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Posts Tagged ‘Louie Psihoyo’

“Every cell of your body has to be aligned so that you’re making the best possible image.”
Photographer and Oscar-winning filmmaker Louie Psihoyos

His name is Louie Psihoyos. He won an Oscar Sunday. And he’s originally from Iowa.

That’s the short version.

If Louie Psihoyos doesn’t sound like a traditional Midwestern German Lutheran name to you, you’d be correct.  A little over fifty years before he accepted his best documentary Oscar for The Cove, he was born to Greek immigrants and raised in Dubuque, Iowa.

And it was in Dubuque were he first got turned on to art, eventually focusing on photography. In perhaps an odd connection you’ll probably only find on a blog called Screenwriting from Iowa, Psihoyos had an interesting experience with an Oscar-nominated screenwriter in of all places Dubuque, Iowa.

In the 1970s, the movie F.I.S.T. was filmed in Dubuque starring Sylvester Stallone.  F.I.S.T. was Stallone’s first film after the Oscar-winning best picture Rocky. Rocky, of course, put Stallone on the map as he was nominated for an Oscar as best actor and for best original screenplay. (F.I.S.T. also just happens to be the first script that Joe Eszterhas ever had produced.)

Psihoyos was a teenager at the time F.I.S.T. was being filmmed but was already an accomplished photographer having won some contests and somehow was able to met and photograph Stallone. (Update: Photographer Brian Smith actually said Psihoyos appeared in the film so I looked into it and found on Psihoyos’ website the Stallone photograph and this account by Psihoyos: “As a photographic intern for the local newspaper, I was sent to stake out Stallone at the local hotel where the crew was staying. He came in from the airport dressed in costume and I took the photograph in a hotel elevator. Stallone loved the photograph and invited me to stay on the set… He put me in the movie F.I.S.T. as his wedding photographer. I have one speaking line, ‘smile now!'”)

Psihoyos went on to graduate from the highly esteemed journalism school at the University of Missouri and won the National Geographic annual College Photographer of the Year contest. That helped him launch into a long career as a photographer for National Geographic.

A couple years ago he decided to turn his talent and resources into his vision of what became the documentary The Cove.

So once again while Psihoyos appears to be another filmmaker who won an Oscar with his first film—there is a 30+ year accomplished creative career behind him. Here’s some advice from him;

“What I like to tell newcomers is that there’re about 30,000 working photographers in Manhattan. Those are people who, by their IRS statements, are making a living and are profitable, and a lot of them are pretty damn good. You have to give of yourself 200 percent in everything you do; then the right people find you like a beacon.”
Louie Psihoyos
2006 Interview with Ted Fry
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Psihoyo’s acceptance speech was cut off during the Oscars broadcast so here is what he intended to say;

“We made this film to give the oceans a voice.

We told the story of The Cove because we witnessed a crime. Not just a crime against nature, but a crime against humanity.

We made this movie because through plundering, pollution and acidification from burning fossil fuels, ALL ocean life is in peril from the great whales to plankton which incidentally is responsible for half the oxygen in this theater.

Thank you, Black OPS Team for risking your lives in Japan — and thank You Academy for shining the brightest lights in the world on THE COVE……

Japan, please see this movie for yourselves!  Domo Arigato!”

Psihoyos is based in Boulder these days. I don’t know if he has reasons to come to Iowa anymore, but I’d thought it interesting that he got his start here. Much in the spirit of screenwriter Diablo Cody who graduated from college in Iowa where she developed her skills on her way to writing the Oscar-winning script for Juno. (Which I should mention to any new readers is who inspired me to start blogging two years ago.)

Scott W. Smith

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