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Posts Tagged ‘Bryan Woods’

The photo that’s been at the top of this blog all these years is a quintessential farm shot I took one morning outside of Decorah, Iowa where I was shooting a short film.  The anchor in the shot is the barn and silo in the left part of the photo.

That’s classic Iowa. And I hadn’t thought about that photo in years until today when I read this quote about the silo used in A Quiet Place. 

“Where we grew up [in Iowa] was a healthy mixture of city life and farm life. We lived in the city, but you would hear about grain silos being one of the most dangerous things you can fall into. It’s basically like drowning, but in dry grain. It was terrifying to drive by them on country roads. Early in the writing process we said, ‘That has to be part of the setpieces.’”
Screenwriter Scott Beck (A Quiet Place)
Filmmaker Magazine interview with Matt Mulcahey 

Here’s a clip where the young actors Millicent Simmonds and Noah Jope discuss shooting that scene inside a silo surrounded by corn.

Here’s what part of that scene looked like on the page of the original screenplay.

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That silo scene reminds me a little of the Mt. Rushmore scene in Hitchcock’s North By Northwest. 

P.S. You want to know an odd connection between North By Northwest and A Quiet Place. Cary Grant, who starred in North By Northwest, died in Davenport, Iowa.  Where did A Quiet Place screenwriters  (Beck and Bryan Woods) grow up and begin making movies? Davenport/Bettendorf, Iowa. (Part of what’s known as the Quad Cities.) Check out my 2010 post Cary Grant and T. Bone…”somewhere in Iowa.” I don’t just make this stuff up. Check out Cary Grant’s IMDB page and see where he died. Then look up Bryan Woods IMDB page and see where he was born.

It’s a small, small world.

Scott W. Smith

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“The perfect movie doesn’t have any dialogue. So you should always be striving to make a silent movie.”
David Mamet
On Film Directing 

“It’s good not to follow the herd. Go the other way.”
Filmmaker Robert Rodriguez
From the post Are You an Anomaly?

Over the weekend I went to see A Quiet Place in theaters for the third time. I’ve only seen a few films three times in theaters in my life. They include this eclectic mix:

Tender Mercies
Jean de Florette
Hoop Dreams
Grand Canyon
Good Will Hunting
Seabiscuit

The Artist 
Ida

The only connection I can make to that list and A Quiet Place is there is a strand of contemplativeness in all of them. (That and Ida is a Polish film and A Quiet Place director/actor/co-writer John Krasinski has Polish roots.)

But since the other screenwriters of A Quiet Place (Scott Beck and Bryan Woods) have Iowa roots I thought it would be fun to go back over the past decade of posts here at Screenwriting from Iowa…and Other Unlikely Places and find some things that resonate between this blog and A Quiet Place.

(I realized after writing this post that it essentially curates a greatest hits shortlist of sorts from posts over the years gleaned from various sources— books, DVD commentaries, interviews, etc.— where writers and filmmakers talked about some of the most common visual storytelling principles.)

CONFLICT
Conflict-Conflict-Conflict
The Key is Conflict
Protagonist = Struggle 
The Key Thing I Learned in Film School (Tip #1)
Don’t Bore the Audience!
What is Drama?—According to Alfred Hitchcock

CONCEPT
Concept-Concept-Concept

“The conceit behind A Quiet Place is simple: if you make a sound, you die.”
Bryan Woods and Scott Beck
IndieWire

STAKES
What’s at Stake (Tip #9)
“Goals.Stakes. Urgency.” (Tip #60)
To Live or Die?

EXPOSITION
Screenwriting and Exposition (Tip #10)
Exposition is BORING Unless…
10 Exposition Examples
Cody on Exposition 
Show Don’t Tell (Tip #46)
Show Don’t Tell (Part 2)
(One of the many great things about A Quiet Place is lack of exposition.)

THEME
Writing from Theme (Tip #20)
More Thoughts on Theme
Obligatory Scene= Story’s Theme
John Carpenter on Theme
Diablo Cody on Theme 
Theme=What Your Movie is Really About
Theme= Story’s Heart & Soul 

EMOTION
Emotion-Emotion-Emotion
Emotion Transportation Biz (Tip #68)
No Emotion? Your Screenplay Sucks
40 Days of Emotion
Emotionally Silent Dialogue 

HORROR (MONSTER IN THE HOUSE)/SUSPENCE
Horror: A Universal Language
Fear of the Unknown
The Creature from…
Jordan Peele’s ‘Favorite Scares’ List
Nick Kazan’s ‘Chainsaw’ Inspiration
Shooting a Feature Film in a Coffin
Storytelling is Just Suspense & Every Movie’s a Thriller 
Stephen Susco Q&A at Full Sail —Think primal. Fear and personal loss are the foundations of many fine films.

CHARACTER
Writing Good Bad Guys (Tip #85)
Character Flaws 101

STRUCTURE
Starting Your Screenplay
The Central or Dramatic Question
Pity, Fear, Catharsis
Screenwriting the Pixar Way
Insanely Great Endings
Earn Your Ending

HARD WORK
The Secret to Being a Successful Screenwriter (Seriously)/John Logan
Screenwriter’s Work Ethic
Writing Quote #66 (Frank Darabont)
10 Quotes on Paying Your Dues
Bob DeRosa’s Shortcuts
Beatles, Cody, King & 10,000 Hours
Honing Your Craft
The 99% Rule
The 12th Script was the Deal Breaker for Eric Heisserer (Sort of)
How to Become a Successful Screenwriter (Michael Arndt)

“For me, it was a matter of years of trying to develop my writing in the same way that some people spend years learning to play the violin.”
Writer/director Frank Darabont (The Shawshank Redemption)

SILENT MOVIES
Mr. Silent Films
Writing ‘The Artist’ (Part 1)
Writing ‘The Artist’ (Part 2) 
‘A Quiet Place’–It all started with Charlie Chaplin… and Jacques Tati
Storytelling Without Dialogue (Tip #82)
The Four Functions of Dialogue 

IOWA
Sneaky Long Screenwriting 
Sam Shepard on a Farm in Iowa
Lena Dunham, Sundance & Iowa 
Postcard #55 (Iowa Writers’ Workshop Library)
Iowa Kutcher on Jobs/Work
A ‘Giant’ Iowa Connection
Iowa’s Oscar Winning Native
James T. Kirk, Iowa & the Future
The Day the Music Died in Iowa
A Surprise in the Top 10 U.S. Bookstore List
Sundance, Sugar, and the Strange Land of Iowa
Sleeping with the Enemy
David Lynch in Iowa 

“I’m telling you Iowa is incredible. We should all move to Iowa and start the revolution.”
Hannah (Lena Dunham) in Girls, Season 4 episode 2

UNIVERSITY OF IOWA
The Juno—Iowa Connection
Straight Outta Iowa
John Irving, Iowa & Writing
Writing Quote #61 (Cheever/Stegner)
Hawkeye Gene Wilder (1933-2016)
Everybody’s got a story—Ethan Canin
Diablo Cody Day
Writer David Morrell
John Gardner on Original Style
(Yawn)…Another Pulitzer Prize
Writing ‘Rebel Without a Cause’
Screenwriting Quote of the Day #95 (Nicholas Meyer)
On The Road Screenwriting 
Tennessee Williams’ Start 

SCOTT BECK & BRYAN WOODS
A 20 Year Journey to ‘A Quiet Place’
A Quiet Place…in Iowa

What could be made on a farm in Iowa for $50k? (That would be a movie people want to see)—‘A Quiet Place’

‘Let’s screw all the rules of screenwriting’—Scott Beck
Writing the Opening Scene of ‘A Quiet Place’
The Best Film School
Why You Shouldn’t Move to L.A. 
Why You Should Move to L.A.
They Will Find You

A QUIET PLACE
‘A Quiet Place’: A Western/Family Film—with Critters
‘A Quiet Place’ Mother’s Day Special
‘A Quiet Place’—A Love Story
John Krasinski—Notes on a Scene from ‘A Quiet Place’

VISUAL STORYTELLING
George Miller Masterclass in Visual Storytelling
Visual Conflict 

STARTING SMALL
Start Small…But Start Somewhere
Aaron Sorkin in Jasper, Alabama
Aiming for Small Scale Success First 
Go Big or Go…Small
Starting Small
Telling Smaller Stories
Writing ‘Buried’
The Rise of Regional Cinema

This isn’t even an exhaustive list, but all that I had time to track down today.

P.S. While the dvd/Blu-ray of A Quiet Place comes out July 10, 2018 this really is a movie that ideally you’ll first see in theaters with an audience.

Scott W. Smith

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A Quiet Place has now been out in theaters for a whole month and still came in #3 at the box office this weekend. You could also say it entered full culture iconic status over the weekend when Saturday Night Live spoofed it with their A Kanye Place skit.

And also over the weekend, Scott Myers at Go Into the Story concluded a six-part interview with A Quiet Place screenwriters Scott Beck and Bryan Woods. Here’s an excerpt that touches on the great opening of that movie without really spoiling it for those of you who haven’t seen it yet.

Very early on, the idea that attracted us was opening with a completely idyllic farmscape and what appears to be the perfect family living out the perfect life. Little by little, as this family starts to move about their farmhouse, we start to realize that there are weird things going on.

They’re putting padding on the walls. They’re wearing shoe covers on their feet. They don’t seem to be speaking very much. Everything is really quiet. It all builds up to that Monopoly scene where there’s a noise and we realize, ‘Oh, there’s creatures out there. If they make a noise, then they’re in danger.’

That’s how it started. Then it started to evolve more into this Jaws opening, where we set the stakes up immediately. We would pay full credit to John [Krasinski] for going this dark this early, but we love it.
Screenwriter Bryan Woods
Scott Myers/Go Into The Story  interview with Bryan Woods & Scott Beck

P.S. Congrats to Scott Myers for his excellent blog being named recently to the 20th Annual Writer’s Digest 101 Best Websites for Writers list. This month his blog celebrated its 10th anniversary and I’ve been a fan of his site since way back in 2008.

Scott W. Smith

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“John Krasinski is not the name you’d think of like ‘Can’t wait to see a horror movie by that guy.’ And the reason why is I wouldn’t think that either. Until I read this script originally by these amazing writers Beck & Woods (Scott Beck & Bryan Woods), and they had this incredible idea of a family that had to live quietly or else they would die. And to me, this whole movie is about family. It’s not a horror movie—I mean it is a horror movie, but to me the theme of family and what would you really do for your kids is the reason why I did the movie.”
Director, writer, actor John Krasinski (A Quiet Place)

Scott W. Smith

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“Being in Iowa gives you a unique point of view inherently. Embrace that.”
Bryan Woods
Alumni filmmakers Scott Beck, Bryan Woods strike deal with Paramount Pictures

Screen Shot 2018-04-23 at 3.33.27 PM

Screenwriters Scott Beck & Bryan Woods

Box Office Mojo had A Quiet Place stepping back into the top of the box office over the weekend and crossing the $200 million mark worldwide. Pretty amazing for a non-franchise that cost $17 million to make.

Congrats to both Scott Beck and Bryan Woods who originally wrote the script, and to John Kransinki who directed the film and honed the script.

Because Beck and Woods are from Bettendorf, Iowa (and are familiar with this blog) this is as good a time as any to make them the poster boys for “Screenwriting from Iowa…and Other Unlikely Places” (even if they’re in their 30s now). They join Oscar-winning Juno screenwriter Diablo Cody who I named years ago as the poster girl for the blog.

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It just so happens that Beck, Woods, and Cody are all graduates of the University of Iowa. I’ve been asked if I teach at U-Iowa (or was when I lived in Iowa) or was a student there and the answer is no and no. I have no connection at all to the University of Iowa.

I simply started this little blog in 2008 after seeing Juno and here we are a decade later. It just so happens that the University of Iowa turns out some talented people.

Related posts:

The Juno-Iowa Connection
Postcard #55 (Iowa Writers’ Workshop Library)
David Lynch in Iowa
John Irving, Iowa & Writing
Yawn…Another Pulitzer Prize (University of Iowa grads)

 

Scott W. Smith

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On Wednesday A Quiet Place was back at the number one position for the day. And Box Office Mojo expects A Quiet Place to finish this weekend in the number #1 slot. Pretty remarkable given its a non-franchise film going into its third week in theaters.

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How do you create something these days that rises above all the noise competing for our entertainment time? All the broadcast and cable TV shows and Internet options? How do you get people to put down their video game controllers and actually go to a movie theater?

To use an old expression, “sometimes when people are shouting you have to whisper to be heard.” That’s what John Krasinski, Bryan Woods and Scott Beck did with A Quiet Place. 

In a WGA Q&A here’s how Woods and Beck explain how they developed A Quiet Place before Krasinski came on board to bring his sensibilities to the script and direction. (This is a lightly edited version of the Beck/Woods exchange.)

Scott Beck: We wrote a 15-page proof of concept just to see if this would work. Maybe this will read really boring but let’s try it.

Bryan Woods: It was a proof of concept in two ways. On some level, we thought we could make a short film out of it. But it ended up being more as writers, “What’s this thing going to look like on the page? How do you communicate motivation? How do you communicate backstory, intent, and what characters want without using dialogue? Is it going to be readable?”

Scott: One of the scripts that we studied was Walter Hill and David Giler had written a draft of Alien—it’s incredibly sparse. The writing is very specific and economical. Another recent example is Dan Gilroy’s Nightcrawler script. It’s like line of description, line of  description. It doesn’t really have traditional location slugs, it’s very visual how it’s written.  So we were kind of like, let’s screw all the rules of screenwriting and start putting images in this.  And we knew because this film would be very sound heavy we were like how do we convey that on the page? And there were pages where we’d literally have one word that was conveying how loud a sound would be. And we were playing with the font sizes. For instance, the quieter that a sound got or the quieter that character had to be we’d shrink the font size. 

Bryan: So we were gimmicky and we kind of hated ourselves for doing it. But we really wanted to make sure that producers, and eventually the studio, understood that this was going to be unlike any movie you’ve ever seen. We really wanted to communicate the silent film experience.

Scott: The very first draft that we’d written actually only had one line of dialogue. Like three words [of dialogue] in it entirely. It played really, really silently. But it was like 67 pages. So even when we had the script finalized, we were like what are people going to think of this? We’ve written a pilot script or something, right?

We now know audiences and critics think quite highly of the finished version.

Related posts:

Rules, Breaking Rules, No Rules
‘There are no rules’
There are no rules, but…

Scott W. Smith

 

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A Quiet Place hit $150 million at the worldwide box office over the weekend. Not bad for a movie that just cost $17 million to produce and has only been in theaters 10 days. You may be surprised to learn that it started as an idea that could be made on a micro-budget.

We started thinking what can we write that could be made. Again, this was almost ten years ago—it’s been a long journey.  But we started pivoting our point of view to what films that could be producible? 

Kind of a lesson we learned growing up in Iowa, we would write things for resources that we had in front of us. Something that could be produced, could be made, and hopefully be an interesting story, too. That’s a long way of saying that’s somewhat the genesis of The Quiet Place. It’s like The Quiet Place was written for us to shoot back in Iowa for $50,000 if everyone passed on it. It would have been a very, very different version without Emily Blunt and John Kraninski. But it was something we just had a passion for, and we knew worst case senerio that could be plan B.
Scott Beck on writing the original script for A Quiet Place with Bryan Woods
H/T Christopher Lockhart via a Q&A video at the WGA Theater in Beverly Hills

I saw the film over the weekend and could see the DNA of their Iowa roots in the movie (even though the film was shot in rural New York):

Farm/farmhouse
Cornfield
Silo full of corn
Old truck
Pitchfork and hatchet
Bridge
Woods
Small town Main Street.

And I also saw the DNA of some popular movies scattered throughout A Quiet Place:
Alien
Birds
Signs

Jaws 
Them

P.S. Scott Beck and Bryan Woods are originally from Bettendorf, Iowa and graduated from the University of Iowa in 2007, both less than 2 hours from where I lived in Cedar Falls, Iowa when I started this blog. (Our only connection that I know of is we both used Iowa-based gaffer/jib-operator Jon Van Allen on our films and other productions.)  I don’t know if Beck or Woods ever read a single post of Screenwriting from Iowa…and Other Unlikely Places—but they’re example A of what’s possible if you have a movie idea and live in an unlikely place.

Related post:
The Best Film School

Scott W. Smith

 

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