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“Stop making the same, safe, soul-less movies and TV shows.”
Part of a memo from the Sony Pictures leak

“We have a new paradigm, a new reality, and we’re going to have to come to real terms with it all the way down the line.”
George Clooney on the Sony hack and canceling of The Interview release
Deadline Hollywood December 18, 2014

Did you get the memo? If not, maybe that’s because the Sony hack was reportedly 100 terabytes of information. A massive tidal wave of information that if was just in paper form would probably take a lifetime for one person to read it all. (Among the information is said to be 47,000 social security numbers.)

My first thought when I heard the news (with a group called Guardians of Peace taking credit) was something an old boss of mine used to repeat often—”There are no secrets.”

I’m waking up, I feel it in my bones
Enough to make my systems blow
Welcome to the new age, to the new age
Welcome to the new age, to the new age
Radioactive lyrics

I do believe that—as George Clooney basically said, and as the Carpenters used to sing— “We’ve only just begun.” Now an unnamed person or group (many believe connected to North Korea, though the government has denied) has taken the next step and threatened further damage to Sony Pictures if they released their movie The Interview—a comedy about a mission to kill the leader of North Korea—and any moviegoers who watch the film in theaters. The December 25 film release has been canceled.

Welcome to the new age, to the new age
Welcome to the new age, to the new age

There has been much speculation about how the leak—and last month’s shut down of Sony’s website—could happen without some Sony—or former Sony—insider. (To paraphrase Shakespeare, “Hell hath no furry like an employee scorned.”) Perhaps we’ll never know the intricate mysteries behind the hack, but some of the information from it has been interesting.

My favorite line being a plea to, “Stop making the same, safe, soul-less movies and TV shows.” And this extended thought:

“Perhaps it’s a generational thing, but I’ve been disappointed with the content of some of the films we’ve been producing lately. I don’t think people who know me would consider me a prude, but the boorish, least common denominator slate strikes me as a waste of resource and reputation. ‘I think the mirror should be tilted slightly upward when it`s reflecting life — toward the cheerful, the tender, the compassionate, the brave, the funny, the encouraging, all those things — and not tilted down to the gutter part of the time, into the troubled vistas of conflict’—(actress/philanthropist) Greer Garson 1990. I think that quote could be adapted to apply to the base elements of some of the films we produce.”

I’ll leave to authorities to sort out the legalities of the hack, and to the pundits dealing with the ramification of Sony Pictures canceling the December 25th release of The Interview. But my charge to all screenwriters and film and TV producers is, “Stop making the same, safe, soul-less movies and TV shows.”

Of course, one could say Sony didn’t take the safe road producing a film that depicts the killing of the leader of North Korea. And I’ll defend Sony Pictures all day long with its AMC productions Mad Men and Breaking Bad. Neither of which were the same, safe, or soul-less. I don’t know the date of the “soul-less” memo—maybe it’s what led to taking a chance with creators Matthew Weiner and Vince Gilligan.

And lastly, while I haven’t seen it yet, there doesn’t appear to be anything safe or soulless about Sony’s recent release Whiplash, written and directed by Damien Chazelle.

P.S. Countdown to 2000th special post on January 22, 2015—14 posts.

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 Scott W. Smith

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“If there’s one thing I hate, it’s the movies. Don’t even mention them to me.”
Holden Caulfield
Catcher in the Rye
Written by J.D. Salinger

How did J.D. Salinger become one of the most wanted writers in Hollywood? By not wanting Hollywood.  Perhaps it would be better said that it was not the reclusive Salinger who was wanted but his work, Catcher in the Rye. When Salinger died a few days ago I imagine producers were excited about the possibility of finally bringing the book to the screen.

Selling the film rights to Catcher in the Rye would be very lucrative for the Salinger estate.

The story goes that Salinger was so upset with the adaption of Uncle Wiggily in Connecticut (made into the 1949 film My Foolish Heart) that he was done with Hollywood. (Though I did notice on IMDB that he is credited a couple times in the last 30 years.)

I don’t know if Salinger ever stepped foot in Iowa but his spirit was drawn here. In the Field of Dreams, the character that James Earl Jones plays (Terrance Mann) was based on Salinger. In the W.P Kinsella book (Shoeless Joe) that the movie is based on the character actually is  J.D. Salinger himself, but he did not allow his name to be used in the film so changes were made. Good thing, too. It would be hard to imagine that film without James Earl Jones, a fine actor but one who doesn’t quite look like Salinger.

Not much is known about Salinger and that’s the way that he wanted it. But that will all change since his death.  Screenwriter Shane Salerno (Shaft, Armageddon) has spent five years working on a self-funded documentary on Salinger. One in which he interviewed over 150 people who “had contact with him otherwise, or were greatly influenced by him.”  (Robert Towne, Tom Wolfe, E.L. Doctorow, Philip Seymour Hoffman) The documentary is based on Salinger: A Biography, written by Paul Alexander.

Salerno told Mike Fleming at Deadline Hollywood;

“I loved (Salinger’s) work, and how he had the world at his doorstep, and said no thanks. He somehow understood in 1951 the corrosive effect that fame and money could have on his writing. He was singular, and in this Internet age where people pursue their 15 minutes of fame, nobody did what Salinger did: living in the woods in New Hampshire, writing to please only himself.”

Maybe in the future it will be hip to pursue 15 minutes of reclusiveness. I think it was Blaise Pascal who said a few centuries ago that the chief problem of man was that he could not stand to be in room by himself. (I might update that to “by himself—without a TV, a computer and the Internet.”)

Scott W. Smith

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