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Posts Tagged ‘Dale Launer’

“I never wanted to write a screenplay. To me, writing is this wonderful, indulgent activity where you just fill the page with words.”
Oscar-winning screenwriter Diablo Cody
Iconcinema.com

Three years ago today I created my first blog post ever (Life Beyond Hollywood). I started out with a little Diablo Cody inspiration and a modest goal to consolidated my writing notes gathered over the years from film school, books, magazines, seminars & workshops in hopes of it becoming a 50,000 word book—and perhaps helping a fellow writer or two.

Three years later I’ve written 832 posts and over 300,000 words. (With roughly 833 estimated typos, which I blame on posting daily without a copy editor. Like Jimmy Buffett I’m not aiming for perfection—just trying to “capture the magic.”) I’m now in the process of distilling those 832 posts into three books which will be much more refined.

Actually the idea of a book predates the blog. Since I had read quite a few film and video books by Michael Weise Books, and  had just read Blake Snyder’s Save the Cat at the end of ’07 (which they published, and I thought was great)  I sent them a book proposal toward the end of 2007 and got this email back from Ken Lee:

Please email me your table of contents and a sample chapter

Thanks

Ken

Ken and I traded emails a few times and I ended up sending him three or four chapters and we spoke on the phone a couple of times and he asked me to think about what I’d like to write and blog about over the next five years. At the end of the day, while there was no deal with Michael Weise Books, this blog in part was an indirect result of my communication with Ken. (If you’re looking for a theme to write about “Success out of Failure” is a great concept because everyone can identify with losing their locker like Rocky did in that first film.)

At the same time I had written those first four chapters I started to read about Diablo Cody’s story about writing the Juno screenplay in Minneapolis, her blogging, and having gone to college at the University of Iowa. Lightning struck. A couple of people showed me the ropes on how to start a blog and four days after seeing the movie Juno I launched my first post exactly three years ago today.

I even traded a few emails in January of 2008 with Blake as his blog was one of the first screenwriting blogs I ever read. In fact, I just found this email from him that ended with: “Best to you in ‘the great 2008’ and yes, I am happy to help in any way I can.” Miss ya Blake, but long live your books & influence.

Later that year, in October of 2008, the Screenwriting from Iowa blog won a Regional Emmy (Minneapolis) in the category of advanced media. A few months later Diablo Cody walked away with an Oscar for writing Juno. Fun.

“I’ve never read a screenwriting book. I’m really superstitious about it too. I don’t even want to look at them. All I did was I went and bought the shooting script of  ‘Ghost World’ at Barnes and Noble and read it just to see how it should look on the page because I like that movie.”
Diablo Cody

The day after my first post I received this email  from Scott Cawelti, an English professor and writer at the University of Northern Iowa: “Ready for a collaboration?” It took a little time, but we recently finished a spec screenplay, have done a couple re-writes, and are just now shopping it. (As a quirky sidenote, Scott was once in a band with Robert Waller who wrote The Bridges of Madison County.)

There was early support from Mystery Man on Film. For the record I think Mystery Man’s post The Raider’s Story Conference is the single best thing you’ll find on the Internet on the process of storytelling. (Make sure to follow the link to the 125 page transcript of Lucas, Spielberg and Kasden as they discuss what became Raiders of the Lost Ark.) I was also encouraged by emails from readers and fellow blogger Scott Myers at Go Into the Story.

Last year the shout out by Diablo Cody on Twitter as well as the TomCruise.com plug were bonuses and will keep me going another year. And I hope some things I write encourage you in your own quest as a writer. In the coming days I’ll have some posts based on interviews I did with UCLA screenwriting professor Richard Walter and screenwriter Dale Launer (My Cousin Vinney, Dirty Rotten Scoundrels). This blog has brought me into contact with producers and writers in LA that would be hard for me to connect with otherwise. So if you have a blog in mind, go for it.

But for now let me say thanks for stopping by, best wishes on your own writing and if you need a little inspiration today I hope this helps:

“I can actually give you a really specific bit of advice that I give to everyone. I would not be where I am, I would not be any sort of professional writer if I had not self-published. We live in a day and age where there’s so many opportunities for writers and filmmakers with YouTube to self-publish, to make their own work available without having to go through the rejection letters and the middleman and, you know, it used to be that you were, that if you wanted to share your work with other people, I mean, you had to go through so many channels and jump through so many hoops. And now, you can just put it out there. You know, the internet is a miraculous thing, so just share as much as you can self-publish blog, you know, podcast, whatever you need to do, just make sure that you are not withholding your (unintelligible) from the world because we have so many opportunities now.”

Diablo Cody
NPR transcript Feb  2009

I never would have dreamed that I’d write 823 posts in three years, but that’s what happened. The Writers Store has an article online that talks about Jerry Seinfeld’s method for success where he marks on a calender with a red “X” over everyday he writes new material. Each “X” forms a chain and his goal is to not break that chain. You want to talk a day or two off every week from writing, that’s fine (and healthy) but do your best to have at least 20 “X’s” on your calender each month.

Writers write.

Related Posts: Juno Has Another Baby (Emmy)

Screenwriting’s Biggest Flirt

The Juno—Iowa Connection

Beatles, Cody, King & 10,000 Hours

Scott W. Smith

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“A hero who has no faults probably doesn’t have much of a personality.”
Dale Launer
Therese Walsh Interview

Before screenwriter Dale Launer hit it big with his first produced screenplay Ruthless People (1986) he wrote “about 1o screenplays of dubious quality” while paying the bills at a variety of jobs that included selling stereos, refinishing furniture, and fixing up old Porches and selling them.

After Ruthless People he had the unusual opportunity to meet with Mick Jagger and discuss the possibility of writing a script for Jagger and David Bowie.

“I had an idea that I thought would be a good vehicle for Jagger and Bowie. I remembered an old movie from the early ’60s with David Niven and Marlon Brando playing con men competing with each other. So I called her (Gail Davis at Bowie’s production company) back and told her the story: David Niven is a gigolo-con artist who works the French Riviera pretending to be a deposed prince trying to raise money for an anti-Communist freedom fighters. Rich, middle-aged American women are eager to support his cause and take him to bed.

On a train, Niven runs into Marlon Brando, an arrogant nickel-and-dimer who’s hitting on women for lunch and a few francs with a sob story about his sick grandmother. Brando begs the master con for lessons, but soon thinks he’s surpassed his teacher and starts to work Niven’s territory. To get rid of Brando, Niven agrees to a bet. They’ll find a rich woman, and the first man to extract $50,000 from her is the winner; the loser must leave town.”
Screenwriter Dale Launer
Premiere January 1989

That movie was Bedtime Stories and released in 1964. Jagger and Bowie never made the remake. But Launer got the rights and wrote the script that was an Eddie Murphy vehicle  for a while before becoming a hit movie featuring Steve Martin and Michael Caine.

Launer followed the success of Dirty Rotten Scoundrels with the hit My Cousin Vinny, for which Marisa Tomei won an Oscar for Best Supporting Actress. And I believe Love Potion No. 9 (1992), which Launer wrote and directed, was Sandra Bullock’s first starring role in a feature. A few years ago he sold the spec script Bad Dog to DreamWorks for $3 million, but it has not been produced.

Original credited writers of Bedtime Stories were Paul Henning (1911-2005) who worked as a producer of hundreds of TV shows including Green Acres, The Beverely Hillbillies, and Petticoat Junction, along with Stanley Shapiro who won an Oscar for the 1959 Doris Day/Rock Hudson film Pillow Talk.

And in case you wondered if a remake of the remake is due since it’s been more than 20 years since the release of Dirty Rotten Scoundrels—a couple years ago there was talk of a female version of Dirty Rotten Scoundrels being in the works. (And a musical version of Dirty Rotten Scoundrels had a 626 performance run on Broadway a couple of years ago.)

Lauder has a website (www.dalelauner.com) with various articles about writing and digital filmmaking. 

Dirty Rotten Scoundrels is a fun film and is a nice bookend to The Sting for you to view if you’re writing a script about con-men or con-women. Here’s the trailer from the film which Roger Ebert reviewed as,  “Caine goes the high road, with visual and verbal humor. Martin does more pratfalls than in any of his movies since “The Jerk,” and he has one absolutely inspired scene in a jail cell.”

Scott W. Smith

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