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Archive for the ‘Miscellaneous’ Category

“I recommend you dispose of anything that does not fall into one of three categories: currently in use, needed for a limited period of time, or must be kept indefinitely.” 
Marie Kondō,
The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and OrganizingHard Drive_3428.jpg

This week I’m doing a little winter cleaning. Starting the process of condensing 30+ hard drives of videos and photos over the years down to one 4T hard drive. A greatest hits if you will. And the best of the best will also be stored on 1T in the cloud.

Something I’ve put off for years because it’s an overwhelming task with no billable hours. But I have a plan and Anne Lamott’s “bird by bird” theory (that she learned from her father) that’s keeping me sane.

“Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he’d had three months to write, which was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother’s shoulder, and said, ‘Bird by bird, buddy. Just take it bird by bird.’”
Anne Lamott
Bird by Bird: Some Instructions on Writing and Life  

So I’m taking this hard drive by hard drive. I just finished going through my first drive so it feels good to get out of the gate.

I think the “bird by bird” concept is simple and profound. Whether it’s cleaning your house, writing a script, or editing a project.  The following quote has helped me get get rid of many books, movies, items, and clothes this year:

“Imagine what it would be like to have a bookshelf filled only with books that you really love. Isn’t that image spellbinding? For someone who loves books, what greater happiness could there be?” 
Marie Kondō

If you need a jolt to kick start some organization in your life check out the podcast interview Tim Ferriss did with tidying master Marie Kondo. 

Scott W. Smith

 

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Silent night, holy night!
All is calm, all is bright
Silent Night
Lyrics by Joseph Mohr
(Written in Salzburg, Austria and performed around the world for 200 years)

RC-Notes_3395

R.C. Sproul’s notes used for a videotaping

R.C. Sproul was the Elvis of theologians.

He corresponded via letters with novelist Pat Conroy and scientist Carl Sagan. He once led a Bible study with some of the Pittsburgh Steelers during the Bradshaw-era, did a pretty decent impersonation of Peter Falk as Columbo, could recite Edger Allen Poe and Shakespeare from memory, and played jazz on the piano. He’s quoted in the vampire movie The Addiction, and once played golf with Alice Cooper. Just your average theologian.

Wait. Backup. Why are we talking about a theologian on a screenwriting/filmmaking blog?

R.C. Sproul died earlier this month and it’s brought a flood of memories to my mind because tucked between my being a 16mm cameraman at American’s Downhill in Aspen in 1987, and winning my first Emmy in 2008, I spent the decade of the ’90s producing videos with him. (You can read his official obituaries at The Washington Post or  USA TODAY.)

I saw R.C. speak at a conference before 7,000 people, and at a smaller predominately African-American church in Charleston, and occasionally recorded his talks one on one in his home. R.C.’s mind was a deep well of knowledge and it was no effort for him to switch gears between the teaching of a Jewish carpenter named Jesus with Plato, Socrates, Heraclitus, John Calvin, Martin Luther and Thelonious Monk. R.C. believed all truth was God’s truth.

I met R.C. when I was 27 years old and just a few years removed from being an earring wearing, motorcycle riding, film school student in Los Angeles. I had Tony Lama eel skin boots, skinny Italian leather ties, and a jacket or two that would blend in on the set of Miami Vice. 

Imagine that guy walking into a Brooks Brothers blue blazer culture complete with Wingback chairs, and Hunt Club prints on the walls. I may have been a fish out of water, but it turned out to be a great opportunity on many levels.

This post is not so much a tribute to R.C. as it is about the twists and turns in the road that happen in your life. And in a round about way it’s my Christmas post this year. It’s way too long for most of you, but something I had to process. Merry Christmas.

FOLLOW YOUR OPPORTUNITIES

TV host Mike Rowe says that people shouldn’t follow their dreams, but their opportunities.  When writer/director Sean Baker (The Florida Project) graduated from NYU film school he had a dream to make feature films, but he also had a need to earn a living. So what he did was follow his opportunity:

“I was lucky enough to land a job right out of school with a small publishing company that put me in charge of their AV work. So basically I was producing a lot of corporate type videos. I was interviewing authors. Traveling all over the states just to interview them to put together a little EPK [Electronic Press Kit]. But that’s good work. It pays the bills. And I would suggest anybody who’s striving to become a filmmaker to at least stay within the AV world. Because you’re practicing on a daily basis. And even though you think this isn’t me being creative, it is. It really is because you’re still framing shots, you’re still editing, you’re understanding the technical side of things.”
Sean Baker
No Film School podcast interview

For me, working for a non-profit educational group that started out as The Ligonier Valley Study Center helped me turn the corner from film to video production, and eventually led me into the digital world. There I was able to produce, direct, shoot, and edit video projects.  As an audio producer/editor I helped launch and name the international radio program Renewing Your Mind with R.C. Sproul in 1994. I did some photography, and helped build and design sets.

set3398.jpg

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Set for Ligonier youth video

But working for R.C. also did more than getting me hands on experience with non-linear editing with the AVID way back in mid-’90s, but it allowed me to work and learn from some of the most creative and talented people in Orlando. The list is too long to name everyone, but it includes cameraman Mike Murray of Adrenaline Films (who went on to become a director of photography on Survivor), cameraman Mike “Mac” McAleenan (now with Nat Geo credits), Bryan Smoker (now an editor at Disney World), audio engineer John Blanche (who worked on Eagles records at Criteria Records in Miami), editor Oliver Peters, film producer Rick Eldridge, and engineer Bob Zelin known for his posts at Creative Cow. 

I learned about graphics from Terry Groner, and motion graphics from Terry Briegel. And I doubt I’d won a second Emmy for location lighting if I hadn’t picked up a few tricks from DP Ben Mesker.  And I learned from Jack Rowley who first started videotaping R.C. back in the ’70s.

Just last week I saw a 1988 promotional video for “Hollywood East” and it made me smile. I left LA in December of 1987 in hopes of getting on the ground floor of the Central Florida production world as Disney and Universal were both building studios.

I guess in some ways I did, but it wasn’t the Florida version of Hollywood I was seeking.  The closest I got to that was editing a Ligonier project at Century III at Universal Studios while director David Nutter was editing Superboy in the next edit bay.

Nutter would eventually go on to win a Primetime Emmy for directing an episode of Game of Thrones, and Hollywood East eventually became a reality—in Atlanta.  But my point is Orlando in the ’90s was happening in terms of production.

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I put on a tie and a blue blazer and they let me direct

Directing multicamera shoots for Ligonier at the CBS and FOX TV studios, and just working on productions day in and day out was a great place to learn and grow.  And it positioned me well for the multimedia work I’ve been doing since 2002. And though I only saw R.C. in passing over the last 15 years, his teaching/storytelling/communication style is one that I embrace and use (without the Latin, Greek, and Hebrew) when I speak to students about production.

While at the time I would have rather been an assistant cameraman on the feature films that were shot in Orlando in the late 80s and early 90s —Ernest Saves Christmas (88), Parenthood (89), Passenger 57 (92)— I think I was better served long term working with R.C. producing/directing/shooting/editing an eclectic range of projects. It was also during that time when I did some of the Holocaust interviews for Steven Spielberg’s Shoah project, which is easily in my top ten all-time production experiences.

Here’s the opening I produced and edited with Bryan Smoker that I think holds up pretty well even though it was done in standard def 20 years ago .

THE LIGONIER VALLEY— SILICON VALLEY CONNECTION

“No one wants to die. Even people who want to go to heaven don’t want to die to get there. And yet death is the destination we all share. No one has ever escaped it. ”
Steve Jobs
2005 Stanford graduation speech

“The older the question, the older the answer.”
Naval Ravikant (Co-founder of Angel-list)

LigonierValley_3408

Grounds of the original Ligonier Valley Study Center

There was a hunger in the ’60s for some deeper meaning to life. One clear—yet short lived— example was when the Beatles went to India to study with the Maharishi in ’68. It was a time of experimentation which included psychedelic drugs and asking spiritual questions. Tech guru Kevin Kelly of Wired Magazine even talks about Silicon Valley’s roots being grounded in hippy culture where there was freedom to create and innovate. The hippies may not have cared about material possessions, but they still needed to eat. So there was an entrepreneurial/bohemian/gypsy spirit where people made bracelets and such to sell at concerts and fairs.

Of course, a strange byproduct is this group of people who didn’t people care about material items laid the ground work that’s changed the world with computers and created some of the wealthiest people in the history of civilization. (Lawrence Kasden’s The Big Chill touched on the theme of how a group of friends went from not caring about material items to become full-bore materialists.)

Established places like Koinonia Farm (founded in 1942 ) in rural Georgia. were positioned well for Jesus movement when it formed in the ’60s. In 1969 Koinonia built their first house for the less fortunate, and the international group Habitat for Humanity (and President Jimmy Cater’s life work after leaving the White House) flowed from those efforts.

The early roots of Ligonier were also earthy, communal, and early church-like. Heck, I think even a few hippies were there. (Judging some of R.C. ‘s early photos I’d put him down as a beatnik.) Several documentaries and TV programs about the ’60s cover the aspect of how baby boomers were heading into the hills around the world in search of some form of spiritual enlightenment. One of those places was in Stahlstown, Pennsylvania—a rural area in the Ligonier Valley about an hour outside of Pittsburgh.

That’s where The Ligonier Valley Study Center was founded in 1971 and modeled a little after what theologian Francis Schaeffer started in Switzerland called L’Abri. (R.C. met with Schaffer before starting Ligonier.) A place where small groups of people came to stayed for days or weeks and learned more about the Bible, theology, and philosophy and how to live the Christian life.

One redemptive example from Ligonier’s early years was Chuck Colson who came to the study center after his release from prison for his role in Watergate. He was mentored one on one with R.C. before launching Prison Fellowship They work to reform inmates while in prison and prepare them to make the transition once released. Another example is Joni Eareckson Tada who listened to R.C.’s tapes after a diving incident left her paralyzed as a teenager. Despite once thinking she wasted her life she started Joni & Friends in 1979.  Her minsitry helps handicapped people around the world, including refurbishing 10,000 wheelchairs a year.

R.C. not only connected a lot of dots for me, he showed me a lot of dots I didn’t even know existed. Some of those dots I still don’t understand. And while I embrace a lot of mystery of faith, one key principle that R.C. taught that I clearly understood was that men and women are reveled in the Bible warts and all. And the beauty is—God still used them.

While technically theology proper is the study of God. R.C.’s talks covered not only the Bible and theology, but philosophy, the arts, sex, economics, ethics, Greek mythology—in fact, I’m not sure what realm he didn’t cover.

Of course, any theologian popping up on a screenwriting blog may seem unusual, but it’s not unheard of. If you can’t talk about the spiritual realm at Christmas time, when can you talk about it? One of the most respected screenwriter bloggers/teachers, Scott Myers of Go Into the Story, has an Masters of Divinity degree from Yale. And perhaps my first grownup theological lesson ever came from Taxi Driver screenwriter Paul Schrader  in an interview published in  The Craft of the Screenwriter.  (I first read that book in the early 80s when I was still in film school.)

In an interview with John Brady, Schrader lays out the doctrine of total depravity and how he used that in the screenplay for Hardcore (1979). A story about a man from Grand Rapids, Michigan searching for his daughter who’s become a prostitute in California. (Sort of a modern-day reworking of John Ford’s The Searchers.)

schrader_3372.jpg

Schrader’s book Transcendental Style in Film looks at the films of Yasajiro Ozu, Robert Bresson, and Carl Dreyer goes deeper on the topic. That book was published in 1988, when R.C. had relocated to Orlando. But it’s the kind of book that he would have discussed back in the early days when he talked about the foreign films.

There’s an episode of  Northern Exposure  titled A Wing and a Prayer where they arm wrestled over the doctrine of transubstantiation. I’ve always wondered where that episode came from. And you can’t talk about spirituality and films without talking about one of America’s greatest film directors who once wanted to be a priest:

“I’m not a theologian who could argue the Trinity. I’m certainly not interested in the politics of the institution. But the idea of the Resurrection, the idea of the Incarnation, the powerful message of compassion and love — that’s the key. The sacraments, if you are allowed to take them, to experience them, help you stay close to God.”
Oscar-winning director Martin Scorsese (The Mission, Silence)

From the many interviews I read and heard over the years, I wouldn’t say that Scorsese has a lot of company in Hollywood that share his views.  But if you look outside the Hollywood system you’ll find filmmakers over the years with more of a spiritual emphasis; Krzysztof Kieslowski (Decalogue)—who Roger Ebert called among the greatest filmmakers, Oscar-winning director Pawel Pawlikowski , and Andrei Tarkovsky.

If you’re unfamiliar with films with a spiritual bent check out these; Tender Mercies, Babett’s Feast, Koyaanisqatsi, Ida,  Departures, Grand Canyon, On the Waterfront, and Kurosawa’s Ikiru.

R.C.’s memorial service was this past Wednesday and the song they started the service with was the song Non Nobis Domine that ends the movie Henry V.  A song translated from the book of Psalms meaning, “Not unto us, O Lord, not unto us, but to thy name give the glory.” 

SLOUCHING TOWARDS BETHLEHEM

“Man is a useless passion. It is meaningless that we live and it is meaningless that we die.”
Jean-Paul Sartre

“I have come that they may have life, and that they may have it more abundantly.”
Jesus of Nazareth

Apparently we took the long road to Bethlehem on this post. But it’s Christmas Eve and churches will be filled with people singing songs about a baby in a manger; O Holy Night, Joy to the World, Hark! The Herald Angles Sing, Handel’s Messiah. 

Outside the churches people will sing Jingle Bells, Baby It’s Cold Outside, Santa Baby, and White Christmas. Christmas time in the United States is the meeting of the sacred and the secular.

The orginal Christmas in Bethlehem was a collision of the sacred and the secular on a cosmic level.  It turned the world upside down.

So much so that even the king of rock ‘n roll once became a theologian when he sang;

Silent night, holy night,
Shepherds quake at the sight;
Glories stream from heaven afar,
Heavenly hosts sing Alleluia!
Christ the Savior is born

 

Scott W. Smith

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And there’s that one particular harbour
Sheltered from the wind
Where the children play on the shore each day
And all are safe within

One Particular Harbour written by Jimmy Buffett & Bobby Holcomb

(Warning: Long post today. Only wrote it because I think it needed to be said. You might disagree, but that’s the purpose of discourse. If you want something short, here’s a link to the screenplay and the press kit for The Florida Project ).

Over the weekend I learned that there’s a Margaritaville Resort Orlando being built and it seemed like the perfect place to round out my run of posts centered around The Florida Project.

The Jimmy Buffett/Key West-inspired resort is being built in Kissimmee on U.S. Route 192 in the shadow of Disney World—and is just 10 miles away from The Magic Castle Inn and Suites where they filmed most of The Florida Project.

Since this is my last planned post on The Florida Project I must address the mouse in the room. Yes, there is much I admired about the acting, the writing, and the overall production of the movie including the cinematography of Alexis Zabe . 

I love that it shined a spotlight on the issue of the hidden homeless. And I’m glad it will now be an ongoing part of that conversation. The movie has a 100% top critic rating on Rotten Tomatoes and I think it will be remembered at Oscar-nomination time.

But the conversation that I haven’t read about is the responsibility of the mother Halley (Bria Vinaite) If she has a mental illness then we can end the discussion and know that her circumstances need to be addressed on a professional medical level.  But if she’s not mentally ill then it’s fair game to speculate how she got there and why she appears to be heading in the wrong direction.

This indie film is a character study, so let’s study Halley a little bit more. I like that screenwriters Sean Baker and Chris Bergosh didn’t give us a back story or dump a lot of exposition on us about Halley.

But how did she and her daughter come to live in a low-budget, extended stay hotel in Florida? (If she simply ran away from her problems at home with hopes of a new life in the palm trees then that path is well-worn and comes with the disclaimer: “Results may vary.”)

Perhaps The Florida Project isn’t about the problem that there’s not enough affordable housing in parts of the country (as some have said), but a cautionary tale on how not to live your life.

At every turn Halley shoots herself in the foot.

A while ago I saw a video on the internet (if I find it I’ll post it here) and the person was telling students that they only needed to do three things to have a shot at a good life in America. (In the U.S. there is the extra advantage over other parts of the world in that that clean drinkable water is a given.)

  1. Finish school. (At least high school, ideally college.)
  2. Don’t have a kid until you are out of school and can support yourself and your kid.
  3. Get a job. Keep it. And do it well.

What happens if you don’t accomplish any of those? Halley is Exhibit A. 

Too harsh? Maybe. Or maybe just the harsh reality of what happens to those who give the finger to any kind of structure in their lives. The Halley’s of the world are not going to make that 10 mile journey from The Magic Castle to Margaritaville Resort Orlando (or even a basic 1-bedroom apartment) without a lot of grace. And hard work.

One summer when I was in college I worked in a factory where if you punched in late to work you were given a warning, if you punched in late a second time you were sent home for the day, if you punched in late a third time, you were fired. Halley’s F.U. attitude has no chance of being hired at a place like that, or keeping a job like that if she got it.

There were factory workers there who had been through various hardships and challenges. Many were part of the working poor. Some lived at home and drank what they earned. One guy told me that if he didn’t take quaaludes he wouldn’t make it through the day.

You didn’t have to be Theodore Dreiser to know you were watching An American Tragedy unfoldOr part American tragedy and part of the American dream.  Some were taking a night class or two at a community college and chipping away at a degree and hoping for a better life. Heck, I bet the majority of them did okay. (Probably one or two are planning to move to Margaritaville Orlando as soon as it opens.)

If Halley is hoping for a better life, she’s sure not doing much to that end. (And I’m not sure another stripper job is the answer.) This is not the edgy character April in Pieces of April who has issues but is trying to make amends to her dying mother by cooking a turkey for her family  on Thanksgiving. No, this is a young woman hustling her way through life—and that includes her doing prostitution work in a hotel while her daughter hides in bathroom.

Halley appears to have no support system; no parents or grandparents to take her in, no boyfriend to share the load. The closest person that can bring her a hint of redemption is the manager Bobby (Willem Defoe) and he’s close to kicking her out of the hotel for bad behavior.

In literary terms Halley’s joined the end of the rope club. In real life the Halley’s of the world often end up dead sooner than later.

But they don’t have to. If you’re a Halley, find an extended family member, a social service group, or a faith-based group to help you get back on your feet. I don’t think anyway wants to see their daughter or sister go through what Halley (and by extension her daughter Moonee) go through in the movie. May you find shelter from the storm in that one particular harbour. (If you’re like Halley and in Central Florida contact the Coalition for the Homeless in Central Florida/407.426.1250. Their website says they’ve helped nearly 1,000 guests move from one of their programs to permanent housing just in the past year.)

It’s one thing for a movie to open our eyes, another thing to stir our hearts, but it’s all just poverty porn if all we do is talk about fine acting and beautiful cinematography.

P.S. Brooklynn Prince (who plays Halley’s daughter Moonee in The Florida Project) was named today as BEST YOUTH PERFORMANCE by the Seattle Film Critics Society.

Update: After I wrote this post I ended up reading dozens of reviews on The Florida Project before I came across this a Film Comment review by Cassie da Costa that gave a little push back: “We never get any particular sense of who Moonee and Halley are as individuals beyond their predicament and pluck, and why they are at the center of the movie, instead of, for instance, Scooty and Ashley, or Jancey and Stacy, or Bobby and the young delivery man named Jack who seems to be his son. It seems that all of these characters are on screen because they’re interesting—they have unpredictable, confrontational personalities, and live in a rarely depicted, insular community where their eccentricities interweave and conflict—but not because Baker has genuine emotional insight on them or their circumstances.”

Scott W. Smith

 

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“Of course Nebraska is a storehouse for literary material. Everywhere is a storehouse of literary material. If a true artist were born in a pigpen and raised in a sty, he would still find plenty of inspiration for work. The only need is the eye to see.”
Willa Cather
My Antonia

The Central Florida Project (CFP) was a success. Not to be confused with the movie The Florida Project, what I’m calling the CFP is in regard to the University of Central Florida football team. Two years ago they finished the season 0-12 and this season they finished 12-0 with an invitation to play Auburn in the Peach Bowl.

It was a remarkable turn around and much of the credit goes to coach Scott Frost. But Saturday in the roller coaster world of sports, shortly after Frost led UCF to an American Conference championship victory it was announced that he was taking the head football coach position at the University of Nebraska. Which is not only his Alma mater, and where he was the QB when Nebraska won a national championship in ’97, but also comes with a $35 million contract.

When someone asked me why Frost would leave sunny Orlando for the often cold midwest, I said I could think of 35 million reasons why. But first he’s going home. And second he has the chance to now work on The Nebraska Project.

A chance to restore the Nebraska football program.  One that’s been playing football since 1890 and was back to back national champions in the 70s and in the 90s. But also one that finished this season unranked at 4-8, and hasn’t had a top 10 finish in over 15 years.

Frost returning to Lincoln is ripped from the pages of Joseph Campbell’s The Hero with a Thousand Faces.  Frost’s ordinary world started in Wood River, Nebraska (population 1325) where he had a mentors, and he went through various tests and trails,  faced enemies, crossed thresholds, hit a wall, found a new direction, found redemption in taking a team from worst to first, and now he’s taking the elixir back home to Nebraska where his mentors proudly wait for him to restore an area to its former glory.  That’s the Hero’s Journey. It may not be a movie, but’s it dramatic and cinematic.  An ESPN 30 by 30 on it is probably already in the works, and the movie rights being negotiated.

But some wonder if top players these days can be drawn to a school in Lincoln, Nebraska. But I fall on the side that great players follow great coaches. I wouldn’t be surprised if Frost helped the Nebraska team finish in the top 25 next season, and in the top ten within four. Time will tell.

Back in 2008 Scott Frost and Nebraska’s new defensive coordinator Erik Chinander were assistance on the University of Northern Iowa football team in Cedar Falls, Iowa. That’s the same year and town where I started this blog.

Congrats to both Frost and Chinander—it’s good to see people rise up from somewhat smaller pockets of the country and get their moment in the spotlight on a national stage.

Related Posts:

“My Nebraska”
Screenwriting from Nebraska

Scott W. Smith

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“Most of us have some old pain or hurt that we don’t think about all the time, but which is always vulnerable on some level of awareness…To humanize a hero or any character, give her a wound, a visible, physical injury or deep emotional wound.”
Christopher Volger
The Writer’s Journey

Katie Holmes in “Pieces of April”

Since it’s Thanksgiving Day and I’ve been writing a string of posts the last couple of weeks on The Florida Project, I thought it would be fitting to repost some thoughts on Pieces of April That 2003 low-budget indie film set entirely on Thanksgiving Day could be a cousin of The Florida Project.

Both are simple yet complex films. Pieces of April starred Katie Holmes who played April, a different version of the Halley character (Bria Vinaite) in The Florida Project. 

Yesterday I stopped at a connivence store here in the Orlando area and saw a real life April/Halley. She looked around the same age as the girls those movies, but looked more tired, worn, and dirty. She sat leaning against a wall next to a large backpack.

Since I was stopping in the store for a protein bar I bought an extra one I was going to  give to her. A clerk came in from outside as I was checking out and said to the other clerk, “If she’s not gone in ten minutes, I’m calling the police. She’s been asked to leave three times.”

When I got outside she was still there and I gave her the protein bar and a dollar and she thanked me. It wasn’t a Thanksgiving dinner or the promise of a better life. But it was something. Sean Baker’s The Florida Project (co-written with Chris Begosh) may not change the world, but the words of playwright Tom Stoppard come to mind:

“I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you might nudge the world a little or make a poem that children will speak for you when you are dead.” 
Oscar-winning screenwriter Tom Stoppard (Shakespeare in Love)
Above quote spoken by character Henry in The Real Thing: A Play

Pieces of April was written and directed by Peter Hedges who was born and raised in Des Moines, Iowa. A fact I didn’t learn until years after falling in love with the movie.

In December of 1998, I received a phone call from my mother in Iowa. She had bad news. She’d been diagnosed with cancer. I went to her as soon as I could. She underwent radiation and chemotherapy. Over the next fifteen months, my sisters, my brothers, and I traveled back and forth to take care of her.

“During this time, my mother urged me to keep writing, but it was difficult. One day in my office in Brooklyn, I started opening files on my computer and came across notes I’d written a year earlier for a story about  girl with a broken oven trying to get her turkey cooked.

“In my notes, I had named the girl April after the moody, unpredictable month. The month when it is sunny one moment and rainy the next. In my notes, she was cooking Thanksgiving dinner for her family. Most surprising was the reason why I’d decided April was making the meal: She was attempting to bridge an estranged relationship with her mother who was sick with cancer. 

“That’s when I knew this was a story I had to write.”
Writer/director Peter Hedges
Pieces of April; The Shooting Script—Introduction

May you all write stories that “nudge the world a little.”

Happy Thanksgiving.

P.S. So after I wrote this post I saw the trailer for the Katie Homes directed the film All We Had about a mother-daughter relationship where “everything around us is collapsing.”

Related posts:
Goal. Stakes. Urgency. (Tip #60)
Protagonist= Struggle
Where Do Ideas Come From? (A+B+C)

Scott W. Smith

 

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“When I decided to continue to coach, I really did want to enjoy it. I really did want to have fun. And what better place than Miami can you have some fun? Gosh, it’s just been a blast.”
University of Miami head Coach Mark Richt
USA Today  (11/12/17)

(I’ll continue my run of posts on The Florida Project movie tomorrow, but give me a minute to talk about The Other Florida Project.)

Hurricane Mark is the main reason that Miami is ranked #2 in the Amway Coaches Poll this week. I never would have guessed that UM would be sitting next to the powerhouse Alabama team in November 2017. But as a fan I’m thrilled about it.

When University of Miami head coach Mark Richt (and former UM QB) was fired from the University of Georgia a couple of years ago there was not a Hurricane fan in the know who didn’t want Richt to return to his Alma mater.

The glory had long departed the program that had won five national championships between 1983-2001. My hopes was that UM would be back in the top ten on a regular basis in 3-5 years. Richt and his staff and players have made them into a national contenders in just two years.

And one of the fun things about watching the Hurricanes play this year is the five and a half pound sapphire-studded turnover chain that is draped around every Hurricane on defense that gets a fumble or an interception. Just a symbolic way to bring the swagger back to Miami. I can imagine what that imagery (and of course, the winner) is going to do for high school recruiting this season.

This won’t win me any points with Fighting Irish fans, but here are the highlights of the game yesterday when Miami defeated the favored Notre Dame team. After 15 years of traveling a bumpy road, allow a Hurricane fan to enjoy a moment of contentment.

Hurricane Irma.jpg

Smiling after Hurricane Irma only grazed Orlando in September, and hopeful for a decent season for the University of Miami football team

Related posts:
Postcard #24 (Coral Gables)
A24, the 305, the 407…and Drake
Miami Vs. Florida
#GetWellJimKelly

Scott W. Smith

 

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Two years ago I wrote a post about an up and coming baseball player named George Springer. Well last night he won the Willie Mays World Series MVP as he helped the Houston Astros win the World Series. So this seemed a good a time as any to repost my thoughts from April 2015 after I saw Springer played in a spring training game:

“The only thing I can control is how hard I play, my effort and my attitude.”
George Springer
USA Today interview (2014)
photo 2

You may have never heard of George Springer, but I think his career can help your career. Springer is not a screenwriter or filmmaker, but a professional baseball player with the Houston Astros.

This is the last week of spring training for Major League Baseball and since this past Monday it was a 75 degrees, perfect blue sky day in central Florida I drove out to Kissimmee, FL for a baseball game between the Astros and the Toronto Blue Jays.

I don’t follow baseball like I did as a kid and didn’t recognize a single player in the line-up for either team. It didn’t take long to learn Springer’s name because he made a spectacular play in right field when he saved a ball from being a home run to end the inning and on the next play hit a home run.

Turns out the 25-year-old Springer is starting his second year in the big leagues. Time will tell if he’ll become a star but he certainly has a lot of potential.  What does that have to do with screenwriting and filmmaking? This is the way I see it…Springer has had a lot of small victories to bring him where he is today.

He was a high school baseball star in Avon, Connecticut who attended the University of Connecticut on a scholarship. His freshman year of college he was named to the Baseball America Freshman All-America First Team. Two years later he was named the Big East Player of the Year and to several first team All-American teams.

In 2011 he was a first round draft pick of the Astros and had a nice signing bonus of $2.52 million. To develop as a player he played for several minor league teams in Corpus Christi, TX, Oklahoma City, Ok, Landcaster, CA and Troy, NY. His play was good enough in Texas he was voted the Texas League Player of the Year.

Last April he made his MLB debut, and the following month was named Rookie of the Month, before going on to hit 20 home runs in his rookie season. So when I saw him play earlier this week and make that great catch crashing into the right field fence, followed by his home run over the same right field fence—he’s been on a steady upward path for at least the past decade.

Dream big, start small. Consider it spring training for screenwriters. (And sometimes those small victories are just completing a script and starting the next one.)

P.S. Below is a micro doc I made on Tinker Field last year after I learned it was going to torn down. There were some protests which delayed the process, but I just learned that next week the demolition will begin on the former spring training facility.

4/19/15— Just ten days after I wrote this post Springer made perhaps the greatest catch of his career basically duplicating the catch I saw in spring training, but this time robbing a player of a walk-off grand slam home run in the 10th inning of a regular season game. See Springer’s game saving catch.

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Scott W. Smith

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