Posts Tagged ‘Barkhad Abdi’

“There’s no movie that can’t be told through its emotions. And there’s no movie that succeeds that is told any other way. In my opinion.” 
—Billy Ray

I want to sneak in one more post before stepping back into a run of posts on Hamilton (and the emotional “I want” song My Shot.) This is a follow-up to yesterday’s post What is the simple emotional journey?—Screenwriter Billy Ray’s Mantra

Normally Ray is given exclusive assignments where he has a week (or a weekend) to decide if he wants to take on a film project. But Captain Phillips was what he calls a “beauty pageant” where many screenwriters went in to pitch their angle on the story. This is how Ray arrived at his pitch and landed the assignment (and for which he received an Oscar nomination):

“I thought, what’s the movie about? Narratively, Captain Phillips is a white guy gets kidnapped by four black guys and three of them get their heads blown off. And not only was that not a movie I wanted to write, that was not even a movie I wanted to see. So I had to think, okay, where is the story in there that has an emotion that I want to write? And so I thought, well, you can just twist the reality of that. The narrative reality of that just a little bit. Look at it from a slightly different perspective and it becomes a story that would be moving.  The pitch was, this is a movie about leadership. This is the story about two captain wake up on opposite sides of the globe and they get up in the morning and get dressed and go to work. And their work is going to put them on a collision course. And once they meet we’re going to realize that one of these captains is would sacrifice himself to save his men, and the other captain would sacrifice his men to save himself. And their collision is the story. That I could write. And that’s the movie. That’s what Captain Phillips is, but told in a visceral, emotional way.”
—Screenwriter Billy Ray
UCLA’s Story Break podcast interview with Simon Herbert and Chris Kyle

Tucked inside Ray’s pitch (and the trailer below) is conflict, character, stakes, emotions—core storytelling traits that helped attract Tom Hanks to the role. And also helped the other captained, played by Barkhad Abdi, to get an Oscar nomination and win a BAFTA for Best Supporting Actor. (When AFI does a great movie quote list for this century, I expect Abdi’s line “Look at me, I’m the captain now” to be on that list. )

P.S. The very first line of Ray’s pitch for The Comey Rule (The TV mini series on James Comey) was the emotional idea, “This is a love story between a man in love with an institution, and everything he does is in defense of that institution.”

Related post:
Screenwriting Battlefield  (How Billy Ray beat out more experienced writers when starting out. And what he learned from Robert McKee’s seminar.)
‘Hamilton’ as an Emotional Journey 

Scott W. Smith 


Read Full Post »

“Every villain is the hero of his own story.”
Actor Tom Hiddleston

“This was my first time acting, or even thinking about acting.”
Actor Barkhad Abdi (Lead freighter hijacker in Captain Phillips)
NPR Interview, October 20, 2013

The thing that surprised me most when I first visited Minnesota more than 15 years ago was how many Somalians lived there. (Today there are more Somalians living in the Twin Cities than any other place in the United States.) So it’s no surprise that Hollywood went to Minneapolis when it was looking for Somalians to cast in the movie Captain Phillips.

Barkhad Abdi was one of more than 700 people who showed up for an open audition in Minneapolis and I bet he was surprised when he walked away with the lead Somalian hijacker role (Muse) acting opposite two-time Oscar-winner Tom Hanks (Captain Phillips). And maybe even more suprised when he recieved a SAG nomination yesterday. Not a bad first acting gig.

“I hope people understand the culture clash between these very, very different characters, Capt. Phillips and Muse. One had just, the normal life, you know, he went to school, college, graduated, family, and now he [has] a job. And the other one is just someone that grew up in a war-torn country, that had no hope, no school, no job, no government, nothing…A ruthless man who has nothing to lose. A man who has nothing to lose is dangerous. So, that’s how I became his character.”
Barkhad Abdi
NPR Interview

I remember seeing the trailer for Captain Phillips (“Look at me. I’m the captain now.”) thinking of Abdi “that dude looks real.” Film is about illusion so it’s no surprise that he had no acting experience. That’s not uncharted territory. Remember last year when Quvenzhane Wallis received an Oscar-nomination for her first role in Beasts of the Southern Wild? There’s also the trained Cambodian physician Haing S. Ngor who came to the U.S. with no formal acting experience and won an Oscar in his first film, The Killing Fields. (Bruce Robinson also recieved an Oscar-nomination for his script of that 1984 film.)

But good filmmaking is also about experienced, skilled people working together—and the Captain Phillips cast and crew had that in abundance. They were led by documentary trained director Paul Greengrass known for his work directing The Bourne Supremacy, The Bourne Ultimatum, and United 93 (for which he received an Oscar nomination).

And there was screenwriter Billy Ray (The Hunger Games) to bring his more than 20 years of experience writing the script based on the book A Captain’s Duty by Richard Phillips and Stephan Talty.

“From the beginning we were very determined that we didn’t want cardboard bad guys. That’s just not good writing. You always want to dimentionalize your characters whenever possible, whether they’re good guys or bad guys. You always want them to look like full, actualized human beings. Not so much that audiences can sympathize, but so that audiences can understand and maybe recognize a piece of human behavior in those characters and that was very important to me.”
Billy Ray
Interview with Captain Phillips screenplay writer Billy Ray at NYFF premiere

P.S. A clip that always come to mind of an evil character is from Schindler’s List. (And an example of no dialogue needed.)

Update 12/16/13:

From a Facebook thread on The Inside Pitch here’s a list (off the top of his head) of good bad guys by WME Story Editor Christopher Lockhart:
Rob Roy/ Archibald Cunningham  (Tim Roth)
In the Line of Fire/Mitch Leary (John Malkovich
Working Girl/Kathrine Parker(Sigourney Weaver)
Bravehart/ Longshanks (Patrick McGoohan)
RoboCop (1987)/ Clarence J. Boddicker (Kurtwood Smith)
Schindler’s List/ Amon Goeth (Ralph Finnes)
The Wizard of Oz/ Miss Gulch/The Wicker Witch of the West (Margaret Hamilton)
Kiss of Death (1947)/ Tommy Udo (Richard Widmark)
White Heat/ Cody Jarrett  (James Cagney)
Training Day/ Det. Alonzo Harris (Denzel Washington)
Also noting that Gary Oldman (JFK, Bram Stroker’s Dracula, True Romance, Murder in the First) , Michael Shannon (Revolutionary Road, The Iceman, Man of Steel) and Kevin Spacey (Se7en) “all play good bad guys when they play them.”

And I found this video on evil characters as well:

P.S. Can anybody  recommend a Solmalian-made film that can give those outside Africa a different view of the country and its people? I did find a Wikipedia link to the Cinema of Somalia—but I’d love to learn about screenwriting from Somalia and the country’s filmmakers.

Related posts:

Screenwriting Quote #172 (Christopher Lockhart) “You just have to ask yourself, “Okay I’ve seen this a million times, so what can I do to make it a little different?” (I think Captain Phillips fits the “unique, but familiar” mold.)
“To Live or Die?” “The best drama for me is one which shows a man in danger. There is no action when there is no danger. To live or die? What drama is greater?”—Howard Hawks / “I would never write about a character who is not at the end of his rope.”—Stanley Elkin
Don’t Bore the Audience! Can Tennesee Williams and UCLA’s Richard Walter both be wrong?
Starting Your Screenplay (Tip #6) “Who is your hero, what does he want, and what stands in his way?”—Paddy Chayefsky
Writing “Black Hawk Down” Another Somalia-based story

Related links:
The Screenwriter’s Guide To Movie Villains Screenwriting Spark as gather more than 40 links related to movie villains
BBC News Somalia Profile
AFI’s 100 Heroes & Villains (
And in this racially sensitive culture we still live in I feel the need to point out that the top villains are all white—except for Bruce the shark in JAWS and the Alien in Alien—and the first film black villain on AFI’s list is #50 Alonzo Harris (Denzel Washington) in Training Day. (Okay, #3 villain Darth Vader did have James Earl Jones’ voice—but Hannibal Lecter, Norman Bates, the Wicked Witch of the West and the rest of the AFI list are all crazy white people. So please hold off on the emails.)

Scott W. Smith


Read Full Post »

%d bloggers like this: