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Posts Tagged ‘James Gray’

“Hollywood is a place where they’ll pay you a thousand dollars for a kiss and fifty cents for your soul.”
Marilyn Monroe

James Gray is a working writer/director who back in 1994 made his first feature film at age 24, and his latest film (The Lost City of Z) is hitting theater this month. But in the recent article Jame Gray and the Struggle of the Middle-Class Filmmaker he lays out the difficulties beyond student loans and getting movies made:

“You know, people assume that because I’m a director, I make tons of money. I am struggling financially. Now, I’m very lucky I get to do what it is I want to do. I’ve made, good or bad, very uncompromising movies, the movies exactly that I wanted to make, and that’s a beautiful gift, so I’m not complaining about that. But I struggle. I have a hard time paying my bills. I’m 47 years old, I live in an apartment, I can’t buy a house. If I were coming of age in 1973, I would be in Bel Air. The whole reason for this is…the middle is gone. So now you have franchises, and you have, ‘I made a movie on my iPhone.’ This is the economic system in a nutshell, right? Five directors make Marvel, and then there’s the rest of us who are trying to scrounge around to find the money to make films.”
Director James Gray (The Immigrant)
Vulture article by Kevin Lincoln (4/14/17)

P.S. The most read post I’ve ever written on this blog over the years is the 2009 post How Much Do Screenwriters Make? It’s not a perfect post, but I think it’s a fair reality check and discussion starter. By the way, if you read that post and would like to clarify how writers (and how much) working writers are paid—from Hollywood to Nollywood—shoot me an email at info@scottwsmith as I’d like to clarify the process and reality as much as I can for others.

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Screenwriting Quote #189 (James Gray)
‘The Immigrant’

Scott W. Smith

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The Immigrant is one of those rare, strikingly beautiful film experiences that transport you to another world.”
Colin Covert
Minneapolis Star Tribune

“[The Immigrant] earns its dissonances. It’s richer than anything onscreen right now.”
David Edelstein
Vulture

In light of the extravaganzas X-Men:Days of Future Past and Godzilla pulling in $120 million over the weekend, it’s nice to know that I’m not the only voice in the wilderness talking about The Immigrant which is also in theaters now. This film works on every level you can demand of cinema. Directed by James Gray from a script he wrote with Ric Menello, the film stars Marion Cotillard, Joaquin Phoenix and Jeremy Renner.

At one point I’m pretty sure Phoenix was tapping into his inner-Terry Malloy (Marlon Brando) from On the Waterfront. I don’t think The Immigrant will win 8 Oscars like the Elia Kazan/ Budd Schulberg/Malcolm Johnson 1954 classic film—but I imagine you’ll see it receive a few Oscar-nominations.

May 29, 2014 Update: “James Gray’s ‘The Immigrant’ is the best movie in theatres right now, a work of nuanced writing, eruptive emotion, and vast psychological complexity.”
Richard Brody
The New Yorker

Scott W. Smith

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