“I don’t know if any studio would make Butch Cassidy today.”
When I was a kid there was a place in Florida called Six Gun Territory that was an old west theme park near Ocala. They had a rail road, a saloon complete with can-can dancers, old-time photo studio, and most importantly they staged bank robberies and shootouts in the street. I still remember being around 9-years-old and the feel and the sound of walking on the gravel streets wearing cowboy boots.
I have many fond memories of that place and even shot my first 16mm film there. I remember ending that film paying homage to The Great Train Robbery by ending with a shot of a gunfighter shooting into the camera for no other reason than I thought it looked cool.
Every time I watch the opening scene of Butch Cassidy and the Sundance Kid I think of Six Gun Territory. I don’t know if that was the first movie I ever saw set in the old west but I know it’s the one I go back to the most. It’s also the second highest rated western (after High Noon) on AFI’s top 100 films (1997) joining just a handful of other Westerns that made the list (Shane, Stagecoach, The Wild Bunch, Unforgiven).
Paul Newman and Robert Redford speaking screenwriter William Goldman’s words—that’s great stuff. It took Goldman eight years to write the script which paid him a record fee up to that date of $400,000. He also took home the Oscar for the 1970 film.
I sometimes watch favorite films with the sound off to get a different perspective. The movie holds up well without the great banter (“Think you used enough dynamite there Butch?”) With the sound off you follow the story easily and it plays as a visually stunning action film. (Though personally I could do without the trendy zoom lens shots.)
On this viewing I also realized that it perfectly matches Goldman’s “stay with the money” theory. Studios pay actors a lot of money, because audiences pay money to see stars. How many scenes do you think there are in Butch Cassidy and the Sundance Kid that don’t include Butch Cassidy (Paul Newman) and/or the Sundance Kid (Robert Redford)? The grand total is…zero. In fact, there is one scene where the town’s men talk about what to do about these bank robbers, and it’s more humorous by having Butch and Sundance listening to the discussion from a hotel balcony. Stay with the money.
“The essential opening labor a screenwriter must execute is, of course, deciding what the proper structure should be for the particular screenplay you are writing. And to do that, you have to know what is absolutely crucial in the telling of your story—what is its spine? Whatever it is, you must protect it to the death…(The theme of Butch Cassidy & the Sundance Kid is) times are changing, and you have to change with them—if you want to survive.”
Adventures in the Screen Trade
If I recall my philosophy class correctly, it was Heraclitus who said a long, long time ago that “you can’t step in the same river twice.” I think the times are always changing and that’s a good thing to realize. It was true of the old west, and it’s true of the new west, the Midwest, Key West—wherever you live. “The times they are a-changin’.”
By the way, Six Gun Territory pre-dated Disney World but closed in 1984. The land where it sat is now a strip mall. If you want to survive….