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Posts Tagged ‘It Never Rains in Southern California’

“If you’re just some dude or dude-ette from Oklahoma with a dream of seeing your name in lights, know that you’re one of millions.”
Internet post by leinbl00

“I graduated with an MFA from UCLA. The odds I heard were that only 1 in 5 of us would have any appreciable career. I graduated 5 years ago. I’m the most successful (so far) in my class, with one script bought and made, one webseries delivered to the web and one further indie feature that I co-produced now reaching the festival circuit — but all my success only puts me on the lowest tier of the Hollywood game. I’m still struggling… I’m still broke.”
Internet post by Riter

This morning I came across an exchange on Reddit (via the blog Complications Ensue) and I’m not sure of the original source, but I found it interesting. This was the original question posted somewhere online:

Q.) I was just wondering what it’s like being a struggling writer in LA. What’s the day to day life like? How do you make ends meet, do you wait tables at night and write during the day? I’m not asking specifically for people who have sold scripts, but anyone who is really struggling to find work in the business, or has already.

Here is the abridged “realistic but not quite cynical” answer from a longer thread by  someone who goes by kleinbl00;

“I’ve optioned two scripts. I’ve made enough money at it to be ineligible for the Nicholl. I’ve seen some of my work show up on the big screen. I count among my friends some exceedingly pro screenwriters, a few struggling directors, a couple producers, and storyboard artists, makeup artists, art directors and concept designers whose work you have seen dozens of times. I’m hip-pocketed at one of the Big 5 and have, in the past, had offers of representation by managers you see prominently on the Black List.

I make ends meet by mixing sound.

If you’re a screenwriter with a hope and a dream out there in Middle America, STAY THERE. The screenwriting-as-hobby sphere of influence (lookin’ at you, Austin Film Festival) will have you believe that “if you write it, they will come.” What they don’t tell you is that USC, UCLA, Cal Arts, Loyola, AFI, Claremont and half a dozen smaller programs are turning out hundreds of grads a year, who already have the connections you need to make, who have already learned the lessons you need to learn, and are already going to the parties you wish you could attend.”

What’s it like being a struggling writer in LA? It’s like being one goose in an unwanted sea of geese. When there’s just a few of you you’re magnificent, marvelous birds… but when there’s as many of you as there are in LA, it’s like being a public health menace and knowing it.

My intent, when I made the move down to LA, was to get into the Peter Stark Producing Program at USC. And I got a 1530 on my GREs, and I’d written 5 screenplays, and I had a letter of recommendation from one of the biggest screenwriters in modern Hollywood, and they told me to pound sand. I was good’n’pissed about that for a while.But I came down and I started mixing and I landed on a pretty big show. And the guy who changed the coffee and made sure we had enough snacks in the breakroom and did whatever scut work the producers told him to do? MFA, Peter Stark Producer’s Program, USC.*

And with that cue Albert Hammond‘s great and timeless song It Never Rains in Southern California

Bottom line—Don’t Waste Your Life, and don’t bitch about how hard it is to sell a screenplay until you’ve invested 10,000 hours in writing, and know that every once in a while someone in the fly-over states actually separates themselves from the rest of the geese.

* Don’t bet against the USC person who spent $100,000 on his MFA and is currently working 18 hours days on a set making minimum wage. He or she is not unemployed, they are educated, and they’re making plenty of contacts—and I’m guessing he/she is hungry and has passion. (And with overtime still brings home enough a month to more than cover their part of the rent of the small apartment they share with other PAs in Koreatown.)

Scott W. Smith


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