Until last Saturday afternoon I was unfamiliar with the name Kate Whoriskey. By the time the afternoon turned to evening I was sure that everyone would eventually become familiar with the name Kate Whoriskey. Whoriskey directed Lynn Nottage’s Pulitzer Prize-winning play Ruined which just finished its run in New York. She’s been called “one of the most admired directors in the American theatre today.”
Whoriskey comes with solid credentials with an ungraduate degree from NYU and an MFA from the American Repertory Theater at Harvard (A.R.T.). After graduating from A.R.T. in 1998 she soon directed Ibsen’s The Master Builder. She’s directed plays in in Louisville, Utah, Alaska, Chicago as well as various theaters in California and New York.
She recently has been appointed as the artistic director of the Intiman Theater in Seattle beginning in 2011. She has said that one of the reason to move from New York to Seattle is to escape commercial pressures of the New York theater scene as well as for more aesthetic freedom. (Maybe I should start another blog—”Playwriting from Iowa…or wherever you live outside New York.”
Whorisky’s role was not simply directing Ruined but helping Nottage in her research including traveling with her to Uganda to interview women who had been raped and abused in the Congo. It was an experience that had a profound effect on Whoriskey and she later told NPR:
“They were all beautifully dressed, these 15 women, so colorful and beautiful. And then we heard these stories. And the stories were devastating, and to hear them back to back. … I didn’t actually recognize that rape had such physical consequences. I always thought of the psychological, but not the physical consequences. It was hard to hear, over and over, how ruined these woman’s bodies were.”
To watch a short video with Kate Whoriskey and Lynn Nottage visit Charlie Rose “A conversation about the play Ruined.“