Feeds:
Posts
Comments

Posts Tagged ‘Garrison Keillor’

Lake Wobegon 0463

I confess that when I was in my early 20s and was given some cassette tapes featuring Garrison Keillor I totally did not get his appeal. But somewhere on a long road trip I’m sure (as well as a few more years of life lived) I stumbled upon A Prairie Home Companion on some remote public radio station and the light went on. I’ve been a fan ever since. Now I search for him on whenever I’m driving on the road any given weekend.

A few days ago I had the opportunity to see A Prairie Home Companion preformed lived and it’s much better than the movie. And even more enjoyable than listening on the radio while on the open road. I recently found on the Public Radio website a question posed to Mr. Keillor by an aspiring writer in Chico, California asking for some writing advice. Here is part of his advice:

“If I were a California writer, I would try to describe this sense of easiness and perhaps tie it to the landscape and the climate. I’d write about people in love with their home. But they must deal with the same troubles that afflict other humans, and not only mudslides, earthquakes, and brush fires, but also the dreadful problem of indifference. Spiritual listlessness, what is sometimes included under Sloth, or Acedia, in the Seven Deadly Sins. The inability to carry out one’s duties. Not an easy subject, indifference, but it’s very much part of most good crime novels. Injustice is supposed to arouse us from indifference: an essential test of our humanity. And indifference is the prime target of satire.”
Garrison Keillor

Read Full Post »

Prairie Home Companion

Saturday afternoon & evening in the Twin Cities I was able to pack enough fun into about a six hour period to last me for the rest of the year. I was in Minneapolis to attend Emmy Night for the Upper Midwest Chapter of the National Academy of Television Arts and Sciences. But I also saw over in St. Paul that  A Prairie Home Companion with Garrison Keillor was kicking off their season opener and I thought that would be great to see live after listening to the show a long time before I moved to Lutheran territory here in the Midwest.

The show was sold out but I was hoping to get a couple rush tickets. Worst case scenario, they were piping audio of the show live outside in a street celebration that included a meatloaf supper and a street dance. I literally got the last seat as the couple in front of me generously passed on account that they both couldn’t get in and my wife was already inside.  (They call it Minnesota nice for a reason. Yah, you betcha. And what a great seat it was as it’s where I took the above photo.)

So I was able to see The Sam Bush Band, Connie Evingston, Sarah Jarosa, and Garrison Keillor and his gang perform. Complete with a Guy Noir skit, The News from Lake Wobegon, and a Powedermilk Biscuit Break. Good stuff. And the 1,100 seat Fitzgerald Theater, which is celebrating its 100th anniversary in 2010, is beautiful and a great place to watch Keillor work his magic.

Fitzgerald Theater Sign 0443

Overall the show and the venue reminded me of the Grand Ole Opry which I was able to catch years ago while traveling through Nashville.  I remember hearing Keillor once saying that the Opry was an early inspiration for his show.

Yesterday was also significant in that it was Keillor’s first show since he suffered a minor stroke just a few weeks ago.  I don’t know how much Keillor has written over the years (and I doubt he does) but the 67-year old began his broadcasting career while a student at the University of Minnesota, where he graduated in 1966 with a degree in English. He’s written everything from radio programs, short stories & novels, poems & sonnets, songs & essays and a screenplay.

He appeared in the Robert Altman directed film version of  A Prairie Home Companion and was the voice of Walt Whitman in 9 episodes of the Ken Burns PBS film The Civil War. And on top of all that work Keillor also hosts The Writer’s Almanac, a daily radio program and podcast. He was inducted into the Radio Hall of Fame in 1994. He’s had quite a career since being born in Anoka, Minnesota in 1942. (So all you creatives outside New York and L.A. keep that in mind. Great things from small places is what this blog is all about. I never get tired of telling people that Bob Dylan was from Hibbing & Duluth, Minnesota.)

When the Keillor show was over I had to zip over to downtown Minneapolis to the Pantages Theater for Emmy Night. The Pantages Theater was built in 1916 and renovated in 2001/2002. I was up for two Regional Emmy Awards and ended up winning one for location lighting on a commercial I produced and shot. What a thrill to accept the award on the same stage that used to stage vaudeville performers when it first opened and in a theater that used to play movies starring Rita Hayworth and a host of other Hollywood movie stars over the years.  Thanks to Teresa Vickery and all the people working behind the scene who moved the venue and helped pull off the Emmy Awards this year. And congrats to all the winners.

Scott Emmy 09 0445

Yes, Saturday September 26 goes down in my book as one nice day in Minnesota.

(Apparently there was a little magic still in the air Sunday as 40-year-old Bret Farve tossed a 32-yard game-winning touchdown with just two seconds remaining in the game to give the Minnesota Vikings a victory in Farve’s debut regular season game in the Metrodome in Minneapolis. Is someone writing scripts for the NFL?)

And just a word of caution for those working on writing screenplays— Keillor had said around mid-summer when asked if he was going to make another movie, “I’m working on a screenplay now, a fragile love story set in Lake Wobegon, and want to finish it before Labor Day.  And then we shall see.” I don’t know if he finished that screenplay on time, but he did have his stroke on Labor Day.

Update 9/28/09: One regret I have in my years of living in Burbank was never going to see a taping of The Tonight Show with Johnny Carson. Keillor has that kind of iconic clout and if you enjoy his program this would be a good year to buy tickets for A Prairie Home Companion. (For the ’09/’10 season they will record the show live from St. Paul, MN, Bismarck, ND, Des Moines, IA, New York, NY, San Francisco, CA and Atlanta, GA.)

Scott W. Smith


Read Full Post »

And the winner is… Minnesota.

Minneapolis Convention Center

If someone wanted to make a point about talent coming from outside Hollywood the 80th Academy Awards would be a great place to start. (The above photo is not from the Oscars but gave me an excuse to highlight the Minneapolis Convention Center from a production I worked on a couple years ago.)

I can’t recall a more eclectic (and foreign) group of winners than this year’s Oscar winners. Has Hollywood has caught on to outsourcing? And as far as screenwriting is concerned this year’s Oscar’s were distinctly Midwestern, specifically Minneapolis, Minnesota.

First Joel and Ethan Coen who began making films in the Minneapolis suburb of St. Louis Park won for best adapted screenplay for No Country for Old Men.  And then Diablo Cody won best original screenplay for Juno. Congrats to all three.

I couldn’t be more happy for them because they are at the core of what Screenwriting from Iowa is all about. True it’s not called Screenwriting from Minnesota, but that wouldn’t cause any snickers or even raise any eyebrows would it? But both Iowa and its connected neighbor to the north represent a place far from Hollywood.

For the curious, the drive from my office in Cedar Falls, Iowa to downtown Minneapolis takes 3 ½ hours, unless you stop at the Spam Museum in Austin, Minnesota near the border. (If you stop in Forest City for the Winnebago tour as well it’s a full day trip.)

When the Minneapolis Star Tribune picked Cody as “Artist of the Year” last year they said that, “she became a professional writer for City Pages and banged out Juno in the Starbucks annex at the Crystal Super Target.” Though raised in the Chicago area and a graduate of Iowa Cody said, “I became a writer in Minneapolis; that’s why I call myself a Minnesota-based writer.”

The Coen Brothers gave a nod to Minneapolis when they won their third Oscar for the night for Best Picture (they also picked up best director). Joel talked about when they were running around as kids making 8mm films like Henry Kissinger; Man on the Go then said. “What we do now doesn’t feel that much different from what we were doing then.”

They have slowly built a wider and wider audience with their quirky film style beginning with Blood Simple in 1984, through Raising Arizona, Fargo and O Brother Where Art Thou? Their Oscar sweep was impressive but they also made the only film to win the Palme d’Or at Cannes along with the Best Director and Best Actor awards for Barton Fink. They are American originals.

Speaking of America, I think JC Penny’s creative team hit a home run with their Oscar commercials introducing the American Living brand featuring the song “Killing the Blues” by Robert Plant & Alison Krauss. I’m not sure I’ve been in a JC Penny since I was nine but I’m ready to go back. (And they get bonus points for the barn shot. Everyone knows you can’t show/sell Americana without a barn shot.)

juno-1.jpeg

Another American original is Cody who has been mentioned on just about every blog I’ve written. There’s a good reason. This blog began as a response after seeing Juno in January. In fact over the weekend Screenwriting from Iowa turned one month old and I must thank Cody for the nudge.

My notes on film had been collected over a 20-year period and were just looking for a place to blossom. I began giving screenwriting workshops in 2004 and approached a publisher at the end of ’07 about the concept of Screenwriting from Iowa.  A chapter was requested, then another until I had sent him four chapters. Ultimately the deal didn’t happen but I spent a good deal of last December continuing to write the book.

Then in mid-January I saw Juno and was blow away by the movie. I read that Cody had attended the University of Iowa and was discovered while blogging and I just kind of put two and two together and jumped into the blogging world.

May all you bloggers be encouraged by what Cody told Wired magazine about her unusual rise to fame, “It’s been fun, and I’m enjoying it while I can. I think there’s room for more talented bloggers to break into Hollywood. It seemed like a fluke when I did it, but I won’t be the last blogger to have a film produced. There are so many talented people that exist in the marketplace. So don’t look for a plan. Put your blog into the world and hope that your talent will speak for itself.”

The response based on the  Word Press stats chart and links to this site have kept me pumping these out and I hope the comments have been helpful. I also hope the  contents can be in book form by this summer.

So I not only thank Cody for the inspiration but to everyone for stopping by. My goal all along is to inspire screenwriters and filmmakers who feel like they are in the middle of nowhere. Now that Cody has an Oscar on her shelf (along with the indy award she received the night before) she can get back to her day job working on The United States of Tara for Steven Spielberg.

“I feel like I’m living The Wizard of Oz,” Cody said. “There was a day when I cracked a door open and everything was Technicolor. It was a very frightening place but a very beautiful place, too, as Dorothy says.”

I’m glad she mentioned The Wizard of Oz because when you come up I-35 from the south and begin approaching downtown Minneapolis about an hour past the Iowa border you’ll see downtown appearing on the horizon like the Emerald City.

I’ve always wondered if Minneapolis was the inspiration for Frank Baum’s The Wonderful Wizard of Oz book series. Baum spent time in Aberdeen, Dakota Territory (now South Dakota) and that’s said to be the inspiration for Dorothy’s Kansas. So it’s possible he came off the flat prairie land into Minneapolis on his way to Chicago where he would eventually write his wizard books. Regardless The Wizard of Oz movie– many people’s favorite all-time film, has its roots in the  Midwest.

Minneapolis’ twin city St. Paul is where Charles Schulz was raised created Charlie Brown and the Peanuts gang, and where Garrison Keillor’s Prairie Home Companion is recorded when he’s not on the road.

Over the last couple years I’ve been able to do several video productions in the Twin Cities and they have a solid production base of rental equipment houses, studios, talent as well as a thriving music scene. It’s always fun to work with people who’ve been involved with shooting Prince’s music videos at his studio Paisley Park or on the films Grumpy Old Men, The Mighty Ducks, and Fargo.

Creativity flows from the music scene in Minneapolis as well as the more than 100 theater venues (in fact, they have more seats per capita than any other U.S. city outside New York. “Cutting edge museums, arty hotels and edginess expand Minnapolis’ cool culture reputation..over the past two-year Minneapolis has taken its underground cultural destination status to a new level. (USA Today Dec. ’06)

Minneapolis Sculpture Garden

(I took the photo of The Spoonbridge and Cherry artwork by Clas Oldenburg & Coosje van Bruggen  at the Minneapolis Sculpture Garden)

In The Guerilla Film Makers Handbook (Genevieve Jolliffe & Chris Jones) Gail Silva mentions the production scene in New York and San Francisco but adds, “If I had to go anywhere else I’d go to Minneapolis & St. Paul. There is a chapter there of the IFP (Independent Feature Project) where they’re more like the Fine Arts than anywhere else and they’ve been able to do incredible things, including funding films. They have a fund that they got  through the State Legislature fund features.”

Let’s not forget that The Mary Tyler Moore show was based in Minneapolis. It also has long history in advertising and I’m told where the Jolly Green Giant and  Betty Crocker were created.  Rocky & Bullwinkle and Paul Buyan also have a Minnesota roots as does Academy Award winning actress Jessica Lange, Winona Ryder, Josh Harnett and iconic figures  J. Paul Getty and Charles Lindbergh.

I don’t know if there is something in the water in Minnesota but I have to conclude that long streches of cold weather warp the mind and are fertile ground for screenwriters, musicians, actors and filmmakers. Terry Gilliam who co-wrote Monty Python and the Holy Grail as well as co-wrote and directed Brazil was born in Minneapolis.

And concluding our connecting the Oscars with Minneapolis let’s not forget to mention Cate Blanchett’s nomination for Best Supporting actress for playing Bob Dylan in “I’m Not There.” Dylan was raised in Duluth and  the small mining town Hibbing, Minnesota, but began his rise on the music scene in the Dinkytown area of Minneapolis.

I don’t think the spotlight on Minneapolis is going to fade anytime soon. In fact, right now I’m sure there are screenwriters fighting to write in the exact spot at Starbuck’s where Cody wrote Juno.

Photo & Text Copyright 2008 Scott W. Smith

Read Full Post »

%d bloggers like this: