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Posts Tagged ‘Jon Van Allen’

A Quiet Place hit $150 million at the worldwide box office over the weekend. Not bad for a movie that just cost $17 million to produce and has only been in theaters 10 days. You may be surprised to learn that it started as an idea that could be made on a micro-budget.

We started thinking what can we write that could be made. Again, this was almost ten years ago—it’s been a long journey.  But we started pivoting our point of view to what films that could be producible? 

Kind of a lesson we learned growing up in Iowa, we would write things for resources that we had in front of us. Something that could be produced, could be made, and hopefully be an interesting story, too. That’s a long way of saying that’s somewhat the genesis of The Quiet Place. It’s like The Quiet Place was written for us to shoot back in Iowa for $50,000 if everyone passed on it. It would have been a very, very different version without Emily Blunt and John Kraninski. But it was something we just had a passion for, and we knew worst case senerio that could be plan B.
Scott Beck on writing the original script for A Quiet Place with Bryan Woods
H/T Christopher Lockhart via a Q&A video at the WGA Theater in Beverly Hills

I saw the film over the weekend and could see the DNA of their Iowa roots in the movie (even though the film was shot in rural New York):

Farm/farmhouse
Cornfield
Silo full of corn
Old truck
Pitchfork and hatchet
Bridge
Woods
Small town Main Street.

And I also saw the DNA of some popular movies scattered throughout A Quiet Place:
Alien
Birds
Signs

Jaws 
Them

P.S. Scott Beck and Bryan Woods are originally from Bettendorf, Iowa and graduated from the University of Iowa in 2007, both less than 2 hours from where I lived in Cedar Falls, Iowa when I started this blog. (Our only connection that I know of is we both used Iowa-based gaffer/jib-operator Jon Van Allen on our films and other productions.)  I don’t know if Beck or Woods ever read a single post of Screenwriting from Iowa…and Other Unlikely Places—but they’re example A of what’s possible if you have a movie idea and live in an unlikely place.

Related post:
The Best Film School

Scott W. Smith

 

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“Movies aren’t intellectual, they’re emotional. And this one rang a bell…Movies at their best are about moments that you never, ever forget.”
Kevin Costner on Field of Dreams

The above NBC program aired yesterday and was shot last weekend in Dyersville, Iowa. It would be wrong (and maybe un-American) to have a blog title Screenwriting from Iowa and at least not mention the reunion. I don’t know if my production buddy Jon Van Allen took his 4 ton grip truck to Dyersville last weekend, but I think those are his Eco Punch lights in the photo below. (I grabbed these shots from his Facebook page when he was working the reunion for Major League Baseball.)

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Jon Van Allen and Bob Costas

 

P.S. Jon’s based in Iowa and has added to his IMDB credits working on a variety of feature and short films as a grip, gaffer, cameraman and job operator. And if you think Field of Dreams is only thing to come out of Iowa, the Van Allen belts and the NASA Van Allen Probes were named after Jon’s uncle—James Van Allen (1914-2006).

Related posts:
40 Days of Emotions
Field of Dreams Turns 20
J.D. Salinger 1919-2010
Screenwriting, Baseball and Underdogs (2.0)
Tinker Field: A Love Letter

Scott W. Smith

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“I shoot video because it gives me freedom as a filmmaker to try new things.”
                                                                                                Mike Figgis
                                                                                                Writer/Director
                                                                                                Leaving Las Vegas  

“Montage is conflict.”
                                                                                              
Sergei Eisenstein 

 

 

Since my last post was on the six-word story, I thought it would be a fitting place to talk about the 48 hour film.

A couple weekends ago I made a film as part of The 48 Hour Film Project taking place in Des Moines, Iowa. Below the film titled “Heart Strings” I’ll talk a little about the process of making that film.

This is my third year doing The 48 Hour Film Project in Des Moines. The past two years my films have won best cinematography against the 35+ teams competing. This year I really wanted to take a shot at making the best film.

The first thing I noticed is in these sort of things comedy does very well so I had in mind that I’d make a film with a humorous angle. I also decided that I wanted to shoot in one location and be done shooting by Saturday morning. Local artist Paco Rosic (www.pacorosic.com) has a restaurant here and said we could shoot there after 10 PM. 

Then we had a handful of people that had agreed to be in the film if I needed them. My goal was to use only two or three people. I really was aiming for simplicity. On Friday night we drew romance as the genre we had to make and the idea of speed dating came to my mind in about ten seconds.

Which of course fit the talent pool I had gathered– a mix of men and one women. Paco ended up as one of the actors and not only gets the girl at the end of the movie, but he edited the film as well. He is a talented artist and who has a non-linear editing system in his loft near the restaurant.

You learn to go with the flow when you’re making a film in 48 hours. I had an editor and a DP both from Minneapolis who had to pull out of helping just days before the shoot so I was glad Paco wanted to take a stab at editing it. Local grip and lighting specialist Jon Van Allen decided he could help out and the film would not have been as good without him. He brought not only his talent, but his fully equipped grip trailer and an extra Panasonic HVX 200 camera.   

And then there is the lead actress Amy Anderson. This is a classic case of “do what you can, where you are, with what you have.” This was Amy’s first film, but I knew she could play the violin so that would play a part of the story. So she not only was on camera between midnight and 6AM talking to strangers, but she had to perform for the final scene after that. Thank you, Amy.

The entire cast and crew did a super job and it was an enjoyable and stress free shoot. I had written a loose outline of characters and some dialogue and then we just shot a lot of footage picking out the best performances that seemed to have the most conflict in the character Bridget’s search for Mr. Right. 

We turned in the film before the deadline and would have liked more time to tweak the audio–but it is a 48 hour film. Thanks to people lending their time, talent and equipment the total budget was less than 48 bucks. (Probably less than the average lunch for Matthew McConaughey on “Failure to Launch.”)

If you’re a screenwriter who’s never directed a film, events like this are perfect for you to try some new things. It’s also a good chance to let people who have little or no experience to get a glimpse into what it takes to make a film. Believe it or not, an all night shoot is a great introduction to the carnival of a life in the film business.

And if you’re ever driving through Iowa and looking for a unique restaurant check out  Galleria de Paco in Waterloo, Iowa. (The shooting location of Heart Strings.) How many places in the world can you eat shrimp and grits and look at a fantastic spray painted recreation of the Sistine Chapel?

Update: On August 14, The 48 Hour/Des Moines Awards were given out and my little film  “Heart Strings” won best cinematography and an honorable mention for best directing.  

Later that night US Olympic gymnast Shawn Johnson from West Des Moines snagged a silver metal in Beijing. In one of those quirky timing things I drove by Johnson’s high school on the way to the Fleur Cinema where the top 12 48 Hour Films were being shown.

Johnson is one more reminder that Iowa is full of surprises. Check out her website that is hosted by my buddies over at Spin-U-Tech.

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