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Posts Tagged ‘Brooks Barnes’

“[Hollywood has] welcomed change with about the same relish the dinosaurs welcomed the Ice Age.”
Stephen Galloway
The Hollywood Reporter

“I get asked all the time, ‘Where does this stop? When does it stop?’ The truth is that it is only getting started.”
Brett Sappington (on the growing number of streaming services)
A senior Parks Associates analyst and researcher

OscarEmmy

In the New York Times article, The Streaming Era Has Finally Arrived. Everything Is About to Change,” Brooks Barnes writes that the streaming era is a once in a generation disruption—like the shift away from silent movies or the introduction of broadcast television, or cable decades after that.

He points out that how in 2018 there were 495 scripted original series, and says that all the work is making it “gravy time” for many. Just this month Disney Plus and Apple Plus TV added more viewing choices to audiences to the over 250 online choices out there. (Ever heard of Horse Lifestyle TV? As the saying goes, “there are riches in niches.” Just ask Tyler Perry.)

No doubt there will be audience fatigue with all of these choices, and some consolidation and mergers of shows and companies, but we are living in a streaming world—at least until the next disruption in 10, 20, or 30 years. And with the blending of movies, broadcast/cable TV, and streaming, the entertsinment status quo is in the early stages of a major earthquake leading to speculations never imagined even a year ago.

“With more original movies bypassing big screens, the line between TV and film is blurring, prompting once-unthinkable operating questions. Studios, for instance, employ separate executive teams to oversee the development and production of movies and television series. Should that siloed approach end? There has even been some muttering about whether the Emmys and the Oscars should merge.”
Brooks Barnes

Barnes is referring to a The Hollywood Reporter article by Stephen Galloway this summer where he addressed what all of these streaming changes mean at award time.  Netflix’s Roma last year kicked off the debate on when the foreign-languge film, produced by a streaming company, with a limited theatrical run, was up for a Best Picture Oscar.  (it did win Best Foreign Film, but lost to Green Book for Best Picture.

But it’s just a matter of time before a streaming company wins a Best Picture Oscar—perhaps The Irishmen, which Netflix releases next week will be that picture. Either way, the provocative question is Will the Oscars and Emmys Merge in the Streaming Era?

That’s as fun to speculate as a joke starting with, “An Emmy and a Oscar walk into a bar. . . .”

P.S. Ten years ago I watched my first streaming show on my computer (Cocaine Cowboys on Netflix) and it took me about 2.3 seconds to realize that the VHS/DVD rental business was finished. Blockbuster went bankrupt. Blockbuster at its peak had 9,000 stores, but today there is just one left in the entire world. I don’t know what the the entertainment landscape will look like in ten years, but I don’t think I’m going out on a limb by saying that studios will begin to sell chucks of real estate because “There’s gold in them thar hills.” Movies can be made anywhere—have you see Tyler Perry’s new Atlanta studio?—and real estate in Los Angeles is just crazy expensive.

Scott W. Smith

 

 

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