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Posts Tagged ‘Doug Miro’

What are the odds of two people being born on the same day in the same year, meeting in second grade in a Detroit suburb and growing up to be not only best friends but screenwriting partners in Hollywood? And add to the mix that this summer that this writing duo will have writing credits on two big budget films in theaters that were produced by Jerry Bruckheimer?

The odds may be astronomical—up there with the Detroit Lions winning the Super Bowl next year— but that’s the short story of screenwriters Doug Miro and Carlo Bernard. And I have to think there are some good Midwest sensibilities at work here. After college, Miro and Bernard ended up in L.A. working as production assistance for Chicago native Michael Mann on some high-profile films. (The Insider, Heat. The Last of the Mohicans.)

Patrick Goldstein of the LA Times writes of that experience;

“They credit it as a hugely influential experience, since if you worked for Mann, you not only saw a world-class filmmaker at work but got to read every great script in town. Writing at night and early in the morning before work, they penned “Motor City,” a film noir script set in 1950s Detroit. It sold to George Clooney’s Section 8 production company. It was never made, but it became an important calling card for the duo.”

Their work eventually got the attention of Bruckheimer, who like the duo, is originally from Detroit. Maybe it has nothing to do with their success, but don’t underestimate the bond of a school or city when you are strangers in a strange land. How many people in L.A. can talk about Lions, Tigers and Red Wings with Jerry?

Before when I’ve written about the importance of networking I’ve mentioned  a freelance editor I work with here in little Cedar Falls, Iowa who did an internship last summer with Entertainment Tonight that was set up by Mark Steines. Every year Steines provides internship opportunities for three students from the University of Northern Iowa where he started his journey in broadcasting. And now that I think about it, Bruckheimer also used two screenwriters from Michigan (Jack Epps Jr. and Jim Cash) way back on Top Gun.

And Miro and Bernard’s writings also connected them with another former Midwesterner, a fellow from Cincinnati named Steven Spielberg.

“We wrote a script he liked and he called us, and I think we still have that on our answering machine somewhere. Like ‘Steven would like you to come in and meet with him.'”
Doug Miro

Miro and Bernard ended up writing two scripts for Spielberg’s Tintin based on the comic strip The Adventures of Tintin by Belgian artist George Remi who wrote under the pen name Herge. While Tintin is not that well-known in the United States, the comic strip and its film, theater, TV and radio adaptions are a cultural phenomenon in Europe. Below is a video where Miro and Bernard talk about collaborating with Spielberg.

(Note: Sorry, that video dispeared this morning as I was writing about it. But basically they said it was cool to kick ideas around—and talk about Raiders and Jaws—with Spielberg at his house. But try Collier.com for a video where Miro and Bernard talk about working on Prince of Persia.)

So two more writers from Michigan doing well in Hollywood. Hat tip to Scott Myers over at Go Into the Story for the orginal LA Times link about Miro and Bernard.

Related post: Screenwriting from Michigan
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