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Posts Tagged ‘New York Times’

“[Hollywood has] welcomed change with about the same relish the dinosaurs welcomed the Ice Age.”
Stephen Galloway
The Hollywood Reporter

“I get asked all the time, ‘Where does this stop? When does it stop?’ The truth is that it is only getting started.”
Brett Sappington (on the growing number of streaming services)
A senior Parks Associates analyst and researcher

OscarEmmy

In the New York Times article, The Streaming Era Has Finally Arrived. Everything Is About to Change,” Brooks Barnes writes that the streaming era is a once in a generation disruption—like the shift away from silent movies or the introduction of broadcast television, or cable decades after that.

He points out that how in 2018 there were 495 scripted original series, and says that all the work is making it “gravy time” for many. Just this month Disney Plus and Apple Plus TV added more viewing choices to audiences to the over 250 online choices out there. (Ever heard of Horse Lifestyle TV? As the saying goes, “there are riches in niches.” Just ask Tyler Perry.)

No doubt there will be audience fatigue with all of these choices, and some consolidation and mergers of shows and companies, but we are living in a streaming world—at least until the next disruption in 10, 20, or 30 years. And with the blending of movies, broadcast/cable TV, and streaming, the entertsinment status quo is in the early stages of a major earthquake leading to speculations never imagined even a year ago.

“With more original movies bypassing big screens, the line between TV and film is blurring, prompting once-unthinkable operating questions. Studios, for instance, employ separate executive teams to oversee the development and production of movies and television series. Should that siloed approach end? There has even been some muttering about whether the Emmys and the Oscars should merge.”
Brooks Barnes

Barnes is referring to a The Hollywood Reporter article by Stephen Galloway this summer where he addressed what all of these streaming changes mean at award time.  Netflix’s Roma last year kicked off the debate on when the foreign-languge film, produced by a streaming company, with a limited theatrical run, was up for a Best Picture Oscar.  (it did win Best Foreign Film, but lost to Green Book for Best Picture.

But it’s just a matter of time before a streaming company wins a Best Picture Oscar—perhaps The Irishmen, which Netflix releases next week will be that picture. Either way, the provocative question is Will the Oscars and Emmys Merge in the Streaming Era?

That’s as fun to speculate as a joke starting with, “An Emmy and a Oscar walk into a bar. . . .”

P.S. Ten years ago I watched my first streaming show on my computer (Cocaine Cowboys on Netflix) and it took me about 2.3 seconds to realize that the VHS/DVD rental business was finished. Blockbuster went bankrupt. Blockbuster at its peak had 9,000 stores, but today there is just one left in the entire world. I don’t know what the the entertainment landscape will look like in ten years, but I don’t think I’m going out on a limb by saying that studios will begin to sell chucks of real estate because “There’s gold in them thar hills.” Movies can be made anywhere—have you see Tyler Perry’s new Atlanta studio?—and real estate in Los Angeles is just crazy expensive.

Scott W. Smith

 

 

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“I’m a take your grandpa’s style, I’m a take your grandpa’s style.”
Macklemore & Ryan Lewis/Thrift Shop

IMG_8373

I look this photo on Tuesday and it appears the club is doing some renovating

I don’t know if writer Jack Kerouac ever visited the St. Petersburg Shuffleboard Club when he lived at 5169 10th Ave. N. in St. Petersburg. But in the last year of his life he lived less than five miles away. (Two of the places Kerouac visited while living in St. Petersburg in ’68-’69 are still open for business; Haslam’s Bookstore and the Flamingo Bar.)

But if Kerouac were alive today he’d be 95, I think the co-founder of beat generation would smile as Hipsters take over St. Petersburg, where they bike, have a drink or two, and occasionally play shuffleboard.

I began reading about the resurgence of the quintessential elderly game of shuffleboard shortly after the economy sputtered in 2008 and young people were looking for cheap entertainment. It was a perfect fit for hipsters who like riding single speed bikes, buying actual records, drinking Pabst Blue Ribbon, and sometimes wearing long beards or handlebar moustaches popular 100 years ago.

And it was just a matter of time before St. Petersburg inspired a new trend. A few years ago after a trip to the St. Petersburg Shuffleboard Club, New Yorkers Jonathan Schnapp and Ashley Albert raised the money to open The Royal Palms Shuffleboard Court in Brooklyn.

“Snow fell at a punishing slant across the darkened warehouses along Union Street in Gowanus, Brooklyn. It couldn’t be further from the sunny retirement communities of Florida, but inside one former factory, the spirit of St. Petersburg lived on…Brooklyn and shuffleboard may not seem like an obvious fit, but they do share similarities. Shuffleboard is a sport with a low athletic buy-in and offers plenty of time to drink between turns.
Joshua David Steins/New York Times in 2014

Back to the future…

P.S. For years the Friends of Jack kerouac House have been trying to buy the house that Kerouac lived in while in St. Petersburg. I saw where the house was sold in January, but I don’t know if the friends group purchased it or not.

Scott W. Smith

 

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“Let both sides seek to involve the wonders of science…let us explore the stars, conquer the deserts, eradicate disease, tap the ocean depths and encourage arts and commerce.”
President John F. Kennedy
Inaugural Address on January 16, 1961

Apollo 11 Liftoff July 16,1969

Apollo 11 Liftoff
July 16, 1969

I have news to announce—the Screenwriting from Iowa…and Other Unlikely Places countdown. Countdown to what? I’m not 100% sure. But the clock is ticking.

Back in the 1960s the United States had a clear goal—to be the first country to put men on the moon. The Soviet Union had hard landed the unmanned Luna spacecraft in 1959 and the space race was in full swing. (With brilliant Germans working on both sides—but that’s another post.)

The one thing I have in common with Brad Pitt, Tom Cruise, Johnny Depp, George Clooney, and President Obama is I’m a tail-end boomer. Boomers that were too young to know where they were when JFK was shot. But I was old enough on July 20, 1969 to understand how cool it was that Kennedy’s eight year old prediction was fulfilled on that day as men landed on the moon.

“This nation should commit itself to achieving the goal, before the decade is out, of landing a man on the moon and returning him safely to the earth.”
President Kennedy on May 25, 1961

My father got me the front page of the New York Times with its headline MEN WALK ON MOON. (Which I still have to this day.) Following the return of the Apollo 11 astronauts there was a ticker-tape parade in New York City. It was kind of a big deal.

Admittedly, my countdown news is not quite as big a deal. I’m not expecting any front page headlines or ticker-tape parades. (Though I’m open to both.) And I don’t know what exactly is going to happen at the end of the countdown, but I know the countdown officially starts today and ends on January 22, 2015. Mark your calendars now. Something’s going to happen.

In the next 20 posts spread out over the next two months I will lead up to my 2000th post. Again, not man on the moon stuff, but worth celebrating. That will also coincide with my seventh anniversary of this blog. I had some modest goals when I started this blog—none included writing 2,000 posts over seven years.

But let me thank you ahead of time, because without people reading this blog there’s no way I would have sustained this blog all these years. The Regional Emmy, the TomCruise.com mention, the Script Mag screenwriting website of the week, and various other shout-outs have been nice—but it’s people reading this blog that have been the fuel to keep going.

My goals all along has been simple—to improve my own writing and understanding of screenwriting/filmmaking with hopes that it would also help other people with their own writing and understanding of screenwriting/filmmaking.

Cheers—

P.S. Any ebook gurus who read this blog and can offer a handle on Amazon, Gumroad, Shopify, and the like shoot me an email at info@scottwsmith.com .

Related Posts:
Screenwriting from Space (Star Trek)
Postcard #46 (Huntsville) “Dr. von Braun Says Rocket Flights Possible to Moon”—1950 Headline
Creating ‘I Dream of Jeannie’
Shoot for the Moon
The Story of Men on the Moon Remember where you’re standing when the spotlight goes off, you’ll have to find your own way off the stage.” — Down to earth advice from Apollo 13 astronaut James Lovell
Life Beyond Hollywood My very first post on January 22, 2008

Scott W. Smith

 

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Since this is the last day of spring 2014, I thought I’d do a little spring cleaning and doing something I don’t often do–write two posts in one day. (There may even be a third one later.) But in light of yesterday’s post (Susannah Grant on Failure) by the screenwriter of Erin Brockovich, I thought I’d sneak in this quote I read in last Sunday’s NY Times that was part of a graduation speech at Carthage College in Kenosha, Wisconsin.

“Failure is going to be a part of the process. You’re all here because you’re good at not failing, right? This is the culmination of doing a great job at not failing. There are no G.P.A.s after this. There’s going to be lots of setbacks. There’s going to be lots of failures. No one introduces me as the founder of My Mobile Menu, also known as Mmm, because that was the company we started before Reddit, Steve [Huffman] and I started that, and for a year and a half worked on something that went nowhere. But that’s O.K. Failure is an option.”
Alexis Ohanian
The 31-year-old co-founder of Reddit (one of the 50 biggest websites in the United States)
New York Times
Sunday June 15, 2014

P.S. Just to tie in a great filmmaker born in Kenosha, WI—who knew both success and failure in his career —read the post Screenwriting Quote #38 (Orson Welles).

Related post:
The Shakespeare of Hollywood spent part of his childhood not far from Kenosha in Racine, WI.
J.K. Rowling on the Benefits of Failure

Scott W. Smith

 

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“When I decided to stop writing about five years ago I did, as you say, sit down to reread the 31 books I’d published between 1959 and 2010. I wanted to see whether I’d wasted my time. You never can be sure, you know. My conclusion, after I’d finished, echoes the words spoken by an American boxing hero of mine, Joe Louis. He was world heavyweight champion from the time I was 4 until I was 16. He had been born in the Deep South, an impoverished black kid with no education to speak of, and even during the glory of the undefeated 12 years, when he defended his championship an astonishing 26 times, he stood aloof from language. So when he was asked upon his retirement about his long career, Joe sweetly summed it up in just 10 words. ‘I did the best I could with what I had.'”
Philip Roth
My Life as a Writer
2014 New York Times interview by Daniel Sandstrom 

 

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“The idea for The Glass Menagerie came very slowly, much more slowly than Streetcar, for example. I think I worked on Menagerie longer than any other play. I didn’t think it’d ever be produced. I wasn’t writing it for that purpose. I wrote it first as a short story called ‘Portrait of a Girl in Glass,’ which is, I believe, one of my best stories. I guess Menagerie grew out of the intense emotions I felt seeing my sister’s mind begin to go.”
Tennessee Williams
The Paris Review interview 

Watching actors perform Tennessee Williams’ words on stage, TV, and in movies—or even on the Internet—may not make you a better writer, but I believe they can make you more human.  If you’re tired of, or need a break from special effect extravaganzas or high-concept schlock that, to borrow Shakespeare’s phrase, are “full of sound and fury, signifying nothing,” get a copy of The Glass Menagerie and read it slowly.

When I was driving through Mississippi last month I picked up a used copy of the printed play The Glass Menagerie for under five dollars at Square Books in Oxford. The pages had fallen out of my old original copy of the book and there was something poetic about buying the play again by the Mississippi born Tennessee Williams in the town square where Mississippi born William Faulkner used to wander. (And for what it’s worth Faulkner wrote a book titled The Sound and the Fury.)

The Glass Menagerie, a four character play, premiered in Chicago in 1944 and it debuted on Broadway the following year where it won the  New York Drama Critics’ Circle Award for Best Play of that year. Critics championed the play from the very beginning. Even today when critics question a revival performance it tends to be in casting choices and stage direction.  I recall one reviewer who once wrote something to the effect that poorly performed Williams was better than no Williams at all.

One of the greatest creative opportunities of my life was doing a three month acting workshop with Arthur Mendoza working on The Glass Menagerie. This was back in the ’80s in Los Angeles shortly after Williams died and just before the Paul Newman directed version was released in 1987.  Mendoza had studied with Stella Adler for ten years before turning to teaching himself, and embraced the view that it was worth it for the actor to study the playwright as well as the play. (Some acting teachers stress importance only on the written word.)

Believe it or not we only worked on the opening monologue of Tom. Three months of working on a long monologue which begins:

“Yes, I have tricks in my pocket, I have things up my sleeve. But I am the opposite of a magician. He gives you illusion that has the appearance of truth. I give you truth in the pleasant disguise of illusion.”

I didn’t know much about acting, writing—or life—back then, but I knew that both Tennessee Williams and The Glass Menagerie were special. Beyond Williams’ poetic style of writing is a primal story. A story of loss and broken dreams. It’s an emotional story full of external and internal conflict that touches on basic human relationships between mother and son,  father and son, mother and daughter, husband and wife, brother and sister—can you get any more universal? Mix in themes of love, hope, and dreams and it’s no surprise that the play still has life today.

In fact, just two months ago The Glass Menagerie once again opened on Broadway (for a limited run through February) and the reviews have been outstanding.

“This production makes clear that ‘The Glass Menagerie’ belongs on the same exclusive shelf as ‘Long Day’s Journey Into Night,’ ‘Death of a Salesman’ and Williams’s own ‘Streetcar Named Desire.’ It is not a lovely little memory play; it’s a great memory tragedy.”
Wounded by Broken Memories
NY Times, September 26, 2013

Below are some links to past productions of The Glass Menagerie, including the full 1973 version starring Katharine Hepburn.  Another thing that keeps The Glass Menagerie in circulation is there is never a lack of great actors who would like their shot at playing one of the four roles.

Scott W. Smith

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“Most parts in comedy, they’re not written for men. They’re written for, like, boy-men. So it’s cool to play a man-man. They don’t make adult movies anymore. Go to a multiplex. If Sydney Pollack was around today, he’d be directing episodes of True Blood.
Chris Rock on the film 2 Days in New York
New York Times Q & A with Dave Itzkoff
August 5, 2012

If you’d like to emulate  Sydney Pollack (Out of Africa, Absence of Malice) , Sidney Lumet (The Verdict, 12 Angry Men) , or even Sydney Greenstreet (Casablanca, The Maltese Falcon)—those kinds of “adult movies”— and you’re not an A-list screenwriter or director getting ofters to write or direct movies like Moneyball then small independent films is your haven—or cable TV.

Related Posts:
Writing and Directing “Out of Africa”
Screenwriting Quote #162 (Billy Ray)

Scott W. Smith

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