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Posts Tagged ‘Dwayne Johnson’s’

“The internet is a miraculous things. Just share as much as you can, self-publish, blog, podcast whatever you need to do. Just make sure you are not withholding your gifts from the world. Because you have so many opportunities now….We’re in a new frontier.”
Diablo Cody

Today marks the 12th anniversary of Screenwriting from Iowa … and Other Unlikely Places.  The original goal was to take a year and blog a book. I failed that task—but there’s still hope. And at least in the first year the blog won a regional Emmy so that was a nice tradeoff. (See the post Juno Has a Baby.)

And I got a nice shout-out from screenwriter Diablo Cody when she was on Twitter back in the day. Her Oscar-winning  Juno script and Midwest background were a large part of starting this blog, and she’s been featured in many posts over the years. I think her tweet was a response to my 2010 post Screenwriting’s Biggest Flirt.)

Diablo Cody Twitter copy copy

After chipping away at the book for a decade I thought I was close to finishing it about a year ago. I turned it over to an editor who did what good editors do. His suggested changes and comments totaled 3,000. One of his biggest challenges to me was not to copout saying it was a book cobbled together from random blog posts, but to make a book that stands on its own. So that’s what I’ve tried to do the past six months and believe the finished product is elevated greatly because of the changes. More in coming weeks about the book’s release.

change

But seeing those edit notes was a blow. Like thinking you at the end of running a marathon only to be told, “Oh, this isn’t the finish line, you still have 10 miles to go.” It took me three months just to wrap my head around doing a deep pass on the 225 pages. Now I’m down to a dozen changes so I’m hopeful that I will finally get the completed version of Screenwriting with Brass Knuckles out by March of this year.  At least, that’s the new goal.

In the meantime, I thought I’d share my introduction to the book which happens to mention actor Dwayne Johnson’s father—the former pro wrestler Rocky Johnson— who died last week.

Screen Shot 2020-01-23 at 4.37.21 PM

 

PREFACE
(For the book Screenwriting with Brass Knuckles  by Scott W. Smith)

“I wasn’t born knowing how to write a play.”
—Sam Shepard, Pulitzer Prize winning playwright

“How did I learn screenwriting? It was a matter of years of trying to develop my writing in the same way that some people spend years learning to play the violin.”
—Screenwriter Frank Darabont (The Shawshank Redemption)

In the ten years of writing the blog Screenwriting from Iowa . . . and Other Unlikely Places, I’ve found advice and insight on the creative process from more than 700 gifted screenwriters, filmmakers, and teachers. I realized that I could consolidate some of this material as a book, revising and reorganizing it in ways that I thought would be most helpful to people’s creative journeys. I want these ideas to function like brass knuckles in an old-school professional wrestling match.

I don’t know if Aristotle ever used brass knuckles, but they are said to have been around since the ancient Greeks. Abraham Lincoln’s secret service men carried brass knuckles. And legend has it that brass knuckles were Al Capone’s favorite weapon.

The term “loaded fist” in Japanese martial arts refers to a martial arts version of brass knuckles that can turn a punch into a sledgehammer. As a troubled youth in Hong Kong, Bruce Lee carried brass knuckles, giving a twist of meaning to his trademark movie Fist of Fury.

Today brass knuckles are brandished in popular video games and music videos. Spike Lee even wore brass knuckles to the 2019 Academy Awards.

My introduction to brass knuckles was watching professional wrestling on TV as a kid. This was not the high-dollar spectacle of today but the low-budget version, usually taped in a small studio in Tampa, Florida.

Actor Dwayne “The Rock” Johnson’s father, Rocky Johnson,* was a wrestler in the pre-WWE era when professional wrestling was more regionally orientated and the bag of tricks (and storylines) was more limited.

This was at a time in my youth when I didn’t know if professional wrestling was real or not. What I did know was that professional wrestling had a cast of characters with colorful names like Abdullah the Butcher, Dusty “The American Dream” Rhodes, and Andre the Giant, and it was flat out entertaining.

Inevitably, when one wrestler was getting beat up and close to losing a match, brass knuckles would magically appear (and oftentimes un-magically when he reached into his wrestling trunks and pulled out brass knuckles).

The announcer Gordon Solie would say something like, Wait a minute, what’s he have in his right hand? It looks like a foreign object. Oh no, it looks like a pair of brass knuckles!

At the last minute, this would give the almost beaten wrestler an upper hand in the match. It would result in not only a victory for the trickster but also in a bloody mess. For a ten-year-old boy this was as good as a vampire movie.

My goal with this book is not to create a bloody mess, but to offer the equivalent of brass knuckles for writers — screenwriters in particular. Ideas found in this book can serve as powerful resources in urgent moments of desperation—or to avoid those moments altogether.

By “screenwriting” I mean any screen: the big screen, TV, computers, tablets, mobile devices, virtual reality, video games, and even some non-screen dramatic writing such as theater and podcasts.

This book will not substitute for a good writing teacher or mentor, but it can give you some valuable ideas to hang on to, “foreign objects” thrown into the ring as you struggle to craft and sell your own stories.

*Rocky Johnson was actually the 1976 NWA Brass Knuckles Champion.

Related post:
Hitting Rock Botton with The Rock (And my very loose University of Miami football connection with The Rock.)

Scott W. Smith

 

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