“A hero who has no faults probably doesn’t have much of a personality.”
Therese Walsh Interview
“I had an idea that I thought would be a good vehicle for Jagger and Bowie. I remembered an old movie from the early ’60s with David Niven and Marlon Brando playing con men competing with each other. So I called her (Gail Davis at Bowie’s production company) back and told her the story: David Niven is a gigolo-con artist who works the French Riviera pretending to be a deposed prince trying to raise money for an anti-Communist freedom fighters. Rich, middle-aged American women are eager to support his cause and take him to bed.
On a train, Niven runs into Marlon Brando, an arrogant nickel-and-dimer who’s hitting on women for lunch and a few francs with a sob story about his sick grandmother. Brando begs the master con for lessons, but soon thinks he’s surpassed his teacher and starts to work Niven’s territory. To get rid of Brando, Niven agrees to a bet. They’ll find a rich woman, and the first man to extract $50,000 from her is the winner; the loser must leave town.”
Screenwriter Dale Launer
Premiere January 1989
That movie was Bedtime Stories and released in 1964. Jagger and Bowie never made the remake. But Launer got the rights and wrote the script that was an Eddie Murphy vehicle for a while before becoming a hit movie featuring Steve Martin and Michael Caine.
Launer followed the success of Dirty Rotten Scoundrels with the hit My Cousin Vinny, for which Marisa Tomei won an Oscar for Best Supporting Actress. And I believe Love Potion No. 9 (1992), which Launer wrote and directed, was Sandra Bullock’s first starring role in a feature. A few years ago he sold the spec script Bad Dog to DreamWorks for $3 million, but it has not been produced.
Original credited writers of Bedtime Stories were Paul Henning (1911-2005) who worked as a producer of hundreds of TV shows including Green Acres, The Beverely Hillbillies, and Petticoat Junction, along with Stanley Shapiro who won an Oscar for the 1959 Doris Day/Rock Hudson film Pillow Talk.
And in case you wondered if a remake of the remake is due since it’s been more than 20 years since the release of Dirty Rotten Scoundrels—a couple years ago there was talk of a female version of Dirty Rotten Scoundrels being in the works. (And a musical version of Dirty Rotten Scoundrels had a 626 performance run on Broadway a couple of years ago.)
Lauder has a website (www.dalelauner.com) with various articles about writing and digital filmmaking.
Dirty Rotten Scoundrels is a fun film and is a nice bookend to The Sting for you to view if you’re writing a script about con-men or con-women. Here’s the trailer from the film which Roger Ebert reviewed as, “Caine goes the high road, with visual and verbal humor. Martin does more pratfalls than in any of his movies since “The Jerk,” and he has one absolutely inspired scene in a jail cell.”