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“Greek classical drama frequently afflicted the hero with a blind spot that prevented that character from seeing the error of his or her ways.”
Paul Lucey
Story Sense

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Recently I read a screenwriter say that she began developing script ideas with a character flaw. I believe the concept for Jerry Maguire started with a conversation with between screenwriter Cameron Crowe and James L. Brooks about developing an idea about a sports agent.

I’m not sure when Crowe got around to Jerry’s flaw, but here’s it plays out in the movie as Jerry watches a video intercut with Jerry’s old girlfriends. The still above is the look on his face as the conversation turns from humorous to this . . .

Female 1: I think it’s probably a good idea that Jerry get married—he won’t be alone.

Female 2: He can’t be alone. 

Female 3: He can not be alone. 

Female 4: He can’t be alone. 

Female 5: He’s almost phobic. 

Female 6: Jerry’s great at friendship. He’s just really bad at intimacy. 

Female 7: He can’t say I love you. 

Female 8: Jerry lies, lies, lies—he’s an agent. He lies. 

None of that is in the script I have. Instead, this is what Crowe wrote.

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They didn’t get Michael Jordan for the film, but they did capture Jerry’s flaw(s) pretty well and in a creative way. Here’s how the scene plays out (Spanish version is the only one I could find online):

Related post:
Character Flaws 101

Scott W. Smith

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