“I picked a difficult subject, a little lost Texas town no one’s heard of or cares about … But I’m at the mercy of what I write. The subject matter has taken me over.”
“What Foote knew was Wharton (Texas). By now, he was in New York, but everything he had learned about life had come from Wharton — all the eccentric characters he’d grown up around, the stories his loquacious aunts had told in order to pass the time, the family legends. His memories were and are strings of oral histories born from the triumphs and failings of the Texans he knew.”
Writer Horton Foote died a few days ago, but his writings will live a long, long time. And though he was born and raised in a small town in Texas that was never a hindrance— it was his greatest inspiration.
In 1962 he won an Oscar for the screenplay adaptation for To Kill A Mockingbird. That alone is enough to be remembered by. Here are a couple things to consider about that movie:
Atticus Finch, played by Gregory Peck, was voted the #1 hero in AFI’s Top 50 heroes and top 50 villains
The film is listed as #34 in AFI’s 100 Greatest American Movies of All Time
In 1983 Foote won another Oscar, this time for Best Original Screenplay, for Tender Mercies.
Foote was awarded a Pulitzer Prize in 1995 for his play The Young Man from Atlanta (which also was nominated for a Tony).
Foote won an Emmy in 1997 for best writing for a TV miniseries or special for Old Man, (which was based on a novella by William Faulkner).
He also had several plays on Broadway and off-Broadway. Horton Foote was brilliant. Horton Foote was accomplished. But Horton Foote paid his dues. In Malcolm Gladwell’s book Outliers he says that it takes an artist 10,000 hours to have a firm grip on his craft. (He uses Mozart and the Beatles as examples.) It is talent, but it is also a numbers game. And those numbers are hours and hours, year after year of learning one’s craft.
Foote’s set out to be an actor and studied at the Pasadena Playhouse and in New York. He wrote his first play in 1940 when he was 24 years old. But it would be another 13 years before you’d find a play he wrote that most people today would recognize, A Trip to Bountiful. (And at that point, counting his acting experience he had invested 21 years in theater.) When he started to write for the TV program Playhouse 90 in 1956 Foote was 40 years old. When he won the Academy Award for To Kill a Mockingbird he was 45-years old, and when he won his second Academy Award 67-years old, and 79-years old when awarded the Pulitzer Prize in 1995, and 81-years old when he won his Emmy in 1997.
He continued to write until he died and was quoted not that long ago saying, “I can’t quit (writing) I woke up last night at 1:30 and had to get up and write. It’s compulsive.”
Horton Foote is that tall tree in the forest that didn’t sprout up overnight. Here are some of his quotes:
“But I don’t really write to honor the past. I write to investigate, to try to figure out what happened and why it happened, knowing I’ll never really know. I think all the writers that I admire have this same desire, the desire to bring order out of chaos.”
“I knew little about adapting or writing for the screen.”
“When you’re a writer, you have to write these stories, even if you don’t get paid.”
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