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William Goldman is a great writer. And a pretty good prophet.

His book Adventures in the Screen Trade was one of the first books I read about the movie business. And I read it when it first came out back in 1983 when I was living in Burbank and lusting after that Kaypro II computer that was going to help me buy a house in Malibu.

I never did get a Kaypro II and here I am in Iowa. 

But I have read (and flipped through) Adventures in the Screen Trade so many times its spine is broken in three places. It looks kinda how you’d imagine Billy Graham’s bible to look like.

Goldman is another Chicago-born writer, who also just happened to win two Oscars for the screenplays All the President’s Men and Butch Cassidy and the Sundance Kid.  He also wrote the scripts for The Princess Bride and Misery. He could afford a house in Malibu, but he lives instead in New York City.

Goldman’s book is full of insights and wisdom from the inside. I’ll avoid his more commonly quoted writings in favor of this one:

      “There’s a whole world of subject matter that will never be touched by the major studios. Because the executives know the sort of film that may work.  Just like the bright boys in Detroit knew, a while back, that what the American public really wanted was a great big glossy gas-guzzling car. And all that interest that was starting in Japanese cars?
     Just another nonrecurring phenomenon….”
                                              William Goldman
                                               Adventures in the Screen Trade
                                              Page 52

It’s interesting that he wrote that over 25 years ago. You’d think Detroit would have learned something in that time. And it’s interesting that I read that yesterday when it was announced that car sales in December were down more than a third ending the weakest year in over a decade. Chrysler had sales drop by 53 present. I’m guessing my Durango SUV is worth just a little more than a Kaypro II. 

And you’d think Hollywood studios would have learned something in that time. And maybe they have on the distribution side with the success of independent films over the years. And fortunately today there are many other ways today  to get those films made that normally wouldn’t be touched by major studios. And once the Internet-driven distribution door opens up for independent filmmakers then the winds of change that rocked the music industry will happen throughout the land.

And for that reason you should keep writing about subject matters you are passionate about.  And check out the post
Screenwriting and the Little Fat Girl in Ohio.

 

copyright 2009 Scott W. Smith

Bonus Kaypro hacker quote from the movie The Score:  “Give me a Kaypro 64 and a dialtone and I can do anything.”

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