anyone who worked on the movie.
Let’s all get back to work this new year, not forgetting to work on building lasting relationships with the ones we love.
Last night my wife and I went to the Toledo restaurant at Walt Disney World to celebrate our wedding anniversary. The restaurant is on the top floor of the recently opened Gran Destino Tower at Disney’s Coronado Springs Resort. If you’re ever at Disney World in Orlando and want an ideal place to eat and watch the fireworks then I’m not sure you can do better than the 16th floor of the Toledo.
It was a great experience and it once again reminded me of the words of Walt Disney on reflecting on all they had done, “… I only hope we never lose sight of one thing, it was all started by a mouse.”
This fountain was about 100 yards away when I turned a corner while driving this morning and something told me it had potential for a nice photograph. All the layering componets were there. You have a fountain with water giving movement in the foreground, some trees in the middle area, sun in the background, and lots of negative space at the top of the frame with interesting texture in the clouds.
Taken in the Baldwin Park neighborhood in Orlando, Florida. An interesting side note is this fountain is located in Blue Jacket Park which was a former Navy training area. The park is named after the USS Bluejacket, 2/3-sized replica (230 feet) of a destroyer ship that was used for training in the same general area from 1968-1993.
The Bluejacket landlocked Navy training ship in Orlando
The Bluejacket opening had an official ceremony in 1969, and was demolished 30 years later
Until earlier this month I hadn’t been to the Rio Pinar Golf Club since Jimmy Carter was in The White House. But on my way to a video shoot two weeks ago I drove by the classic midcentury modern building and took this photo. (All it needs is Rick Dalton’s ‘60s Coupe de Ville in from Once Upon a Time … in Hollywood in the driveway. ) Then after my shoot I drove by again and looked at the newly remodeled inside.
It also brought back to memory a video shoot I did in the ‘90s with golfer Payne Stewart (top left corner) and a photo shoot I did with Greg Norman (on the other end of this wall but not in this photo) in Los Angeles way back in the ’80s. And it also brought back a more recent memory of driving by another midcentury modern building in the Orlando area about a month ago.
On August 31 I drove by The Maitland Civic Center and noticed the grip trucks and lights outside and wondered what they were shooting. When I saw the classic old cars I figured it was for the TV version of The Right Stuffthat’s been in Florida shooting recently. I took a couple of photos with my iPhone but didn’t ask what they were shooting, nor did I see executive producer Leonard DiCaprio moving any C-stands around.
P.S. And to add a little color to this post— I found this old photo online from Rio Pinar back in its heyday. Cheers…
I did finish watching the HBO mini-series Chernobyl and plan to write a post about it tomorrow. In the meantime, yesterday I saw the trailer for Once Upon a Time in . . . Hollywoodand it triggered a few things.
A few days ago a friend of mine was in outside his midcentury home in an Orlando suburb when a location scout started asking him some question. Turns out he was looking for homes for the TV program The Right Stuff.(The Tom Wolfe book of the same name was made into a remarkable movie back in 1983.)
I wasn’t even aware that they were doing a TV show on The Right Stuff—much less one right here in Central Florida. A quick Google search showed that Leonardo DiCaprio (recently starring in Once Upon a Time . . . in Hollywood) is executive producing. And Emmy-winning director David Nutter is scheduled to direct the pilot.
I went to film school with Nutter at the University of Miami and our paths almost crossed again back in the early 90s when he was editing Superboy at Century III at Universal Studios Orlando and I was in the next bay editing a project. On a break I went over to say hello but he was already gone.
And he was soon gone from Florida and off to incredible success in Hollywood. His long list of directing credits include Band of Brothers, The X-Files, The West Wing, The Pacific, and The Sopranos, and Game of Thrones.
To show what an interconnected world production can be, the location scout for the new The Right Stuff studied film with Ralph Clemente at Valencia College, who Nutter studied with at Miami. (See the post The Perfect Ending).
And while I was editing projects at Century III (the top post house in Orlando back in the day) I worked with Mike Elias (in the pre-AVID/non-linear days) using a video editing technique that used rows of VHS machines to assemble an edit. (I forget what machine was called, but it would be great for production students to see in action to appreciate non-linear editing). Elias was a good friend of Nutters (and also worked on Superboy) and for the last few years has been an editor on Family Guy.If I recall correctly, Mike’s father is the writer Michael Elias who co-wrote The Jerk starring Steve Martin and The Frisco Kidstarring Gene Wilder and Harrison Ford.
The thing that brought David Nutter and Mike Elias to Orlando in the late 80s and early 90s was this thing called Hollywood East—a marking ploy to position Florida as a major player in film and TV production. Disney and Universal Studio opened working film studios at that time. Panavision opened and office and for a decade it appeared to be working. Parenthood(1989), Edward Scissorhands (1990), Passenger 57 (1992), Marvin’s Room brought some of the biggest names in Hollywood to Florida including Ron Howard, Steve Martin, Johnny Depp, Wesley Snipes, Meryl Streep and DiCaprio.
And then Hollywood East was gone. Not gone-gone…it just relocated from Florida to its currently home in Georgia. But now at least DiCaprio is coming back to shoot at least part of The Right Stuff in Central Florida.
Another fun connection I just learned yesterday is I edited a video two months ago on sustainability (and learned about things like hyrdroponics) and the person I did that video for was hired to work full time as the Sustainability Lead on The Right Stuff. The goal of the DiCaprio’s production company and Nat Geo is to “become the most sustainable TV production ever.”
I’m not sure this will jumpstart a new wave of film and TV production in Florida but it’s a nice addition to Florida’s production history that goes way back to the early days of cinema. If you’re every in Jacksonville, Florida check out touring Norman Studios which began making silent films in 1916 and produced movies with exclusively African American cast in the 1920s.
P.S. I first arrived in L.A. in the early 1980s and felt like I got a glimpse of the old a fading Hollywood that Tarantino appears to capture in Once Upon a Time in . . . Hollywood, which is set in 1969.
“I set out to tell the truth. And sometimes the truth is shocking.” Tennessee Williams
As a preface to part three of my interview with screenwriter, Clare Sera part of what I referenced was Orlando in the ’90s had a lot going on in the arts. Here’s a quick overview:
Movies— Parenthood, Passenger 57, Waterboy
TV—Nickelodeon, From Earth to the Moon, The Mickey Mouse Club
Theater —SAK Comedy Lab, Mad Cow Theatre, Central Florida Civic Theatre
Music— Matchbox Twenty, Creed, Justin Timberlake
Clare: I know them all well. Yes, I love them all.
[Note: Paula Pell went to New York and ended up writing hundreds of comedy sketches for Saturday Night Live and the screenplay Sisters, Aaron Shure won an Emmy producing and writing on Everyone Loves Raymond, and Bob DeRosa is in LA where he wrote the screenplay for Killers.]
Scott: What do you think was going on in Orlando at that at that time?
Clare: Orlando was just kind of waking up at that time so it was kind of cool. And all of them were with SAK.
Scott: I didn’t know they all had a connection.
Clare: They all did. I remember making Paula improvise which she was just terrified. She was a little more comfortable with sketches and writing sketches which has worked out quite well for her. Bob DeRosa came to SAK and started his own improv team. And Aaron, of course, was an improvisor at SAK also. So yeah, there’s a big Orlando contingent out here [in LA]. A big one.
Scott: I think a lot of people believe “If I have a movie made…,” “If someone buys my screenplay….” that it will cure all. Do you have any last words on having a life beyond the movie world?
Clare: I know it is a little bit cliché, but it’s really only cliché because it’s that same truth that said over and over, but those wishes that come true or those goals or dreams [realized]—they are so fleeting. And it absolutely is fun. [The release of Blended] absolutely was joyful blip my life but it really was a blip. And it is my relationships that are my actual life, that is what my life is. For me it’s God in each one of us, that’s what I’m spending my life doing—just being in a relationship with people. And it is the most important thing so when a blip happens whether it’s a great blip like a life dream comes true and Adam Sandler makes a movie— that’s a blip. That’s great. If it’s a terrible blip like a dear friend suddenly dies, it’s your relationships that are there before and after, and you cannot sacrifice them when those blips occur. Especially the good ones.
Scott: I hope you get a couple more blips.
[Note: I did this interview in the gap between the release of Blended and Smallfoot. So she did have another blip.]
The original idea for Smallfoot began with writers John Requa and Glenn Ficarra, was developed by Warner Bros. by several others writers before Clare and James Kirkpatrick ended up with co-screenwriting credits.
In a Creative Screenwriting interview with Brock Swanson, Kirkpatrick says Smallfoot is about “the truth as we make it up to be.” In a flip of the ole bigfoot legend, Smallfoot challenges the village belief that “There is no such thing as a smallfoot.” (A human.)
Kirkpatrick said the BBC radio show The Tyranny of Story helped shape the direction of the story as they explored the concept of the power of story on a community, and ultimately the question What is truth? became a part of the film’s theme. (A question that, as I write this post today, is quite popular in the village known as America.)
I love the humanity of writing. Especially if it’s screened in an actual movie theater. We all go into a dark room and watch the flickering images and then we all laugh at the same things, cry at the same moments, and we all come out talking about this character or that theme. It’s such a shared humanity.” Clare Sera Creative Screenwriting
And that concludes the non-mythical journey we’ve looked at the last three days of how Clare Sera was born in Scotland, raised in Canada, cut her comedy chops in Florida, all on her way living in LA and having a hand in writing a Hollywood film that was number one at the box office on Sunday.
P.S. Since 2001, Clare has also been volunteering lead and plan workshops with WriteGirl (@writegirlLA) Their website states, “WriteGirl is a creative writing and mentoring organization that promotes creativity, critical thinking and leadership skills to empower teen girls.”
The best laid schemes o‘ mice and men often go astray —Robert Burns (1759-1796) When I hit a period of transition almost 20 years ago, one of the books that was recommended to me was Who Moved My Cheese?: An A-Mazing Way to Deal with Changes in Your Work and in Your Life by Spencer […]
