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Posts Tagged ‘Avengers: Age of Ulton’

“Try to disconnect the idea of cinema with the idea of making a living and money.”
Francis Ford Coppola 
Who said art has to cost money? 

“At this moment, anyone who dreams of becoming a filmmaker is lucky indeed. For the first time in the history of cinema, filmmaking does not need to be a capitalist enterprise. You no longer need millions of dollars or even hundreds of thousands of dollars. You are no longer beholden to someone writing a check. It no longer needs to be a business. it can be your artistic expression…Now you can buy a consumer-model digital camera and the image looks great…You can even shoot a pretty good-looking movie on your smartphone and then edit it on a laptop…You can post your film on YouTube, Vimeo, and any number of digital platforms and slowly build your audience.”
Edward Burns
Independent Ed

As I write this post both Mad Max: Fury Road and Avengers: Age of Ulton are currently in theaters so why have I spent two weeks writing posts about indie filmmaker Edward Burns? It’s because my focus has always been on the outsider. To use a well traveled line, it’s about those who’ve “taken the road less traveled.”

And if you succeed that road may take you to the larger production hubs of Los Angeles or New York City, but I’m really interested inspiring people anywhere in the world in telling their stories. As I’ve said before, that could be a filmmaker in West Des Moines, West Africa or someone just east of the Hollywood sign in West Covina.

I love reading blogs & books, and listening to podcasts, from those on the inside of Hollywood. There are many great insights from those people and over the years I’ve tried to find the most helpful ones and pass them on here.

If you dream of winning the spec script lottery by writing one of the under 200 spec scripts that will be sold in Hollywood this year—great. Dream of being a LA screenwriter on assignment—go for it. There are many talented writers doing that very thing and making a very good living. (Though fewer than you probably think.)

But there is a tertium quid—just to drop what little Latin I know.  A third option if you will. And that’s where Edward Burns comes in to point the way for the outsiders out there—wherever you live. (Burns launched his filmmaking career by shooting parts of his first feature in parents house on Long Island—and he relaunched his career my making three micro budget features. )

“You can learn how to make movies and tell stories by making movies and telling stories. Please don’t listen to the naysayers who complain that we have a glut of movies, that there are too many people making movies and telling stories. Has anyone ever complained about too many poems, songs, or paintings? Because of these technological advances, you are now no different from the kids who keep writing songs on their guitars until they figure out what makes a good song, or the painters who keep throwing colors against a canvas until they realize their vision. Think about that kid from Hibbing, Minnesota, who picked up an acoustic guitar and changed the way we look at the world. Do you think this songs could have been written if Bob Dylan needed to please a money man? Not very likely. That could be you and your camera.”
Writer/director/actor Edward Burns
Independent Ed; Inside a Career of Big Dreams. Little Movies, and the Twelve Best Days of My Life
page 220

Burns’ TV program Public Morals is scheduled to debut Aug 25 on TNT. The executive producer is Steven Spielberg (can’t get much more inside Hollywood than that) and has been a dream project that Burns has had for at least 20 years. It takes a little time sometimes—even if your first film cleans up at Sundance as Burns did with The Brothers McMullen back in 1995.

P.S. I’m not the biggest gear head out there but when you have cameras like the Blackmagic URSA Mini camera hitting the market—a 4K camera for under $3k—it’s kind of astounding to think where production has come in just the last 10 years. If you don’t shoot or edit yourself, I’m sure with a little creativity you can meet some shooters and editors in your area to help get your short films, indie features, experimental films, and long and short form documentaries made. And remember what Austin-based filmmaker Robert Rodriguez said in a post about The Total Filmmaker;  “If you are technical and creative you will be unstoppable.”

Related Posts:

How to Shoot a Film in Ten Days
Off Screen Quote #22 (Bob Dylan)
‘Shelter from the Storm’ (Dylan)
Screenwriting from Duluth
The Outsider Advantage
The 10 Minute Film School
The 10 Film Commandments of Edward Burns
“Don’t try and compete with Hollywood.”—Ed Burns
Screenwriting & the Little Fat Girl in Ohio (2.0)
A New Kind of Filmmaker   “One of the benefits of being outside of Hollywood…”
Revisiting ‘Highway 61 Revisited’ (2.0) Which includes this passage:

Dylan spent most of his youth in the mining town of Hibbing in northern Minnesota. A group of close-knit Jewish people from Eastern Europe drawn to opportunities in the area known as the Mesabi Iron Range. (See David Mamet’s connection to storytelling and Eastern European Jews.) The ore from the area once made the small town of Hibbing very wealthy. But by the time Dylan (then known as Robert /Bobby Zimmerman) was a teenager in the 1950s the mining town’s heyday was over. But it was fertile ground to listen to blues and country on the radio and learn to play the piano and guitar. Dylan graduated from Hibbing High School in 1959.

Scott W. Smith

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