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Posts Tagged ‘Keith Calder’

My advice is always that your path to success is to do the things that you’re the best at. And I think a lot of time the things that you’re the best at are the things that you have the most passion for. And I think those are the two areas I would always recommend people focus on. I think that it’s more likely that a fantastic amazing stunt coordinator is going to get hired to direct a big movie than someone who has made another big movie really badly. Like I just don’t think that – it’s an industry where you get over-rewarded for things that you do really well. And I think that those are the things that you need to focus on.

I think it was Guillermo del Toro said that all of the things that are flaws about you when you start doing well just become your voice. And when you’re not doing well they’re all the things people point out as problems.
Indie Producer Keith Calder
Interview with John August on Scriptnotes. Ep. 343

P.S. On a similar note writer/director Francis Ford Coppola said the things that they criticize you for early in your career are what you get honors for later in your career.

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“The key advice I’d give [any filmmaker] is when you’re starting out make things as cheaply as possible. There is a path for making things so cheaply that the minimal value that most independent films get can still help you to recoup your budget. And that’s a path that the Duplass brothers took really well, and I think it will always be a path. There’s always going to be an appetite for movies of a certain sort and if you can achieve quality with a very low budget you can find a path with an independent film.”
Indie film producer Keith Calder 
Interview with John August on Scriptnotes, Episode #342

Note: The keyword in the title of today’s post is “a.” This is a path, not the only path. But, as I mentioned yesterday, before Scott Beck and Bryan Woods had their names attached to the current #1 box office Hollywood hit (The Quiet Place), they made a bunch of low-budget films in Iowa.

“Throughout high school and our college years we just keep making movies and feature films for practically no budget.”
Writer/director Scott Beck
#AlwaysAHawkeye video 

Related posts:

How to Shoot a Film in Ten Days
The Ten Film Commandments of Edward Burns
Don’t Try and Compete with Hollywood

P.S. Yesterday I went to see the documentary film Long Time Coming at the Florida Film Festival. It’s the debut feature film of Orlando-based filmmaker Jon Strong. It was the second showing of the festival because the first one sold out hours after tickets went on sale.

I don’t know the budget of the film and Strong did say during the Q&A that the film was in the works for two years. But my guess is it’s an example of a film that was made without a large budget and one that will find a distribution path at ESPN or Netflix. Production-wise Long Time Coming reminded me of another baseball-centered film No, No: A Dockumentary (on picture Dock Ellis) which I saw at the Florida Film Festival a few years ago.

No, No was also very heavy on interviews of past players. And if my memory is correct,  the director said the bulk of the interviews with former Pittsburgh Pirates players was shot over a reunion weekend. Shaping those interviews into a story, finding archival photos and videos (and securing rights and funding to use them) is what can take months and years.

But No, No is a good example of a film that had a niche audience and found distribution.  It’s not a bad idea to find a film in your genre that you like and find out as much as you can about how it got funded and found distribution.

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Scott W. Smith

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