Feeds:
Posts
Comments

Posts Tagged ‘Michael Mann’

What are the odds of two people being born on the same day in the same year, meeting in second grade in a Detroit suburb and growing up to be not only best friends but screenwriting partners in Hollywood? And add to the mix that this summer that this writing duo will have writing credits on two big budget films in theaters that were produced by Jerry Bruckheimer?

The odds may be astronomical—up there with the Detroit Lions winning the Super Bowl next year— but that’s the short story of screenwriters Doug Miro and Carlo Bernard. And I have to think there are some good Midwest sensibilities at work here. After college, Miro and Bernard ended up in L.A. working as production assistance for Chicago native Michael Mann on some high-profile films. (The Insider, Heat. The Last of the Mohicans.)

Patrick Goldstein of the LA Times writes of that experience;

“They credit it as a hugely influential experience, since if you worked for Mann, you not only saw a world-class filmmaker at work but got to read every great script in town. Writing at night and early in the morning before work, they penned “Motor City,” a film noir script set in 1950s Detroit. It sold to George Clooney’s Section 8 production company. It was never made, but it became an important calling card for the duo.”

Their work eventually got the attention of Bruckheimer, who like the duo, is originally from Detroit. Maybe it has nothing to do with their success, but don’t underestimate the bond of a school or city when you are strangers in a strange land. How many people in L.A. can talk about Lions, Tigers and Red Wings with Jerry?

Before when I’ve written about the importance of networking I’ve mentioned  a freelance editor I work with here in little Cedar Falls, Iowa who did an internship last summer with Entertainment Tonight that was set up by Mark Steines. Every year Steines provides internship opportunities for three students from the University of Northern Iowa where he started his journey in broadcasting. And now that I think about it, Bruckheimer also used two screenwriters from Michigan (Jack Epps Jr. and Jim Cash) way back on Top Gun.

And Miro and Bernard’s writings also connected them with another former Midwesterner, a fellow from Cincinnati named Steven Spielberg.

“We wrote a script he liked and he called us, and I think we still have that on our answering machine somewhere. Like ‘Steven would like you to come in and meet with him.'”
Doug Miro

Miro and Bernard ended up writing two scripts for Spielberg’s Tintin based on the comic strip The Adventures of Tintin by Belgian artist George Remi who wrote under the pen name Herge. While Tintin is not that well-known in the United States, the comic strip and its film, theater, TV and radio adaptions are a cultural phenomenon in Europe. Below is a video where Miro and Bernard talk about collaborating with Spielberg.

(Note: Sorry, that video dispeared this morning as I was writing about it. But basically they said it was cool to kick ideas around—and talk about Raiders and Jaws—with Spielberg at his house. But try Collier.com for a video where Miro and Bernard talk about working on Prince of Persia.)

So two more writers from Michigan doing well in Hollywood. Hat tip to Scott Myers over at Go Into the Story for the orginal LA Times link about Miro and Bernard.

Related post: Screenwriting from Michigan
There’s Something About Jerry

Scott W. Smith

Read Full Post »

Last night I watched Michael Mann’s Heat for the first time. I’m not sure what took me 15 years to see the film starring Al Pacino and Robert De Niro. I should have seen this when it first came out if for no other reason that I believe it’s the first time Pacino and DeNiro faced each other in a film. It’s not your typical good guy/bad guy story. Mann exposes for the grey areas of the characters and you think that it wouldn’t take much for the good guy to be the bad guy and the bad guy to be the good guy. Similar criminal minds who have taken different paths that pit them against each other.

My favorite line in the film was said by Val Kilmer when De Niro asks him why his woman is leaving him and Kilmer says (in his ocean front house), “Not enough steaks in the freezer.”  That’s tight writing and we know he’s not talking about literal “steaks in the freezer.”

Heat screenwriter/ director Michael Mann was born and raised in Chicago and got turned on to filmmaking while an English major at the University of Wisconsin. He made documentaries in London before writing for TV shows like Starsky & Hutch and Police Story and creating Miami Vice. From there he’s gone on to write and or direct some terrific feature films including The Last of the Mohicans, Collateral, and The Insider. Along the way he’s picked up four Oscar nominations.

To get a glimpse of how Mann works here is a part of an interview that Mann did with Michael Sragow talking about writing and directing The Insider starring Pacino and Russell Crowe:

I tried to direct the subtext. That’s where I found the meaning of the scenes. You could write the story of certain scenes in a code that would be completely coherent but have nothing to do with the lines you hear.

For example, in the hotel room scene, Scene 35, when Lowell and Jeffrey first meet: All Lowell knows for sure is that Jeffrey has said “no” to helping him analyze a story about tobacco for “60 Minutes.” He doesn’t know yet that there’s a “yes” hiding behind this “no.” There’s a whole story going on that’s not what anybody’s talking about.

If you wrote an alternate speech for Jeffrey, it would go: “I’m here to resurrect some of my dignity, because I’ve been fired, and that’s why I dressed up this way and that’s why I have these patrician, corporate-officer attitudes.” And you could do the same for Lowell, and have him sitting there and saying, “This man wants to tell me something that is not about why he’s meeting me.”

Al Pacino just took over Lowell’s great reporter’s intuition to sit there and laser-scan Jeffrey with his eyes. You know, he looks at him, looks at him, and doesn’t move, until, after all the fidgeting and shuffling with the papers, Russell, as Jeffrey, gets to say his great line — “I was a corporate vice president” — with the attitude “Once upon a time, I was a very important person.” And that [Mann snaps his fingers] is when Lowell has it.

Suddenly, here’s the significance of this meeting: “He’s the former head of research and development at Browne & Williamson Tobacco Company, and he wants to talk to me.” Without hitting anything on the head with exposition, without any of that awful dialogue, like “Boy, have I got a lead which may give us the newsbreak of the decade,” you know that Lowell knows he’s on the scent of a helluva story.

Scott W. Smith

Read Full Post »

“I adore Chicago. It is the pulse of America.”
Sarah Bernhardt

“You’re Abe Froman… the sausage king of Chicago?”
Ferris Bueller’s Day Off

“I give you Chicago. It is not London and Harvard. It is not Paris and buttermilk. It is American in every chitling and sparerib. It is alive from snout to tail.
H. L. Mencken

“They pull a knife, you pull a gun. He sends one of yours to the hospital, you send one of his to the morgue. That’s the Chicago way, and that’s how you get Capone!”
The Untouchables

Last week a 5.4 earthquake hit Illinois and was felt in Indiana and as far away as Iowa. Just one more way the Midwest is following those California trends. You know, I’m doing my part to export screenwriting from the Midwest and other unlikely places where people are writing so it makes sense to make another road trip and head over the Iowa state line to the east and travel into Illinois.

The epicenter of last week’s earthquake was West Salem, but from a screenwriting and filmmaking perspective the epicenter for the Midwest is Chicago. It’s the third largest city in the United States and sits with a commanding view of Lake Michigan and can rightly be called The Third Coast.

Everyone should have the opportunity once in their life to have their own version of Ferris Bueller’s Day Off in the windy city. Here’s my perfect Chicago day: The Art Institute in the morning, a walk and lunch at the Navy Pier, see the Cubs play at Wrigley Field, ride an architectural boat tour, a sunset dinner at the Signature Room high atop the John Hancock Center , a play at one of the zillions of theater options, a carriage ride around the Chicago Water Tower downtown and a nice room at The Drake Hotel on the Magnificent Mile with a room overlooking the Gold Coast (and where they welcome my golden retriever).

And if you have the weekend you can fit in a concert at Millennium Park and a list that just gets longer and longer. Chicago is a great city. And it alone has produced a wealth of creative talent that shines as bright as a city. (Maybe that’s why Dan Quayle once said, “It is wonderful to be in the great state of Chicago…”)  Here’s a list of writers from Illinois though I’m sure to leave out many people. (Feel free to email me additional writers with connections there.)

Nia Vardalos (My Big Fat Greek Wedding)
Sam Shepard (True West)
David Mamet (The Verdict)
Ray Bradbury (Fahrenheit 451)
Preston Sturges (Sullivan’s Travels)
Edgar Rice Burroughs (Tarzan)
Ernest Hemingway (The Old Man and the Sea)
Mark Brown (Barbershop)
John Hughes (Ferris Bueller’s Day Off)
Andy and Larry Wachowski (The Matrix)
Harold Ramis  (Groundhog Day)
Bill Murray (The Razor’s Edge)
Greg Glienna (Meet the Parents)
Steve Conrad (The Pursuit of Happyness)
John Logan (Gladiator)
Jon Favreau (Swingers)
Tina Fey (Mean Girls)
Michael Mann (The Insider)
Phil Vischer (VeggieTales movies)
Roger Rueff (The Big Kahuna)
Robert Zemeckis,  (Back to the Future)
Edward Zwick, (The Last Samurai)
Diablo Cody (Juno)
John Logan (Hugo
Garry Marshall (The Odd Couple-TV)

From the odd connections category, Evangelist Billy Graham (who used to have a film studio in Burbank) and horror specialist Wes Craven (A Nightmare on Elm Street) both graduated from Wheaton College about 30 miles from downtown Chicago. Blues Brother, and writer/actor John Belushi graduated from Wheaton High School.

Film critic and produced screenwriter Roger Ebert (Beyond the Valley of the Dolls) and screenwriter/Academy Award-winning director Ang Lee (Eat Drink Man Woman) are both are both graduates of the University of Illinois system.

Filmmaker and book publisher Michael Wiese is originally from Illinois. I have at least a dozen production books that Michael Wiese Productions has produced. If you’re not familiar with their books three to check out are Save the Cat (Blake Snyder) , Shot by Shot (Steven D. Katz) and The Hero’s Journey (Christopher Vogler).

A special mention must be made to two pillars of writing from Chicago: Pulitzer Prize winner Saul Bellow (Humboldt’s Gift) and Studs Terkel (Hard Times).

The list of well-known actors with Chicago ties is too long to list but here are a few;  Harrison Ford, Vince Vaugh, Julia Louis-Dreyfuss, John and Joan Cusack, Virgina Madsen, Kim Novak, Bill Murray, Terrance Howard, Red Foxx, Bonnie Hunt, Patricia Arquette, Karl Malden and Gary Sinise.

Chicago is the kind of place where probably every night of the week you could attend a film related function between the various school, colleges and professional groups. There are plenty of ways to avoid writing if you live in the Chicago area.

But, of course, your goal is probably to write while living outside L.A., get sold and get produced. (I’ve said before you could live in West Africa or West Covina and feel like you’re far from the Hollywood system.)

Let me tell you about a fellow I just found out about via the DVXuser.com forum. Kyle is a radiologists living in the suburbs of Chicago. He owns a DV camera package and writes screenplays. In other words he was like every other writer with a dream…until a couple weeks ago.

He wrote a screenplay called The Lemon Tree and had a lawyer he met in Chicago rep him in L.A. and earlier this month sold the script for $300,000 against $600,000. He has no plans to quit his job and move to L.A. The next step is seeing if the film gets made and then if it finds an audience. But as far as a writer outside the system Kyle has hit the jackpot, and proves it can be done.

(You can read the entire thread and download a well-informed screenwriting document Kyle has put together at DVXuser.com. Look under filmmaking–screenplay/writing/Sold it! The DVXuser forum is a wealth of info for the independent filmmaker and a supportive community. Here’s a little poser shot of me with my DVX camera back in ’06 when I was shooting a documentary in Chicago.)

If you want further proof that screenplays can be sold by screenwriters outside L.A. here is a quote that screenwriter and author of Save the Cat! Blake Snyder sent me when I asked him about writers living outside L.A. selling their work:

“I have said often that geography is no longer an impediment to a career in screenwriting. I know of one woman who decided to be a screenwriter in Chicago, wrote 5 scripts, sold 2 and got an agent and manager, all while never leaving the confines of her condo.  It starts with a great concept! You have a great idea and a great poster, if you execute that well, you will get phone calls — and deals.  The key is: the great script!  And that starts with the step by step process I outline in Cat!  Go get ‘em!”

On the footsteps of The Dark Knight (Batman) being filmed last summer in Illinois, the current big movie being shot there is Steven Soderbergh’s The Informant starting Matt Damon with a funky mustache. The story takes place in Decatur and is based on Kurt Eichenwald’s book about a scandal at Archer Daniels Midland’s Company (ADM) that involved the FBI. Ultimately ADM was fined $100 million for a conspiracy involving replacing sugar with high fructose corn syrup. Shades of Soderbergh’s other film about corporate greed,Erin Brockovich?

Other helpful sites about the filmmaking scene in Illinois here are a few recommended sites:

Reel Chicago

Chicago Script Works

Midwest FIlm

Chicago Screenwriters

Illinois Film Biz


So come on, if Abraham Lincoln can go from a one room log cabin to become the 16th President of the United States (via Illinois) certainly that should give you some motivation to overcome a few obstacles in your life to get your scripts written and sold. Or maybe to buy a camera and make your own films. Even if you live in Springfield or Kankakee.

Speaking of Kankakee, if Screenwriting from Iowa had a theme song it might be Chicago native Stevie Goodman’s City of New Orleans because it captures a flavor of a life beyond Hollywood:

Riding on the City of New Orleans
Illinois Central Monday morning rail
Fifteen cars and fifteen restless riders
Three conductors and twenty-five sacks of mail
All along the southbound odyssey
The train pulls out at Kankakee
Rolls along past houses, farms and fields
Passin’ towns that have no names
Freight yards full of old black men
And the graveyards of the rusted automobiles

Chorus
Good morning, America, how are you
Don’t you know me, I’m your native son
I’m the train they call The City of New Orleans
I’ll be gone five hundred miles when the day is done

And if I can pick a B-side song I’ll go with, Jim Croce’s tribute to the South Side of ‘ole Chicago — Bad, Bad Leroy Brown.

Photographs & Text Copyright 2008 Scott W. Smith

Read Full Post »

%d bloggers like this: