Until earlier this month I hadn’t been to the Rio Pinar Golf Club since Jimmy Carter was in The White House. But on my way to a video shoot two weeks ago I drove by the classic midcentury modern building and took this photo. (All it needs is Rick Dalton’s ‘60s Coupe de Ville in from Once Upon a Time … in Hollywood in the driveway. ) Then after my shoot I drove by again and looked at the newly remodeled inside.
It also brought back to memory a video shoot I did in the ‘90s with golfer Payne Stewart (top left corner) and a photo shoot I did with Greg Norman (on the other end of this wall but not in this photo) in Los Angeles way back in the ’80s. And it also brought back a more recent memory of driving by another midcentury modern building in the Orlando area about a month ago.
On August 31 I drove by The Maitland Civic Center and noticed the grip trucks and lights outside and wondered what they were shooting. When I saw the classic old cars I figured it was for the TV version of The Right Stuffthat’s been in Florida shooting recently. I took a couple of photos with my iPhone but didn’t ask what they were shooting, nor did I see executive producer Leonard DiCaprio moving any C-stands around.
P.S. And to add a little color to this post— I found this old photo online from Rio Pinar back in its heyday. Cheers…
I did finish watching the HBO mini-series Chernobyl and plan to write a post about it tomorrow. In the meantime, yesterday I saw the trailer for Once Upon a Time in . . . Hollywoodand it triggered a few things.
A few days ago a friend of mine was in outside his midcentury home in an Orlando suburb when a location scout started asking him some question. Turns out he was looking for homes for the TV program The Right Stuff.(The Tom Wolfe book of the same name was made into a remarkable movie back in 1983.)
I wasn’t even aware that they were doing a TV show on The Right Stuff—much less one right here in Central Florida. A quick Google search showed that Leonardo DiCaprio (recently starring in Once Upon a Time . . . in Hollywood) is executive producing. And Emmy-winning director David Nutter is scheduled to direct the pilot.
I went to film school with Nutter at the University of Miami and our paths almost crossed again back in the early 90s when he was editing Superboy at Century III at Universal Studios Orlando and I was in the next bay editing a project. On a break I went over to say hello but he was already gone.
And he was soon gone from Florida and off to incredible success in Hollywood. His long list of directing credits include Band of Brothers, The X-Files, The West Wing, The Pacific, and The Sopranos, and Game of Thrones.
To show what an interconnected world production can be, the location scout for the new The Right Stuff studied film with Ralph Clemente at Valencia College, who Nutter studied with at Miami. (See the post The Perfect Ending).
And while I was editing projects at Century III (the top post house in Orlando back in the day) I worked with Mike Elias (in the pre-AVID/non-linear days) using a video editing technique that used rows of VHS machines to assemble an edit. (I forget what machine was called, but it would be great for production students to see in action to appreciate non-linear editing). Elias was a good friend of Nutters (and also worked on Superboy) and for the last few years has been an editor on Family Guy.If I recall correctly, Mike’s father is the writer Michael Elias who co-wrote The Jerk starring Steve Martin and The Frisco Kidstarring Gene Wilder and Harrison Ford.
The thing that brought David Nutter and Mike Elias to Orlando in the late 80s and early 90s was this thing called Hollywood East—a marking ploy to position Florida as a major player in film and TV production. Disney and Universal Studio opened working film studios at that time. Panavision opened and office and for a decade it appeared to be working. Parenthood(1989), Edward Scissorhands (1990), Passenger 57 (1992), Marvin’s Room brought some of the biggest names in Hollywood to Florida including Ron Howard, Steve Martin, Johnny Depp, Wesley Snipes, Meryl Streep and DiCaprio.
And then Hollywood East was gone. Not gone-gone…it just relocated from Florida to its currently home in Georgia. But now at least DiCaprio is coming back to shoot at least part of The Right Stuff in Central Florida.
Another fun connection I just learned yesterday is I edited a video two months ago on sustainability (and learned about things like hyrdroponics) and the person I did that video for was hired to work full time as the Sustainability Lead on The Right Stuff. The goal of the DiCaprio’s production company and Nat Geo is to “become the most sustainable TV production ever.”
I’m not sure this will jumpstart a new wave of film and TV production in Florida but it’s a nice addition to Florida’s production history that goes way back to the early days of cinema. If you’re every in Jacksonville, Florida check out touring Norman Studios which began making silent films in 1916 and produced movies with exclusively African American cast in the 1920s.
P.S. I first arrived in L.A. in the early 1980s and felt like I got a glimpse of the old a fading Hollywood that Tarantino appears to capture in Once Upon a Time in . . . Hollywood, which is set in 1969.
“I set out to tell the truth. And sometimes the truth is shocking.” Tennessee Williams
As a preface to part three of my interview with screenwriter, Clare Sera part of what I referenced was Orlando in the ’90s had a lot going on in the arts. Here’s a quick overview:
Movies— Parenthood, Passenger 57, Waterboy
TV—Nickelodeon, From Earth to the Moon, The Mickey Mouse Club
Theater —SAK Comedy Lab, Mad Cow Theatre, Central Florida Civic Theatre
Music— Matchbox Twenty, Creed, Justin Timberlake
Clare: I know them all well. Yes, I love them all.
[Note: Paula Pell went to New York and ended up writing hundreds of comedy sketches for Saturday Night Live and the screenplay Sisters, Aaron Shure won an Emmy producing and writing on Everyone Loves Raymond, and Bob DeRosa is in LA where he wrote the screenplay for Killers.]
Scott: What do you think was going on in Orlando at that at that time?
Clare: Orlando was just kind of waking up at that time so it was kind of cool. And all of them were with SAK.
Scott: I didn’t know they all had a connection.
Clare: They all did. I remember making Paula improvise which she was just terrified. She was a little more comfortable with sketches and writing sketches which has worked out quite well for her. Bob DeRosa came to SAK and started his own improv team. And Aaron, of course, was an improvisor at SAK also. So yeah, there’s a big Orlando contingent out here [in LA]. A big one.
Scott: I think a lot of people believe “If I have a movie made…,” “If someone buys my screenplay….” that it will cure all. Do you have any last words on having a life beyond the movie world?
Clare: I know it is a little bit cliché, but it’s really only cliché because it’s that same truth that said over and over, but those wishes that come true or those goals or dreams [realized]—they are so fleeting. And it absolutely is fun. [The release of Blended] absolutely was joyful blip my life but it really was a blip. And it is my relationships that are my actual life, that is what my life is. For me it’s God in each one of us, that’s what I’m spending my life doing—just being in a relationship with people. And it is the most important thing so when a blip happens whether it’s a great blip like a life dream comes true and Adam Sandler makes a movie— that’s a blip. That’s great. If it’s a terrible blip like a dear friend suddenly dies, it’s your relationships that are there before and after, and you cannot sacrifice them when those blips occur. Especially the good ones.
Scott: I hope you get a couple more blips.
[Note: I did this interview in the gap between the release of Blended and Smallfoot. So she did have another blip.]
The original idea for Smallfoot began with writers John Requa and Glenn Ficarra, was developed by Warner Bros. by several others writers before Clare and James Kirkpatrick ended up with co-screenwriting credits.
In a Creative Screenwriting interview with Brock Swanson, Kirkpatrick says Smallfoot is about “the truth as we make it up to be.” In a flip of the ole bigfoot legend, Smallfoot challenges the village belief that “There is no such thing as a smallfoot.” (A human.)
Kirkpatrick said the BBC radio show The Tyranny of Story helped shape the direction of the story as they explored the concept of the power of story on a community, and ultimately the question What is truth? became a part of the film’s theme. (A question that, as I write this post today, is quite popular in the village known as America.)
I love the humanity of writing. Especially if it’s screened in an actual movie theater. We all go into a dark room and watch the flickering images and then we all laugh at the same things, cry at the same moments, and we all come out talking about this character or that theme. It’s such a shared humanity.” Clare Sera Creative Screenwriting
And that concludes the non-mythical journey we’ve looked at the last three days of how Clare Sera was born in Scotland, raised in Canada, cut her comedy chops in Florida, all on her way living in LA and having a hand in writing a Hollywood film that was number one at the box office on Sunday.
P.S. Since 2001, Clare has also been volunteering lead and plan workshops with WriteGirl (@writegirlLA) Their website states, “WriteGirl is a creative writing and mentoring organization that promotes creativity, critical thinking and leadership skills to empower teen girls.”
“Anyone who does anything to help a child in his life is a hero to me. ” Fred Rogers
If you time it right next Tuesday you can catch the unusual double feature of Mr. Rogers (Won’t You Be My Neighbor? ) and Full Metal Jacket at the Enzian Theater in Maitland, Florida. Catch the documentary on Fred Rogers at 6:30, grab a food and a drink at Eden Bar, and then catch the Stanley Kubrick war classic at 9:30. (Therapy afterward optional.)
How many times will you get to do that in your life?
I had the opportunity to cross paths with Fred Rogers twice in my life. The first time was in 1997 when my wife was playing a piano duet in the music building at Rollins College. As my wife and I were talking after the recital Mr. Rogers came up and said to my wide in his super nice and friendly manner, “I really enjoyed your music.”
Mr. Rogers also played the piano and went to Rollins College where he met his musician wife. She later received a book from him with a nice note.
My second Mr. Rogers encounter was when I was taking photos at the Rollins Chapel carrying equipment and he opened the door for me. It was like having Forrest Gump open the door for you. (Speaking of…Tom Hanks will be playing Mr. Rogers in the movie You Are My Friend coming out next year from a script by Micah Fitzerman-Blue and Noah Harpster. )
Fred Rogers received a star on the Hollywood Walk of Fame in 1998 and may have taken one of the more unusual routes to Hollywood Blvd. He born in Latrobe, Pennsylvania (where golfing legend Arnold Palmer was also born) and after Rollins attended Pittsburgh Theological Seminary and became an ordained Presbyterian minister before launching his TV class show Mr. Rogers’ Neighborhood.
Here’s a little Mr. Rogers inspiration for you today.
P.S. In the early 60s (1961/1962) author and theologian R.C. Sproul was starting his training at Pittsburgh Theological Seminary just as Fred Rogers was finishing his education there. In 1971 Sproul started the Ligonier Valley Study Center in Stahlstown, PA. (Stahstown, Ligonier, and Latrobe are all neighboring towns within a ten-mile radius of each other.)
Sproul later moved to Orlando and in the 90s when I was just a few years out of film school and looking for “Hollywood East” I produced many videos and a radio program with Sproul and he told me he’d gone to seminary with Fred Rogers.
Proving once again that it’s a small, small world with many surprising twists and turns.
P.P.S.
Won’t you be my neighbor? (“Full Metal Jacket” version.)
I’m back to livin’ Floridays Blue skies and ultra-violet rays Lookin’ for better days Jimmy Buffett/Floridays
I still have a few more days of posts in me about The Florida Project, but today is a nod to my own childhood in Central Florida. I took the photos below this week on one of those ideal Florida days that don’t come around as often as people think—sunny, blue skies, 70 degrees.
I’ve been going to Lake Eola in downtown Orlando as far back as I can remember and it features one of the few iconic landmarks in the city (the water fountain), and is the longtime home of swans and swan boats.
Walking around Lake Eola was one of the things people did for fun before Disney World came to town. It was a simpler place. I’m not one that agrees that low wage tourism jobs is totally to blame for the homeless situation featured in The Florida Project.
Sure it factors into the equation. But a wide variety of people have been drawn to Florida for over 100 years looking for a great vacation or a better life. Some find one or the other, fewer find both, and unfortunately some like Halley in The Florida Project find neither. (There’s a lot of truth in the t-shirt sloan that says, “Wherever you go, there you are.”)
The Florida Projects helps continue the conversation of how we’re going to address the hidden homeless that is a nationwide dilemma. (Read this article regarding the homeless “crisis” in Silicon Valley.)
P.S. I don’t know anything about the organization Hope 192/Hope Community Center, except their stated goal/emphasis “is to assist those living homeless or in motels and hotels along Osceola County’s 192 Corridor.” The real life Halley and Moonies. And the provided some research assistant to co-screenwriters Sean Baker and Chris Bergosh while writing The Florida Project. Check out their site and consider making a Thanksgiving donation.
Today is the first day of school at Valencia College and the film production, sound technology, and digital arts students will be walking into the newly opened School of Arts & Entertainment for the first time for classes.
I took a tour of the impressive facilities on Thursday and thought I post a few photos so give you a glimpse of what’s going on in the world outside of Los Angeles. The Valencia film program traditionally trains below the line talent and the various students over the past 20+ years have worked on 47 feature films as part of their education.
(And read my 2015 post The Perfect Ending that shows the connection between Valencia College, The Blair Witch Project, and Game of Thrones.)
Here are a couple helpful videos I found online that can help you further understand lens and shot selection in relation to filmmaking. Also, glancing over at my bookshelf here are some books that can help you understand shot selection. The Five C’s of Cinematography Cinematography for Directors Cinematic Storytelling Master Shots Film Directing Shot […] […]
