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Posts Tagged ‘American Hustle’

“Anxiety, nightmares and a nervous breakdown, there’s only so many traumas a person can withstand until they take to the streets and start screaming.”
Jasmine (Cate Blachett) in Blue Jasmine
Written by Woody Allen
Nominated for 3 Oscars

“The art of survival is a story that never ends. ”
Irving Rosenfeld (Christian Bale) in American Hustle
Written by Eric Warren Singer, David O. Russell
Nominated for 10 Oscars

“I don’t want to survive. I want to live.”
Solomon Northup (Chiwetel Ejiofor) in 12 Years a Slave
Written by John Ridley
Nominated for 9 Oscars

I was looking for an Oscar-nominated song this year to add an exclamation to the above quotes and decided to settle for a now formerly nominated Oscar song. The song Alone But Not Alone was disqualified a couple of days ago by the Motion Picture Academy of Arts and Science—but if you read related backlash articles in the LA TimesDeadline, and The Hollywood Reporter  on the song’s historic rejection you’ll know it’s a survivor.

The indie film hasn’t even been released and the song seems to have a life of its own. The producers of the Alone Yet Not Alone movie have to look at the controversy and be thinking—like Bill Murray in Scrooged— “You can’t buy this kind of publicity!”

The perfect Hollywood ending would be during the Super Bowl half-time show tomorrow that Bruno Mars and the Red Hot Chili Peppers were joined by quadriplegic Joni Eareckson Tada (carried on stage, of course, by Tim Tebow) as they all sing Alone But Not Alone. The crowd joins in like a version of We Are the World. Cut to close up of Payton Manning crying just before completing his own personal neck injury comeback by winning the game’s MVP. Followed by world peace.

P.S. Gravity, Captain Philips, and Dallas Buyers Club add at least 22 more survival-related movies to this year’s Oscar nominations.

Update: 2/1/14: “I owe quite a debt to Capt. Richard Phillips, who survived something I know would have killed me.” Screenwriter Billy Ray accepting the WGA award for writing Captain Philips.

Related posts:

What’s at Stake? (Tip #9)
Goal. Stake. Urgency. (Tip #60)
“Unbroken” One great true story of survival that will be released as a movie this year.

Scott W. Smith

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“I always look for amazing characters who I find are fascinating, charming, flawed, romantic and in trouble. Those are the key elements I look for. And they have to have a very specific world they’re in, as in The Fighter and Silver Linings Playbook. They’re a sort of community and they’re having to reinvent themselves. So they’re in trouble of some kind, but their world also has some enchantment in it that they love. There’s love and passion and compassion in it. And then there must be a sizable theme, and in [American Hustle] it’s not just about conning people, but reinvention.
Oscar-winning writer/director David O. Russell
Post magazine Interview with Iain Blair/ January 2014

P.S. American Hustle tied Gravity for the most Oscar nominations (10) and shows the important of execution. I can’t imagine too many screenwriters pitching a film based on the ’70s scandal Abscam getting a request for the script. Now, David O. Russell wanting to do a film on Abscam—that’s an easier sell.  By the way, Oscar-nominated Best Picture Nebraska, would be a hard pitch as well. No matter how you dressed it up it’s still a story about a son who drives his elderly dad from Montana to Omaha. But say that Oscar-winner Alexander Payne wants to make that film and it’s an easier sell to investors and audiences.  Execution trumps concept in those cases. Though it still took Nebraska 10 years to get made after Bob Nelson’s script was first optioned. Here’s how that script got early traction:

“I was working at a Seattle show called The Eyes of Nye. Producer Julie Thompson came up. I had written a screenplay to try and get a TV job. Julie got the script to Ron Yerxa and Albert Berger, who have a company called Bona Fide Productions.  They decided to send it to Alexander [Payne], not with the intention to direct it but just to produce it and raise money. I was very fortunate, very lucky, and it doesn’t happen a lot. The one take-away is that even though I was in Seattle, I was still working in the business.”
Oscar-nominated screenwriter Bob Nelson
Indiewire Interview with Meredith Alloway

Especially if you live outside of LA you have to be creative in finding find alternative ways of getting people excited about your screenplay. And while not the norm, Nelson—and Diablo Cody— show that you can not only capture the magic while living in Seattle or Minnespolis, but that it can even lead to an Oscar trip.  In fact, there are film people living in LA that say you have to live in LA to be taken seriously yet will never see the critical success of Nelson or Cody.

Related posts:
Broken Wings and Silver Linings
Screenwriting Quote #177 (David O. Russell)
Screenwriting from Nebraska
The 20 Year Journey of Craig Borten The Dallas Buyers Club took two decades to make it to theaters,  but joins American Hustle and Nebraska in the Oscar race for Best Picture.
Writing from Theme (tip#20)
Jailbait, Rejection & Screenwriter Mark Boal’s Start Another Oscar-winning screenwriter (The Hurt Locker) who was living outside of LA when his journalist writing opened doors.
Screenwriting Quote #145 (Mike Rich) Rich (The Rookie) launched his screenwriting from Portland by being awarded a Nicholl Fellowship.

Scott W. Smith

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